Opening its 28th Season, Lookingglass Theatre Company presents the World Premiere of Treasure Island, adapted and directed by Mary Zimmerman from the book by Robert Louis Stevenson in a co-production with Berkeley Repertory Theatre. Treasure Island runs October 7, 2015 - January 31, 2016 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. The Press Opening is Saturday, October 17, 2015 at 7:30 p.m. Single tickets to Treasure Island go on sale to the general public on August 12, 2015.
Due to ticket demand, Lookingglass Theatre Company has added three weeks of performances to the World Premiere of Moby Dick, adapted and directed by ensemble member David Catlin from the book by Herman Melville, produced in association with The Actors Gymnasium. Moby Dick, which was originally scheduled through August 9, is now running June 10 - August 28, 2015 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. The Press Opening is Saturday, June 20, 2015 at 7:30 p.m.
Continuing its 27th Season, Lookingglass Theatre Company presents the World Premiere of Moby Dick, adapted and directed by ensemble member David Catlin from the book by Herman Melville, produced in association with The Actors Gymnasium. Moby Dick runs today, June 10 - August 9, 2015 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. The Press Opening is Saturday, June 20, 2015 at 7:30 p.m. Tickets for Moby Dick go on sale April 15.
Continuing its 27th Season, Lookingglass Theatre Company presents the World Premiere of Moby Dick, adapted and directed by ensemble member David Catlin from the book by Herman Melville, produced in association with The Actors Gymnasium. Moby Dick runs June 10 - August 9, 2015 at Lookingglass Theatre Company, located inside Chicago's historic Water Tower Water Works, 821 N. Michigan Ave. at Pearson. The Press Opening is Saturday, June 20, 2015 at 7:30 p.m. Tickets for Moby Dick go on sale April 15.
Downton Abbey meets Eugene O'Neill in Ronan Noone's new play THE SECOND GIRL, the story of what goes on in the servants' kitchen while O'Neill's fictional Tyrone family suffer through their very long day's journey into night upstairs.
Music has the power to touch the human spirit, transcending time, place, boundaries and language and spurring understanding and connection. The Pittsburgh Symphony Orchestra and Music Director Manfred Honeck are deeply committed to music's ability to promote and spread a spiritual and universal message, and to that end invite the public to two free 'Music for the Spirit' concerts tonight, November 20 at 7:30 p.m. in Westminster Presbyterian Church in Upper St. Clair and on Saturday, November 22 at 8 p.m. at Cardinal Wuerl North Catholic High School in Cranberry.
Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present Court Founding Artistic Director Nicholas Rudall's translation of Euripides' Iphigenia in Aulis, directed by Charles Newell. Iphigenia in Aulis will run through December 7, 2014 at Court Theatre, 5535 S. Ellis Avenue. Click below to watch highlights from the production!
Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present Court Founding Artistic Director Nicholas Rudall's translation of Euripides' Iphigenia in Aulis, directed by Charles Newell. Iphigenia in Aulis will run through December 7, 2014 at Court Theatre, 5535 S. Ellis Avenue. Press Opening is this Saturday, November 15, 2014 at 8:00PM. BroadwayWorld has a first look at the cast onstage below!
Music has the power to touch the human spirit, transcending time, place, boundaries and language and spurring understanding and connection. The Pittsburgh Symphony Orchestra and Music Director Manfred Honeck are deeply committed to music's ability to promote and spread a spiritual and universal message, and to that end invite the public to two free "Music for the Spirit" concerts on Thursday, November 20 at 7:30 p.m. in Westminster Presbyterian Church in Upper St. Clair and on Saturday, November 22 at 8 p.m. at Cardinal Wuerl North Catholic High School in Cranberry.
Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present Court Founding Artistic Director Nicholas Rudall's translation of Euripides' Iphigenia in Aulis, directed by Charles Newell. Iphigenia in Aulis will run November 6 - December 7, 2014 at Court Theatre, 5535 S. Ellis Avenue. Press Opening is Saturday, November 15, 2014 at 8:00PM.
Best-known for his roles in The Amazing Spider-Man, Royal Pains and The Exorcism of Emily Rose, Campbell Scott takes to the Weston Playhouse stage for Anton Chekhov's wistful comedy, Uncle Vanya. Scott is playing the role of Astrov, the forlorn visionary philosopher in this timeless play in which tempers flare and passions are ignited when an aging professor returns with his beautiful young wife to his family's country estate. In an interesting spin, the Weston production is set in contemporary Vermont. This last show of the season is sponsored by the Vermont Country Store and has a limited engagement, today, August 28 - September 6.
Best-known for his roles in The Amazing Spider-Man, Royal Pains and The Exorcism of Emily Rose, Campbell Scott takes to the Weston Playhouse stage for Anton Chekhov's wistful comedy, Uncle Vanya. Scott is playing the role of Astrov, the forlorn visionary philosopher in this timeless play in which tempers flare and passions are ignited when an aging professor returns with his beautiful young wife to his family's country estate. In an interesting spin, the Weston production is set in contemporary Vermont. This last show of the season is sponsored by the Vermont Country Store and has a limited engagement, August 28 - September 6.
Tom Waits tunes and Teller magic create a haunting and ethereal mood for THE TEMPEST at American Repertory Theater in Cambridge, Mass., but despite its brilliant execution, this inventive and entertaining adaptation doesn't quite deliver the perfect storm.
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Diane Paulus, Artistic Director and William Russo, Managing Director; presents the last production of its 2013/14 Season, THE TEMPEST, adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan, and movement by Matt Kent of Pilobolus.
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Diane Paulus, Artistic Director and William Russo, Managing Director, presents the last production of its 2013/14 Season, THE TEMPEST, adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan, and movement by Matt Kent of Pilobolus.
The Smith Center for the Performing Arts has now added a third and final week of performances for the world premiere of THE TEMPEST, which will now play April 6-27, with special preview performances April 1-4. The opening night celebration will take place on Saturday, April 5. Produced in association with the American Reparatory Theater (A.R.T.), THE TEMPEST is adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan and movement by Matt Kent of Pilobolus. THE TEMPEST will perform at The Smith Center's Donald W. Reynolds Symphony Park in a 500-seat climate-controlled tent. Tickets start at $35 for regular performances and $25 for preview performances. Tickets for the opening night celebration are $150 and include an exclusive post-show reception. All tickets are on sale now at The Smith Center box office, online at www.TheSmithCenter.com or by phone at (702) 749-2000.
The American Repertory Theater (A.R.T.) at Harvard University, under the leadership of Diane Paulus, Artistic Director and William Russo, Managing Director; announced today the company for the last production of its 2013/14 Season, THE TEMPEST, adapted and directed by Aaron Posner and Teller from the play by William Shakespeare, with magic by Teller, music by Tom Waits and Kathleen Brennan, and movement by Matt Kent of Pilobolus.
Nineteenth century London comes to life when Tiny Tim, Bob Cratchit and Ebenezer Scrooge go on a fantastical journey thorough Christmas Past, Present and Future. Filled with beautiful music, stunning costumes and joyous dancing, Dickens' classic masterpiece celebrates its 38th year at Milwaukee Repertory Theater. Proudly sponsored this year by Wells Fargo, this beloved holiday tradition has delighted families for generations at the historic Pabst Theater. Adapted by Joseph Hanreddy and Edward Morgan, Dickens' A Christmas Carol brightens the holiday season with its timeless message of hope, peace and love and the true meaning of the holidays. Check out a first look below!
Nineteenth century London comes to life when Tiny Tim, Bob Cratchit and Ebenezer Scrooge go on a fantastical journey thorough Christmas Past, Present and Future. Filled with beautiful music, stunning costumes and joyous dancing, Dickens' classic masterpiece celebrates its 38th year at Milwaukee Repertory Theater. Proudly sponsored this year by Wells Fargo, this beloved holiday tradition has delighted families for generations at the historic Pabst Theater. Adapted by Joseph Hanreddy and Edward Morgan, Dickens' A Christmas Carol brightens the holiday season with its timeless message of hope, peace and love and the true meaning of the holidays.
As the cast of 42nd Street 'shuffles off to Buffalo,' the Weston Playhouse stage is being set for its final show of the season, To Kill a Mockingbird. Written more than half a century ago, Harper Lee's novel remains a beloved bestseller and is quite possibly one of the most influential novels of the 20th Century. Compassionate and deeply moving, the American masterpiece portraying racial injustice in the deep south will grace the Weston Playhouse stage for the first time.
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