Widely regarded as one of the greatest operas ever composed, Don Giovanni returns to Philadelphia in five performances at the Academy of Music, today, April 25-May 4, 2014, weaving the tale of the legendary rake Don Juan in Mozart's alternately playful and dramatic musical masterpiece. With an ingenious staging of masquerades, trapdoors and mirrored panels, the production shines a spotlight on opera's most infamous scoundrel in a timeless classic of comedy and tragedy set to music of limitless genius. Mozart's anti-hero has a personality so engaging that audiences will wonder why they are rooting for him as he charms and abandons women at will, until his darkest side emerges.
Reviving important but neglected operas is one of the ways the Bard SummerScape festival in New York's Annandale-on-Hudson has established itself, and this year's immersion in "Schubert and His World" - culminating in the 25th-anniversary season of the Bard Music Festival - is no exception. To enrich its exploration of the roots of Austro-German Romanticism, Bard presents Euryanthe (1823) by Schubert's contemporary Carl Maria von Weber, marking the opera's first American revival in 100 years. Headlined by Ellie Dehn, Bard's original staging is by Kevin Newbury, creator of SummerScape's production of Richard Strauss's Die Liebe der Danae. Euryanthe's five performances (July 25, 27 & 30; August 1 & 3) feature the festival's resident American Symphony Orchestra under the leadership of music director Leon Botstein, who also leads semi-staged performances of Schubert's own seldom-heard opera Fierrabras starring Joseph Kaiser, best known for his leading role in Kenneth Branagh's film adaptation of The Magic Flute, on August 17, and of a double-bill of rarities - Schubert's one-act Singspiel Die Verschworenen and Franz von Suppe's operetta Franz Schubert - on August 10.
Widely regarded as one of the greatest operas ever composed, Don Giovanni returns to Philadelphia in five performances at the Academy of Music, April 25-May 4, 2014, weaving the tale of the legendary rake Don Juan in Mozart's alternately playful and dramatic musical masterpiece. With an ingenious staging of masquerades, trapdoors and mirrored panels, the production shines a spotlight on opera's most infamous scoundrel in a timeless classic of comedy and tragedy set to music of limitless genius. Mozart's anti-hero has a personality so engaging that audiences will wonder why they are rooting for him as he charms and abandons women at will, until his darkest side emerges.
To marry or murder in order to reclaim the throne and family honor? That is the incendiary question propelling Mozart's La Clemenza di Tito at Lyric Opera of Chicago. This tale of politics, power, and high passion opens tonight, March 5 with seven performances through Sunday, March 23. Sir Andrew Davis conducts the new-to-Chicago production by famed director Sir David McVicar starring the internationally acclaimed Matthew Polenzani, Joyce DiDonato, and Amanda Majeski.
Lyric Opera of Chicago presents Mozart's La Clemenza di Tito, conducted by Sir Andrew Davis in a new-to-Chicago production by famed director Sir David McVicar. It opens on Wednesday, March 5 with seven performances through Sunday, March 23. Performance dates are tonight, March 5 and March 8, 11, 14, 17, and 20, all at 7:30 pm, with a matinee at 2 pm on Sunday, March 23.
Lyric Opera of Chicago presents Mozart's La Clemenza di Tito, conducted by Sir Andrew Davis in a new-to-Chicago production by famed director Sir David McVicar. It opens on Wednesday, March 5 with seven performances through Sunday, March 23. Performance dates are March 5, 8, 11, 14, 17, and 20, all at 7:30 pm, with a matinee at 2 pm on Sunday, March 23.
The Canadian Opera Company unveiled a season dominated by the most important, respected and talked-about artists working on the operatic world stage today at a public launch of its 2014/2015 season at the Four Seasons Centre for the Performing Arts.
Carnegie Hall's Weill Music Institute presents The Song Continues, an annual series led by renowned mezzo-soprano Marilyn Horne, designed to explore the song repertoire through workshops and concerts with the goal of encouraging, supporting, and preserving the art of the vocal recital. This year also marks Ms. Horne's 80th birthday and in celebration, The Song Continues series concludes with a recital honoring Ms. Horne and featuring an all-star line-up of special guest artists on Thursday, January 16 at 7:30 p.m. in Zankel Hall. The evening's concert, hosted by Samuel Ramey and Frederica von Stade, will feature appearances by vocalist Barbara Cook; soprano Renee Fleming; mezzo-sopranos Jamie Barton and Isabel Leonard; countertenor David Daniels; tenor Piotr Becza?a; and many more. See below for complete program information.
Coming to Raleigh's Fletcher Opera Theater tonight, October 3 and October 5 and 6 is a fully staged operatic production of Mozart's Così fan tutte (or 'The School for Lovers') presented by the North Carolina Opera (Sung in Italian with English supertitles).
Coming to Raleigh's Fletcher Opera Theater on October 3, 5 and 6 is a fully staged operatic production of Mozart's Così fan tutte (or “The School for Lovers”) presented by the North Carolina Opera (Sung in Italian with English supertitles).
On Monday, July 29 the North Carolina Opera announced its new season at a kick-off event hosted by CAM Raleigh. Over 250 fans and friends of the organization excitedly gathered for the unveiling of the new season presented by NCO Artistic Director & Principal Conductor Timothy Myers, and to hear live performances of excerpts from each opera.
Several alumni and current ensemble members of The Patrick G. and Shirley W. Ryan Opera Center at Lyric Opera of Chicago are featured artists at music festivals and opera companies at home and around the globe this summer.
Lyric Opera of Chicago and its general director, Anthony Freud, announced the lineup for Lyric's 2013-14 season today. Joseph Calleja, Joyce DiDonato, Nathan Gunn, Thomas Hampson, Ana Maria Martinez, Matthew Polenzani, and Patricia Racette are among those headlining the new season's offerings. These comprise 67 performances of eight different operas, beginning October 5, 2013 and concluding March 23, 2014: new productions of Parsifal, La traviata, The Barber of Seville, and Rusalka (Lyric premiere); a revival of Otello; and new-to-Chicago stagings of Madama Butterfly, Die Fledermaus, and La clemenza di Tito. Lyric's music director, Sir Andrew Davis, will lead three operas, and guest conductors Marco Armiliato, Bertrand de Billy and Michele Mariotti will make their house debuts. Additionally, Lyric will present a new production of Rodgers and Hammerstein's The Sound of Music in the spring of 2014, continuing the company's American Musical Theater Initiative, and Davis will conduct a special Subscriber Appreciation Concert in March featuring Lyric's creative consultant - the star soprano Renee Fleming - with tenor Jonas Kaufmann.
Lyric Opera of Chicago and its general director, Anthony Freud, announced the lineup for Lyric's 2013-14 season today. Joseph Calleja, Joyce DiDonato, Nathan Gunn, Thomas Hampson, Ana Maria Martinez, Matthew Polenzani, and Patricia Racette are among those headlining the new season's offerings. These comprise 67 performances of eight different operas, beginning October 5, 2013 and concluding March 23, 2014: new productions of Parsifal, La traviata, The Barber of Seville, and Rusalka (Lyric premiere); a revival of Otello; and new-to-Chicago stagings of Madama Butterfly, Die Fledermaus, and La clemenza di Tito. Lyric's music director, Sir Andrew Davis, will lead three operas, and guest conductors Marco Armiliato, Bertrand de Billy and Michele Mariotti will make their house debuts. Additionally, Lyric will present a new production of Rodgers and Hammerstein's The Sound of Music in the spring of 2014, continuing the company's American Musical Theater Initiative, and Davis will conduct a special Subscriber Appreciation Concert in March featuring Lyric's creative consultant - the star soprano Renee Fleming - with tenor Jonas Kaufmann.
Darren K. Woods, General Director of Fort Worth Opera (FWOpera) appeared on KERA's widely popular program Think-the daily topic driven and call-in radio show hosted by Krys Boyd-this afternoon, Monday, January 7, 2013, at 1:00 p.m. (CST). During this special hour long, in-depth interview he discussed the recent announcement of the organization's new artistic vision, Opera of the Americas, a ten-year commitment to the production of thought-provoking works by contemporary composers of the Americas.
Seattle Opera's critically acclaimed production of Wagner's four-opera epic Der Ring des Nibelungen returns for three cycles in August 2013. Online ticket sales to the general public will begin on Monday, November 12, at 9 a.m. Phone and in-person sales will begin on Thursday, November 15. Fans of Seattle Opera on Facebook may secure tickets early, beginning November 8.
