Nashville's divas proved their mettle and showed their immense talents in 2010 while assaying some of the most challenging and best loved roles in all of musical theater. Ranging from classic musical comedy heroines that any actress would love to play to newer, more contemporary characters, Music City's women were given the opportunity to showcase their multitude of talents on various stages while again proving they are capable of virtually anything - and everything. Here are our choices for the top ten musical performances by an actress in 2010...
'There are no small parts, only small actors,' goes the old theatrical saw that's tossed about willy-nilly to encourage budding thespians to take on roles they suspect might be beneath them and their lofty stature. But, of course, there's much truth to be found in the axiom and you will certainly see it brought to life in the efforts of the members of many acting ensembles, particularly those considered among the best in Nashville's 2010 theater season:
Not all of the Top Ten Lists announced at Winter's First Night on Sunday, January 9, were serious, high-toned salutes to all that is special and spectacular about live theater in Nashville. Sure, most of them were heartfelt and memorable, but some were (how shall I put this?) off-kilter, tongue-in-cheek and just plain fun. And not all the lists were limited to only ten entries; in fact, some had many more than that. But, for your reading pleasure, we present them to you without any real explanation. You'll have to figure that all out for yourself!
If you find yourself venturing outside of New York, and you want to see some really good musical theater, what should you do? Allow me to suggest a visit to my neck o' the woods: A trip to Nashville might provide you with exactly what you seek. After all, in a city perhaps best known throughout the world as Music City USA, what else could you expect but some exceedingly well-cast, well-produced, well-played and well-sung musical theater? We're lousy with exceptional singers and musicians and, as a result, musical theater is alive and well - and thriving - in Nashville. And here's my list of the Best Musicals of 2010...
With a trio of powerful leading performances from Ben Van Diepen, Ciaran McCarthy and Laura Matula, the Boiler Room Theatre production of Jonathan Larson's Pultizer Prize-winning Rent may well be the finest interpretation of the groundbreaking musical we've ever seen. Certainly, we've never seen a more passionate or more engaging mounting of Rent and the cast assembled by director Corbin Green deserve every accolade possible for the obviously heartfelt rendering they give Larson's work.
Boiler Room Theatre, in the historic Factory at Franklin, opens its production of Jonathan Larson's Rent on Friday night, October 1, preceded by a gala celebration at South Gate Studios from 5:30 to 7:30 p.m.
With a cast of 125 performers, a seven-member band, the show's running crew and a smattering of other people holding forth, the backstage scene at last Sunday night's First Night Nashville Theatre Honors was a virtual stage show in itself with all the hustle and bustle amid the hushed tones associated with the backstage area of a huge theatrical production.
Ciaran McCarthy gives such a stunningly raw and beautifully nuanced performance as film director Guido Contini in Boiler Room Theatre's production of Nine that it would be easy to lavish praise on him and leave it at that. But he is surrounded by a cast of women (and one very talented young man) who are wonderfully cast and who deliver performances that match McCarthy's in intensity and artistry. In other words: Don't even think of missing this show!
What with all the star power of the assembled cast - featuring such theatre luminaries as Heather Headley, Alli Mauzey, Jodi Benson and Anthony Fedorov - it should come as something of a surprise that showHOPE's concert version of Rodgers and Hammerstein's Cinderella was very nearly stolen out from under them by some homegrown Nashville talent. No matter how you look at it, Cinderella was a completely magical and enchanting success, but had it not been for Nashville's very own Nan Gurley, Bonnie Keen and Carolyn German as Cinderella's nefarious stepfamily, the show wouldn't have been anywhere near as good as it actually was.
For Matt Logan, staging a special concert version of Rodgers and Hammerstein's Cinderella is the culmination of a long-held dream of his to bring just such a production to his hometown of Nashville, perhaps best known as Music City USA. Now, with Nashville rebuilding after devastating floods in early May, the benefit performance for Mary Beth and Steven Curtis Chapman's showHOPE organization is perhaps even more timely -- and it has certainly taken on a deeper meaning and a more compelling resonance.
Laura Thomas Sonn and Ciaran McCarthy lead the cast as Luisa and Matt, the star-crossed lovers in Boiler Room Theatre's production of The Fantasticks, opening Friday, March 19 and running through Saturday, April 17, at the theatre located in The Factory at Franklin, 230 Franklin Road, Building Six. Will Sevier stars as El Gallo.
McCarthy's boyishly appealing Matt, Sonn's winsomely beguiling Luisa and Sevier's beautifully sung El Gallo are, clearly, the lynchpins that guarantee audiences will respond favorably to the show, and they are given ample support from a gifted veteran cast assembled by Morton. Morton's direction is sure-handed and confident, with her obvious care and genuine affection for the piece apparent throughout the quickly moving production. Coupled with Green's exquisite musical direction and the accompaniment of his three-person band which ensures that the actors have the requisite musical underpinnings for their performances, The Fantasticks lends further credence to Boiler Room's ever-expanding reputation as a thoroughly professional theatrical venue in a city where musical theatre truly shines.
The Boiler Room Theatre (in The Factory at Franklin, 230 Franklin Road, Bldg Six, Franklin) continues its 10th Anniversary season with the romantic and charming musical 'The Fantasticks.'
Laura Thomas Sonn and Ciaran McCarthy lead the cast as Luisa and Matt, the star-crossed lovers in Boiler Room Theatre's production of The Fantasticks, opening Friday, March 19 and running through Saturday, April 17, at the theatre located in The Factory at Franklin, 230 Franklin Road, Building Six. Will Sevier stars as El Gallo.
The Boiler Room Theatre (in The Factory at Franklin, 230 Franklin Road, Bldg Six, Franklin) continues its 10th Anniversary season with the romantic and charming musical 'The Fantasticks.'
While the women in Nashville theatre might garner more critical attention, showier roles and sparklier costumes, the men, clearly, are no slouches themselves. Capable and committed, the men who assay roles on Nashville stages are a pretty impressive collection of actors who can take on the most traditional of roles one week, while tackling parts that require them to be more experimental and brave the next. In 2009, Nashville's best actors showed their range while strutting themselves in some of the best productions we've seen in years.
Green has long been heralded as one of the region's finest music directors, while Ditty has gained a justifiably stellar reputation as one of the best choreographers around. With this production, which exemplifies the term 'all-singing, all-dancing,' it's apropos then that the two would share the directing credit. Obviously, from the first notes of the overture to the final tormented moments of Jesus Christ's death on the cross, the shared vision of the two men is vividly portrayed and stunningly realized. The work, widely considered the first 'rock opera,' is movingly exhilarating, taking audiences on a veritable rollercoaster ride of emotional highs and lows.
Andrew Lloyd Webber and Tim Rice's historic rock opera Jesus Christ Superstar bows at Boiler Room Theatre Friday night, August 21, continuing through September 19 at the Franklin theatre. Directed by Jamey Green, with choreography by Billy Ditty, Jesus Christ Superstar is widely regarded as the first rock opera, originally created as a concept album at the end of the '60s.
Andrew Lloyd Webber and Tim Rice's historic rock opera Jesus Christ Superstar bows at Boiler Room Theatre Friday night, August 21, continuing through September 19 at the Franklin theatre. Directed by Jamey Green, with choreography by Billy Ditty, Jesus Christ Superstar is widely regarded as the first rock opera, originally created as a concept album at the end of the '60s.
The Boiler Room Theatre (BRT), Williamson County?s resident professional theatre company, will present Andrew Lloyd Webber?s rock opera Jesus Christ Superstar, beginning Aug. 21, 2009 at the theater, located in the historic Factory at Franklin, 230 Franklin Rd., Building Six, for a run through Sept. 19, 2009.
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