Westport Country Playhouse will present a Script in Hand playreading of a darkly funny and deeply moving new play, “The One Good Thing or ‘Are Ya Patrick Swayze'?,” written by Joe Bravaco and directed by Ciarán O'Reilly.
Catch the new comedy BRING THEM BACK at Theater for the New City, NYC from May 9-19.
The American Theatre Wing and The Village Voice announce that Tony Award-nominated and three-time Obie-winning actress Kathleen Chalfant will receive a special Obie Award for Lifetime Achievement at the 63rd Annual Obie Awards.
Stephanie Saland entered The School of American Ballet just before her 15th birthday. Three years later she was invited by George Balanchine to join the New York City Ballet for the remarkable Stravinsky Festival. In a 21year career with City Ballet, she was showcased in leading roles under Balanchine's direction, as well as principal roles in Jerome Robbins' repertoire. Before moving to Seattle in the fall of 1993, she taught movement for student actors at Playwrights' Horizons and helped develop a body-awareness class for actors with theater teacher Caymichael Patten.
The Hive Theatre presents WHEN MIDNIGHT STRIKES by Kevin Hammonds and Charles Miller, being performed as part of The Hive's Exposed Series; staged readings of new and underexposed plays or musicals.
The Hive Theatre presents WHEN MIDNIGHT STRIKES by Kevin Hammonds and Charles Miller, being performed as part of The Hive's Exposed Series; staged readings of new and underexposed plays or musicals.
Mark Alan Gordon, associate director of the Case Western Reserve University-Cleveland Play House Master of Fine Arts (MFA) Acting Program, announced that he will leave Cleveland in May, after the conclusion of the Spring 2011 semester, to pursue opportunities in Vermont.
The Bull presents a pulp revival of Fool for Love wherein two lovers, Eddie and May, trapped in a motel room that only exists on the horizon of the desert, battle to the death of their love in order to escape their lurid past. Fool for Love is arguably the hippest love story to hit the stage in three decades...yet recent renditions have lacked the comedy needed to lighten the weighty themes this play provides. We prefer to take it one step further into the brutal surrealism the play already offers. The characters in our version of Fool for Love are just that, characters.
The Bull presents a pulp revival of Fool for Love wherein two lovers, Eddie and May, trapped in a motel room that only exists on the horizon of the desert, battle to the death of their love in order to escape their lurid past. Fool for Love is arguably the hippest love story to hit the stage in three decades...yet recent renditions have lacked the comedy needed to lighten the weighty themes this play provides. We prefer to take it one step further into the brutal surrealism the play already offers. The characters in our version of Fool for Love are just that, characters.
The Bull presents a pulp revival of Fool for Love wherein two lovers, Eddie and May, trapped in a motel room that only exists on the horizon of the desert, battle to the death of their love in order to escape their lurid past. Fool for Love is arguably the hippest love story to hit the stage in three decades...yet recent renditions have lacked the comedy needed to lighten the weighty themes this play provides. We prefer to take it one step further into the brutal surrealism the play already offers. The characters in our version of Fool for Love are just that, characters.
The Bull presents a pulp revival of Fool for Love wherein two lovers, Eddie and May, trapped in a motel room that only exists on the horizon of the desert, battle to the death of their love in order to escape their lurid past. Fool for Love is arguably the hippest love story to hit the stage in three decades...yet recent renditions have lacked the comedy needed to lighten the weighty themes this play provides. We prefer to take it one step further into the brutal surrealism the play already offers. The characters in our version of Fool for Love are just that, characters.
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