WeildWorks is pleased to announce the New York Premiere of Fêtes de la Nuit, Charles L. Mee's sexy meditation on lust, beauty and the divine experience of love. Fêtes de la Nuit is directed and choreographed by Kim Weild, who incorporates American Sign Language into a production that features three Deaf actors.
WeildWorks is pleased to announce the New York Premiere of Fêtes de la Nuit, Charles L. Mee's sexy meditation on lust, beauty and the divine experience of love. Fêtes de la Nuit is directed and choreographed by Kim Weild, who incorporates American Sign Language into a production that features three Deaf actors. The show runs from February 8 - 27, 2010 in a limited engagement at the Ohio Theatre, located at 66 Wooster Street (between Spring & Broome) in Soho, NY. Previews begin February 8 for a February 11 opening.
WeildWorks is pleased to announce the New York Premiere of Fêtes de la Nuit, Charles L. Mee's sexy meditation on lust, beauty and the divine experience of love. Fêtes de la Nuit is directed and choreographed by Kim Weild, who incorporates American Sign Language into a production that features three Deaf actors.
WeildWorks is pleased to announce the New York Premiere of Fêtes de la Nuit, Charles L. Mee's sexy meditation on lust, beauty and the divine experience of love. Fêtes de la Nuit is directed and choreographed by Kim Weild, who incorporates American Sign Language into a production that features three Deaf actors.
Gingold Theatrical Group makes history as the first company to present every play (including full-length works, one-acts and sketches) written by George Bernard Shaw with its 44th PROJECT SHAW presentation, WHY SHE WOULD NOT -- the author's final and unfinished play -- on Monday, December 14 at 7pm at The Players Club (16 Gramercy Park South) in Manhattan. David Staller, who has produced and directed all of the Project Shaw readings during its initial four-year series, is set to direct.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present The Age of Iron, an epic retelling of the Trojan War, drawn from Shakespeare's Troilus & Cressida and Thomas Heywood's Iron Age, adapted and directed by Brian Kulick. Previews for The Age of Iron will begin Friday, November 6, with an official opening Sunday, November 22 at Classic Stage Company at 7pm. The Age of Iron will play a limited engagement through December 13 only.
Gingold Theatrical Group makes history as the first company to present every play (including full-length works, one-acts and sketches) written by George Bernard Shaw with its 44th PROJECT SHAW presentation, WHY SHE WOULD NOT -- the author's final and unfinished play -- on Monday, December 14 at 7pm at The Players Club (16 Gramercy Park South) in Manhattan. David Staller, who has produced and directed all of the Project Shaw readings during its initial four-year series, is set to direct.
Gingold Theatrical Group makes history as the first company to present every play (including full-length works, one-acts and sketches) written by George Bernard Shaw with its 44th PROJECT SHAW presentation, WHY SHE WOULD NOT -- the author's final and unfinished play -- on Monday, December 14 at 7pm at The Players Club (16 Gramercy Park South) in Manhattan. David Staller, who has produced and directed all of the Project Shaw readings during its initial four-year series, is set to direct.
The New York Theatre Barn announces the latest installment of NYTB at The Duplex, New York Theatre Barn's monthly cabaret series highlighting new composers, lyricists and performers.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present The Age of Iron, an epic retelling of the Trojan War, drawn from Shakespeare's Troilus & Cressida and Thomas Heywood's Iron Age, adapted and directed by Brian Kulick. Previews for The Age of Iron will begin Friday, November 6, with an official opening Sunday, November 22 at Classic Stage Company at 7pm. The Age of Iron will play a limited engagement through December 13 only.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present The Age of Iron, an epic retelling of the Trojan War, drawn from Shakespeare's Troilus & Cressida and Thomas Heywood's Iron Age, adapted and directed by Brian Kulick. Previews for The Age of Iron will begin Friday, November 6, with an official opening Sunday, November 22 at Classic Stage Company at 7pm. The Age of Iron will play a limited engagement through December 13 only.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present The Age of Iron, an epic retelling of the Trojan War, drawn from Shakespeare's Troilus & Cressida and Thomas Heywood's Iron Age, adapted and directed by Brian Kulick. Previews for The Age of Iron will begin Friday, November 6, with an official opening Sunday, November 22 at Classic Stage Company at 7pm. The Age of Iron will play a limited engagement through December 13 only.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present The Age of Iron, an epic retelling of the Trojan War, drawn from Shakespeare's Troilus & Cressida and Thomas Heywood's Iron Age, adapted and directed by Brian Kulick. Previews for The Age of Iron will begin Friday, November 6, with an official opening Sunday, November 22 at Classic Stage Company at 7pm. The Age of Iron will play a limited engagement through December 13 only.
Classic Stage Company (CSC), under the leadership of Artistic Director Brian Kulick and Executive Director Jessica R. Jenen, will present The Age of Iron, an epic retelling of the Trojan War, drawn from Shakespeare's Troilus & Cressida and Thomas Heywood's Iron Age, adapted and directed by Brian Kulick. Previews for The Age of Iron will begin Friday, November 6, with an official opening Sunday, November 22 at Classic Stage Company at 7pm. The Age of Iron will play a limited engagement through December 13 only.
The bomb may have dropped out there, but the party's just getting started in here. The REPO division, L.A's newest theater company, teams up with Bootleg Theater to present the world premiere of a multimedia collaboration between writers, directors, actors, musicians and visual artists, all riffing on the theme of doomsday. At once savagely funny, terrifying and sexy, Doomsday Kiss opens at the Bootleg Theater in Downtown Los Angeles for a four week run April 17 through May 10.
Cast members of Eccentrics of San Francisco's Barbary Coast...a magical escapade, in period costume will be present at Lotta?s Fountain to commemorate the 1906 Quake in the early morning of April 18th. They?ll pass out souvenir wooden-nickels and invite the crowd to visit the San Francisco Magic Parlor in the Chancellor Hotel that evening. This event takes place every Friday and Saturday at 8:00 pm. Tickets cost $30 (entertainment charge; refreshments available before show).
The bomb may have dropped out there, but the party's just getting started in here. The REPO division, L.A's newest theater company, teams up with Bootleg Theater to present the world premiere of a multimedia collaboration between writers, directors, actors, musicians and visual artists, all riffing on the theme of doomsday. At once savagely funny, terrifying and sexy, Doomsday Kiss opens at the Bootleg Theater in Downtown Los Angeles for a four week run April 17 through May 10.
The Manitoba Theatre Centre, in co-production with David Mirvish (Toronto), is pleased to present Medea at the John Hirsch Theatre at the MTC Mainstage from November 20 to December 13.
The Manitoba Theatre Centre, in co-production with David Mirvish (Toronto), is pleased to present Medea at the John Hirsch Theatre at the MTC Mainstage from November 20 to December 13.
Videos
.jpg?format=auto&width=365)
