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BWW Review: GROUP rep Knocks LOST IN YONKERS Out of the Park

Neil Simon's Pulitzer Prize-winning dramedy Lost in Yonkers followed his autobiographical trio Brighton Beach Memoirs, Biloxi Blues and Broadway Bound. Critics started to take him seriously as a playwright with these plays for he was writing about his own family's life experiences. Lost in Yonkers is set in 1942 in Yonkers, New York where Grandma Kurnitz (Loraine Shields) and her daughter Bella (Roslyn Cohn) run the family confectionery store and live in a modest apartment upstairs. Now in a stunning production at the GROUP rep, Larry Eisenberg directs a perfectly cast ensemble who make the play shine brightly through October 22. Humor is Simon's best suit. This is drama, but... there is plenty of comedy emanating

BWW Review: A NICE FAMILY CHRISTMAS at GROUP rep

The annual dysfunctional family Christmas gathering? Oy! This family lives in Minnesota. Double oy!! Issue at hand: not one of the family members is anywhere near to being happy. Mom (Belinda Howell) is in denial, keeping her breast cancer a secret, her doctor son Michael (Patrick Burke) has been mysteriously separated from wife Jill (Rebekah Dunn) for three months, other son Carl (Greg D. Barnett), a struggling writer, is estranged from his girlfriend Rita, and daughter Stacey (Truett Jean Butler) is gay and separated from her partner, who hasn't yet told her parents about their relationship. Then there's obnoxious intruder Uncle Bob (Fox Carney) who does his best to upset everyone with his disgustingly uber jovial disposition, and Grandma (Marcia Rodd), with a tongue that could cut glass, who sashays around them all with digs, jibes and a whole barrel of insulting fun. Doug Engalla has skillfully directed a superb cast of players who only have to speak Phil Olson's hysterically funny lines to get laughs. It's a howler a la Neil Simon with a laugh about every two seconds, and each character has that dry infectious Minnesota accent that makes you double over every time you hear it.

BWW Review: NINE WINNING ONE-ACTS Play at Group rep

Evenings of short one-acts are the rage at Equity-waiver theatres! In the black box theatre upstairs at Group rep you you are invited to come see Nine Winning One-Acts, plays that stretch a mere ten-fifteen minutes in length. The mini plays were chosen from over 160 entries from across the United States and written by various unknown playwrights. The evening is divided into two acts with five plays comprising Act One and four in Act Two. There is no single theme running through them, so if I had to describe the conflicts ...why ... life, death, dating, marriage, love, gay relationships, infidelity, euthanasia...and even cat abuse, though mild, thrown into the fray. The evening is Group rep's way of utilizing more company actors and directors, many of whom work less on the theatre mainstage, and for the most part, it's pleasantly stimulating and entertaining fare.

Geva to Continue Season with Co-Production of A MOON FOR THE MISBEGOTTEN

A classic drama by America's only Nobel Prize-winning playwright continues the 2015-2016 ESL Wilson Stage Series as Geva Theatre Center presents A Moon for the Misbegotten by Eugene O'Neill and directed by Ben Barnes in the Elaine P. Wilson Stage from March 29 through April 24.

BWW Review: THAT LOVIN' FEELIN' at Lonny Chapman Theatre

The prospect of a new stage musical about the Righteous Brothers is an enticing idea, and with the premiere of That Lovin' Feelin', James A. Zimmerman's new production about the lives and careers of Bobby Hatfield and Bill Medley, we ventured into the Valley to take in a performance. The show is being staged through January 24 at the Lonny Chapman Theatre in North Hollywood. As with all of our 'road trips,' there is a local Ventura County angle, in this case, Brenden MacDonald, a graduate of California Lutheran University's drama program who also attended Moorpark College, where he studied under John Loprieno. MacDonald fares well in his Group Rep Theatre debut but the production suffers from obvious miscasting and an overall unsatisfactory book, which fails to effectively portray the lives and tumultuous partnership of Hatfield and Medley.

DON'T DRESS FOR DINNER at The Group Rep Opens Today

The Group Rep presents the hilarious farce Don't Dress for Dinner, written by Marc Camoletti, adapted by Robin Hawdon, directed by Drina Durazo, produced by Bert Emmett and Dan Sykes for the Group Rep.

Mimesis Ensemble to Play Carnegie Hall, 10/27

The Mimesis Ensemble presents 'Beyond Boundaries,' a program featuring vocal works with a social commentary. The concert will explore songs from the 20th and 21st centuries which examine topics ranging from the ancient story of Gilgamesh, the Americanization of Japan in the 1850's to the Great Depression and the Civil Rights Movement of the 1960's.

Callaway Golf Company Reiterates Full Year Financial Guidance; Announces A 9% Increase In Sales, A 40% Increase In Operating Income, And A 12% Increase In Earnings Per Sh

CARLSBAD,Calif., July 24, 2014 /PRNewswire/ Callaway Golf Company (NYSE:ELY) today announced its first half and second quarter 2014 financial results, demonstrating its turnaround is well underway and positioning it for a return to profitability for the full year. Despite softer than expected market conditions, Callaway reported for the first half of 2014 a 9% increase in sales driven by growth in all product categories: woods (+8%), irons (+14%), putters (+9%), golf balls (+7%) and accessories and other (+5%). Additionally, income from operations increased 40% to $72 million and fully diluted earnings per share increased 12% to $0.66. These increases were driven by the increased sales and improvements in gross margins of 170 basis points, which more than offset a planned increase of $9 million in operating expenses and a $14 million decrease in other income due to adverse changes in foreign currency contract values. The 2014 results also benefitted from a $9 million decrease in pre-tax charges related to the cost reduction initiatives that were completed in 2013.

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