Berkeley's acclaimed Aurora Theatre Company presents the first Aurora Script Club meeting of the season with Sam Shepard's Pulitzer Prize-winning play Buried Child. Aurora Theatre Company Education Director Michael Mansfield begins his second season as host for this moderated discussion series.
Magic Theatre, San Francisco's premiere home for new plays, kicks off its 2009-2010 Season with Goldfish and the world premiere of Mrs. Whitney - two plays by John Kolvenbach playing in rep this fall.
Due to popular demand, Aurora Theatre Company has added an additional performance of its 18th season opener, Clifford Odets' classic Depression-era drama Awake and Sing!, to the existing performance schedule - there will be an additional performance on Saturday, September 26 at 2pm. Awake and Sing! plays now through September 27 at the Aurora Theatre in Berkeley.
Aurora Theatre Company sets the tone for its 18th season, a season focusing on ?family and fortune,? opening with Clifford Odets? classic Depression-era drama AWAKE AND SING! First produced in 1935 by the Group Theatre, AWAKE AND SING! covers a year in the life of an extended Jewish family that does whatever it takes to survive life in the Bronx.
Aurora Theatre Company opens its 18th season, focusing on 'family and fortune,' with Clifford Odets' classic Depression-era drama AWAKE AND SING! Bay Area theater veteran Joy Carlin (Jack Goes Boating, Hysteria, The Price), who first directed this play for Berkeley Repertory Theatre 24 years ago, revisits this landmark drama for Aurora.
Berkeley's acclaimed Aurora Theatre Company celebrated the official completion of the company's Addison Street expansion wing, The Nell and Jules Dashow Wing, named in honor of lead donor Deborah Ruth's parents, at a special opening event held in the new space on August 17.
Berkeley's acclaimed Aurora Theatre Company presents the first Aurora Script Club meeting of the season with Sam Shepard's Pulitzer Prize-winning play Buried Child. Aurora Theatre Company Education Director Michael Mansfield begins his second season as host for this moderated discussion series.
Berkeley's acclaimed Aurora Theatre Company announced today the official completion of the company's Addison Street expansion wing, The Nell and Jules Dashow Wing, named in honor of lead donor Deborah Ruth's parents.
Berkeley's acclaimed Aurora Theatre Company announced today the official completion of the company's Addison Street expansion wing, The Nell and Jules Dashow Wing, named in honor of lead donor Deborah Ruth's parents.
Aurora Theatre Company opens its 18th season, focusing on 'family and fortune,' with Clifford Odets' classic Depression-era drama AWAKE AND SING! Bay Area theater veteran Joy Carlin (Jack Goes Boating, Hysteria, The Price), who first directed this play for Berkeley Repertory Theatre 24 years ago, revisits this landmark drama for Aurora.
Today Berkeley Repertory Theatre announced an addition to the royally talented cast of You, Nero. Mike McShane - the popular comic who became a regular on Whose Line is it Anyway? - takes the local stage for the first time in more than 20 years to perform in this smart and sassy show.
Aurora Theatre Company sets the tone for its 18th season, a season focusing on "family and fortune," opening with Clifford Odets' classic Depression-era drama AWAKE AND SING! First produced in 1935 by the Group Theatre, AWAKE AND SING! covers a year in the life of an extended Jewish family that does whatever it takes to survive life in the Bronx.
Even as it announces a new season filled with hot plays and another show bound for Broadway, Berkeley Repertory Theatre concludes its current season with the world premiere of a smart and sassy script featuring favorite local artists: You, Nero, a new comedy written by Amy Freed and directed by Sharon Ott, rules the Thrust Stage this spring. Starring Danny Scheie as the preposterous emperor of ancient Rome, You, Nero begins previews on May 15, opens May 20, and closes June 28.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon.
In her 13 years as artistic director of Berkeley Repertory Theatre, Sharon Ott led the company to new artistic heights, national prestige, and a well-deserved Tony Award. Now, after a 12-year absence, she returns with a gripping production of Fyodor Dostoevsky's classic Crime and Punishment. The scene of this Crime is Berkeley Rep's intimate Thrust Stage, where Ott earned her reputation as a dazzling director. The show begins previews on February 27, opens March 4, and closes March 29. Its executive producers are John and Helen Meyer and Richard H. Rubin and H. Marcia Smolens, with production sponsorship from the Bernard Osher Foundation. BART and Wells Fargo are the season sponsors for Berkeley Rep's 41st year of fearless theatre.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon. With movement by award-winning opera, theater, and ballet choreographer Daniel Pelzig and featuring original music composed by John Glover alongside an eclectic selection of rock and pop music, War Music cements A.C.T.'s position as the Bay Area home of unique fusion works in the vein of such groundbreaking pieces as The Overcoat and The Black Rider.
American Conservatory Theater (A.C.T.) presents the world premiere of a visionary work of epic proportions, War Music, adapted and directed by Lillian Groag (A.C.T.'s The Rivals) based on Christopher Logue's ravishing translation of the Iliad. In a wildly theatrical, totally modern interpretation of one of the mightiest conflicts of all time, Groag reignites the wrath of Greek warrior Achilles against his archrival, Agamemnon.
In her 13 years as artistic director of Berkeley Repertory Theatre, Sharon Ott led the company to new artistic heights, national prestige, and a well-deserved Tony Award. Now, after a 12-year absence, she returns with a gripping production of Fyodor Dostoevsky's classic Crime and Punishment. The scene of this Crime is Berkeley Rep's intimate Thrust Stage, where Ott earned her reputation as a dazzling director. The show begins previews on February 27, opens March 4, and closes March 29. Its executive producers are John and Helen Meyer and Richard H. Rubin and H. Marcia Smolens, with production sponsorship from the Bernard Osher Foundation. BART and Wells Fargo are the season sponsors for Berkeley Rep's 41st year of fearless theatre.
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