Having previously broken Everyman Theatre's all-time advance sales record, The Book of Joseph (on stage through June 10) has now achieved a new box office feat, unseating August Wilson's Fences as the theatre's highest-grossing play in 28 years-with 13 performances still to go including an added weeknight on June 5.
On October 22, 1986, Richard Hollander was a well-known television reporter for Baltimore's WBAL-TV with his wife Ellen (an attorney and currently a U.S. District Court Judge) and three children, Craig, Hillary, and Brett (currently a sport reporter for WBAL).
The mysterious discovery of a dusty old suitcase hidden away reveal pieces to a much larger puzzle-and a sweeping family history kept secret for generations-in The Book of Joseph, by acclaimed playwright Karen Hartman, based on the life of Joseph A. Hollander and his family. Combining documentary and drama with a sprawling cast and breathtaking set design, the thrilling new play, The Book of Joseph is directed by Everyman Theatre Associate Artistic Director Noah Himmelstein, and runs May 9 through June 10, 2018-accompanied with a comprehensive roster of associated community events.
Furthering its established, 27-year reputation for best-in-class subscriber loyalty and exceptional artistic achievement, Everyman Theatre proudly announces its 2018/19 Season-a gloriously compelling showcase for the esteemed Resident Company which celebrates exciting new voices in playwriting alongside long-celebrated masters of the form.
The mysterious discovery of a dusty old suitcase hidden away reveal pieces to a much larger puzzle-and a sweeping family history kept secret for generations-in The Book of Joseph, by acclaimed playwright Karen Hartman, based on the life of Joseph A. Hollander and his family. Combining documentary and drama with a sprawling cast and breathtaking set design, the thrilling new play, The Book of Joseph is directed by Everyman Theatre Associate Artistic Director Noah Himmelstein, and runs May 9 through June 10, 2018-accompanied with a comprehensive roster of associated community events.
David Henry Hwang Tony winning play is given a riveting presentation by Everyman's Artistic Director and Director Vincent M. Lancisi.
Bruce Randolph Nelson's portrayal of Monsieur Gallimard is authoritative: all the glibness of a would-be mandarin who cannot quite pull it off, a lyrical self-awareness that does not quite go far enough, and a touch of madness. Every line rang true.
Founding Artistic Director Vincent M. Lancisi directs a sprawling cast of actors and collaborators in Everyman Theatre's sweeping season opener, M. Butterfly, in performances September 6 - October 8, 2017. Celebrating its 30th anniversary this season, David Henry Hwang's torrid and timeless Tony Award-winning play is a masterful probe of truth, illusion, culture and gender-based on an epic true story.
It truly is one of the funniest plays I've ever seen.
Everyman Theatre pays exquisite attention to detail and creates an astounding feat of comedy in its production of NOISES OFF. The cast demonstrates comedic chops and executes pratfalls and buffoonery with commitment and perfect timing. Do yourself, your lungs and your liver a favor and laugh at the raucous riot. Don't be surprised if you find yourself craving sardines afterwards.
Everyman Theatre's Resident Company of actors transforms into a British company of actors during the 1970s in this hotly anticipated revival of Tony Award-Winner Michael Frayn's side-splitting farce to end all farces, Noises Off, directed by Founding Artistic Director Vincent M. Lancisi and running from May 17 through June 18, 2017.
Charles Dickens gigantic novel put on stage is a challenging experience.
Director Tazewell Thompson, handling a tale that is heavy on narrative, guides the pliable ensemble to a performance that is dynamic, touching, amusing, lively and filled with gothic foreshadowing. Every sequence unfolds a new delight, from slapstick action to nuanced characterization to the most hilarious rendition of Hamlet it has ever been my privilege to witness. Script, direction, casting, performance and tech are each remarkable renditions of their kind. The beautiful language is retained, but made perfectly clear by action and diction. Additionally, it's heartily funny.
Everyman Theatre has announced today that it will open its upcoming 2017/2018 season with David Henry Hwang's Pulitzer Prize-nominated drama M. Butterfly. The production will star Everyman Theatre Resident Company Member Bruce Randolph Nelson as French diplomat Rene Gallimard. This complex story about love and illusion follows the secretive romance between the married diplomat and a mysterious Chinese opera singer, Song Liling.
With Les Liaisons Dangereuses, we have byzantine complexity and unreal psychology. Doesn't sound like the sort of thing that would keep readers and theatergoers keep coming back. Yet somehow, almost inexplicably, this slightly pornographic extravaganza of obscurity and nastiness continues to claim our attention. Never mind why; some things just are that way.
Baltimore's Everyman attempts a pre-Halloween scare with WAIT UNTIL DARK now through Oct. 9th.
Two shows in Repertory: DEATH OF A SALESMAN and A STREETCAR NAMED DESIRE...it just doesn't get better than this.
We in the audience are continually torn between cheering the gumption and the desire behind Blanche's lies and being appalled at the human cost the lies inflict, not least on the teller of them.
The unresolvedness of social themes is a feature, not a bug, as far as Miller is concerned. Miller has willed the ambiguities and the gaps in information, and tightly controlled the opportunities for interpretation that might resolve or suggest resolutions to the ambiguities. There is a path to execute, and the Everyman crew execute marvelously, but this is not the same thing as the artistry that directors and actors can ordinarily exert. Most plays give their performers more room to interpret, to breathe.
The culmination of Everyman Theatre's 25th Anniversary begins this spring with the highly anticipated 'Great American Rep.' The Rep unites two iconic masterpieces and marks the first time Arthur Miller's Death of a Salesman and Tennessee Williams' A Streetcar Named Desire have ever been produced as a rotating rep, where one virtuosic cast featuring 8 resident company members performs multiple roles and transform night after night.
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