Brian Giebler News

This year's edition of PROTOTYPE, which refers to itself as 'Opera-Theatre-Now,' has come and gone. You never know what to expect, for better or for worse: Try guessing what's going to be 'the next big thing' at your own peril, even if it has played somewhere else first, for they things might not be what you expected at all.

This winter, Trinity Church Wall Street co-produces the New York premiere of REV. 23, the latest opera by its own Director of Music Julian Wachner, along with the cutting-edge Prototype Festival and Gerald W. Lynch Theater at John Jay College of Criminal Justice. Performances take place at the Gerald W. Lynch Theater in Manhattan, on January 17 at 8pm and January 18 at 3pm and 8pm. Composed to an audacious, satirical libretto by Cerise Jacobs, founder of the Boston-based activist opera company White Snake Projects, which commissioned the work, REV. 23 explores an a?oeunpublisheda?? new chapter of the Book of Revelation. Los Angeles-based director James Darrah creates a striking new production for this New York premiere, leading the audience on a fantastical journey through the myths of the collective unconscious. Noted conductor Daniela Candillari leads Trinity's in-house contemporary orchestra, NOVUS NY.

In 1874, a one-year-old organization called the Oratorio Society of New York performed Handel's Messiah on Christmas night at Steinway Hall, then on East 14th Street. Earlier that year, New York City made its first move to grow beyond Manhattan by annexing the 'West Bronx.'

Following a chorus of critical praise for creator and librettist Cerise Jacobs and composer Jorge Sosa's immigrant-themed opera, I Am a Dreamer Who No Longer Dreams, Jacobs's opera REV. 23, composed by Julian Wachner, will receive its New York premiere in new production by Los Angeles-based director James Darrah at the 2020 Prototype Festival (Jan 17-18).

In 1874, a one-year-old organization called the Oratorio Society of New York performed Handel's Messiah on Christmas night at Steinway Hall, which was then on East 14th Street. Earlier that year, New York City made its first move to grow beyond Manhattan by annexing the 'West Bronx.'

The Oratorio Society of New York begins its four-concert 2019-20 season on Tuesday, November 5, with a special program at the Cathedral of St. John the Divine.

The 2019-20 season of the Oratorio Society of New York, the city's standard for grand choral performance led by its acclaimed music director, Kent Tritle, is highlighted by two premieres that reflect its 146-year history: the U.S. premiere of a new critical edition of a Brahms masterwork that the Society performed in 1877; and the world premiere of A Nation of Others, an OSNY-commissioned oratorio for soloists, chorus, and orchestra by composer Paul Moravec and librettist Mark Campbell on the subject of immigrants' arrival at Ellis Island.

The 2019-20 season of the Oratorio Society of New York, the city's standard for grand choral performance led by its acclaimed music director, Kent Tritle, is highlighted by two world premieres that encompass its 146-year history: a new critical edition of a Brahms masterwork that the Society performed in 1877; and A Nation of Others, an OSNY-commissioned oratorio for soloists, chorus, and orchestra by composer Paul Moravec and librettist Mark Campbell on the subject of immigrants' arrival at Ellis Island.

Boston Baroque presents Monteverdi's final opera, L'incoronazione di Poppea, on Friday, April 26th at 7:30pm and on Sunday, April 28th at 3pm at New England Conservatory's Jordan Hall. These will be the first performances of a new performing edition of the opera by Boston Baroque founder and Music Director Martin Pearlman. The all-star cast includes soprano Amanda Forsythe in the title role and countertenor Anthony Roth Costanzo making his Boston Baroque debut as Nero.

On Sunday, April 14 at 2:00 p.m., Harry Bicket conducts Handel's Semele at Carnegie Hall with acclaimed baroque orchestra The English Concert. In this concert presentation, soprano Brenda Rae performs the title role, joined by mezzo-soprano Elizabeth DeShong (Juno/Ino), bass Soloman Howard, (Cadmus/Somnus), tenor Benjamin Hulett (Jupiter), countertenor Christopher Lowrey (Athamas), soprano Ailish Tynan (Iris), tenor Brian Giebler (Apollo), and bass-baritone Joseph Beutel (Priest), along with The Clarion Choir (Steven Fox, Artistic Director).

BroadwayWorld presents a comprehensive weekly roundup of regional stories around our Broadway World, which include videos, editor spotlights, regional reviews and more. This week, we feature ANNIE, TITANIC, PIPPIN and More!

No matter how many times audiences have visited the titular setting in Stephen Sondheim's INTO THE WOODS, it's likely they've never seen the woods quite like in Charlottesville Opera's clever and masterful production running through August 5 at the Paramount Theatre.

Kent Tritle is Director of Cathedral Music and Organist at New York's Cathedral of St. John the Divine, the largest cathedral in the world; Music Director of the Oratorio Society of New York, the acclaimed 200-voice volunteer chorus; and Music Director of Musica Sacra, New York's longest continuously performing professional chorus. The 2018-19 season of “New York's choral conducting superstar” (Time Out New York) is marked by the expansion of the Oratorio Society's Carnegie Hall season from three to four concerts, which will include Kullervo, the rarely-performed symphonic poem by Sibelius, Szymanowski's Stabat Mater, and Verdi's Requiem.

The tenor Charles Sy, a native of Toronto, is the First Place winner of the Oratorio Society of New York's 2018 Lyndon Woodside Oratorio-Solo Competition. The award was announced by Competition Chairwoman Janet Plucknett following a performance by eight finalists in Weill Recital Hall at Carnegie Hall on Saturday, April 14. The Oratorio-Solo Competition, the only competition to focus exclusively on oratorio singing, is now in its 42nd year.

The American Classical Orchestra, the nation's premier orchestra dedicated to period instrument performance (Vulture), presents its first performance of Mozart's choral masterpiece, Mass in C Minor (Robert Levin edition), on Tuesday, November 7, 2017 at 8:00 p.m. at Alice Tully Hall, Lincoln Center, joined by sopranos H l ne Brunet and Clara Rottsolk, tenor Brian Giebler, bass Stephen Eddy, and the ACO Chorus, led by Music Director and ACO founder Thomas Crawford. The program also includes Cherubini's rarely performed D mophoon Overture, and Beethoven's Symphony No. 8.

The American Traditions Vocal Competition has announced its lineup for the 24th Annual singing competition, held in Savannah, Georgia.

On Today, February 9, 2017 at 8:00PM at the St. Ignatius of Antioch Church, 552 West End Ave. at 87th St, American Classical Orchestra will present an evening of the music by Jean Phillip Rameau.

On Thursday, February 9, 2017 at 8:00PM at the St. Ignatius of Antioch Church, 552 West End Ave. at 87th St, American Classical Orchestra will present an evening of the music by Jean Phillip Rameau.

Five Boroughs Music Festival's 2014-2015 season concludes on Monday, June 29th with the virtuosic vocal ensemble EKMELES, presented at the DiMenna Center for Classical Music in Manhattan. These master interpreters of avant garde vocal music, led by director and baritone Jeffrey Gavett, will join with musicians from TILT Brass and the loadbang ensemble in a thrilling program of works for brass and voice.

The Media Theatre marquee was shining on State Street Saturday night, February 22, as it proudly cast its light on honorees, supporters, and patrons who attended the annual Gala celebrating twenty years of professional music theatre.