Toronto – The world premiere of a new Canadian work was one of the many operatic highlights revealed today at the public launch of the Canadian Opera Company's 2015/2016season at the Four Seasons Centre for the Performing Arts. The COC's 65th season is once again comprised entirely of company productions, four of which are new to Toronto audiences, and features the COC's first mainstage world premiere since 1999, COC premieres of opera rarities and the revival of classic masterpieces.
Lincoln Center for the Performing Arts and the New York Philharmonic today announced plans for the two organizations to collaborate on a new, multi-year opera initiative to present fully-staged productions of significant modern operas not yet seen in New York.
Lincoln Center for the Performing Arts and the New York Philharmonic today announced plans for the two organizations to collaborate on a new, multi-year opera initiative to present fully-staged productions of significant modern operas not yet seen in New York.
Houston Grand Opera drew the season to a close with hit new productions of Das Rheingold and Carmen that prompted CultureMap Houston to conclude: 'This is, without doubt, the epitome of early twenty-first century opera production. It's where we are going, and it's thrilling.'
Houston Grand Opera, which opened a lavish production of DAS RHEINGOLD this past weekend, is proudly kicking off their first Ring Cycle by Richard Wagner. Like any modern production of Wagner's Ring Cycle, Houston Grand Opera is sparing no expense. At Sunday's matinee, the audience leapt to their feet for curtain call and clamored excitedly about this show and what's still to come in the cycle.
Houston Grand Opera's first ever Ring Cycle is about to kick off with what is promised to be a spellbinding and incredibly visual production of Richard Wagner's DAS RHEINGOLD. As audiences grow all the more eager to see the show of this groundbreaking show, I chatted with Christopher Purves, who is portraying Alberich, about his career and what audiences could expect from this and highly anticipated production.
The new year has already brought notable success for Houston Grand Opera (HGO), where the hotly anticipated American premiere of the long-lost Holocaust opera The Passenger-hailed by the Associated Press as 'the latest coup for a company known for producing new works'-took the national and local press by storm, and where the company's Rigoletto revival was pronounced 'glorious' (Theater Jones). These accolades come at an exciting time for the company, which continues this season's extraordinary line-up with the launch of the first American presentation of a visionary and groundbreaking treatment of Das Rheingold by La Fura dels Baus; the world premiere of Ricky Ian Gordon's A Coffin in Egypt, named one of the twelve 'must-see opera events of the season' (Opera News); a new HGO production of Carmen from Broadway sensation Rob Ashford; and Stephen Sondheim's A Little Night Music, which boasts designs by fashion icon Isaac Mizrahi.
The new year has already brought notable success for Houston Grand Opera (HGO), where the hotly anticipated American premiere of the long-lost Holocaust opera The Passenger-hailed by the Associated Press as 'the latest coup for a company known for producing new works'-took the national and local press by storm, and where the company's Rigoletto revival was pronounced 'glorious' (Theater Jones). These accolades come at an exciting time for the company, which continues this season's extraordinary line-up with the launch of the first American presentation of a visionary and groundbreaking treatment of Das Rheingold by La Fura dels Baus; the world premiere of Ricky Ian Gordon's A Coffin in Egypt, named one of the twelve 'must-see opera events of the season' (Opera News); a new HGO production of Carmen from Broadway sensation Rob Ashford; and Stephen Sondheim's A Little Night Music, which boasts designs by fashion icon Isaac Mizrahi.
Earlier today, TSO Music Director Peter Oundjian announced the 2014/2015 season of the Toronto Symphony Orchestra (TSO), the Orchestra's 93rd season. The 2014/2015 season also marks the beginning of the Maestro's second decade on the podium with the TSO.
American soprano Patricia Racette, known throughout the world for her portrayal of Cio-Cio-San (a.k.a. Madama Butterfly), will star in the Lyric Opera of Chicago production of Puccini's ever-popular masterpiece, Madama Butterfly, which opens at Lyric tonight, January 11. There will be six performances - Jan. 11, 14, 17, and 20 beginning at 7:30pm, and Jan. 23 and 26 beginning at 2pm.
American soprano Patricia Racette, known throughout the world for her portrayal of Cio-Cio-San (a.k.a. Madama Butterfly), will star in the Lyric Opera of Chicago production of Puccini's beloved masterpiece, Madama Butterfly, which opens at Lyric with a new cast this Saturday, January 11. There will be six performances - Jan. 11, 14, 17, and 20 beginning at 7:30pm, and Jan. 23 and 26 beginning at 2pm.
American soprano Patricia Racette, known throughout the world for her portrayal of Cio-Cio-San (a.k.a. Madama Butterfly), will star in the Lyric Opera of Chicago production of Puccini's ever-popular masterpiece, Madama Butterfly, which opens at Lyric on Saturday, January 11. There will be six performances – Jan. 11, 14, 17, and 20 beginning at 7:30pm, and Jan. 23 and 26 beginning at 2pm.
For the first time since the 1985-86 season, a new-to-Chicago production of Puccini's beloved Madama Butterfly is about to open its wings at Lyric Opera of Chicago.
Hailed by critics as one of the world's leading Baroque soloists, soprano Carolyn Sampson performs a program of Purcell's songs and arias in Weill Recital Hall tonight, Thursday, October 10 at 7:30 p.m. Ms. Sampson is joined by period instrumentalists Beiliang Zhu, viola da Gamba, Paul O'Dette, lute, and Kenneth Weiss, harpsichord, during her New York recital debut.
Hailed by critics as one of the world's leading Baroque soloists, soprano Carolyn Sampson performs a program of Purcell's songs and arias in Weill Recital Hall on Thursday, October 10 at 7:30 p.m. Ms. Sampson is joined by period instrumentalists Beiliang Zhu, viola da Gamba, Paul O'Dette, lute, and Kenneth Weiss, harpsichord, during her New York recital debut.
Predicted to become 'one of the defining operas of the early 21st century' by Opera Today, Nimbus' highly-anticipated world premiere recording of George Benjamin's Written on Skin will be available in North American today, July 9 from Allegro Classical.
Predicted to become 'one of the defining operas of the early 21st century' by Opera Today, Nimbus' highly-anticipated world premiere recording of George Benjamin's Written on Skin will be available in North American on July 9 from Allegro Classical.
Lyric Opera of Chicago and its general director, Anthony Freud, announced the lineup for Lyric's 2013-14 season today. Joseph Calleja, Joyce DiDonato, Nathan Gunn, Thomas Hampson, Ana Maria Martinez, Matthew Polenzani, and Patricia Racette are among those headlining the new season's offerings. These comprise 67 performances of eight different operas, beginning October 5, 2013 and concluding March 23, 2014: new productions of Parsifal, La traviata, The Barber of Seville, and Rusalka (Lyric premiere); a revival of Otello; and new-to-Chicago stagings of Madama Butterfly, Die Fledermaus, and La clemenza di Tito. Lyric's music director, Sir Andrew Davis, will lead three operas, and guest conductors Marco Armiliato, Bertrand de Billy and Michele Mariotti will make their house debuts. Additionally, Lyric will present a new production of Rodgers and Hammerstein's The Sound of Music in the spring of 2014, continuing the company's American Musical Theater Initiative, and Davis will conduct a special Subscriber Appreciation Concert in March featuring Lyric's creative consultant - the star soprano Renee Fleming - with tenor Jonas Kaufmann.
Lyric Opera of Chicago and its general director, Anthony Freud, announced the lineup for Lyric's 2013-14 season today. Joseph Calleja, Joyce DiDonato, Nathan Gunn, Thomas Hampson, Ana Maria Martinez, Matthew Polenzani, and Patricia Racette are among those headlining the new season's offerings. These comprise 67 performances of eight different operas, beginning October 5, 2013 and concluding March 23, 2014: new productions of Parsifal, La traviata, The Barber of Seville, and Rusalka (Lyric premiere); a revival of Otello; and new-to-Chicago stagings of Madama Butterfly, Die Fledermaus, and La clemenza di Tito. Lyric's music director, Sir Andrew Davis, will lead three operas, and guest conductors Marco Armiliato, Bertrand de Billy and Michele Mariotti will make their house debuts. Additionally, Lyric will present a new production of Rodgers and Hammerstein's The Sound of Music in the spring of 2014, continuing the company's American Musical Theater Initiative, and Davis will conduct a special Subscriber Appreciation Concert in March featuring Lyric's creative consultant - the star soprano Renee Fleming - with tenor Jonas Kaufmann.
