The New School's College of Performing Arts (CoPA) announces its fall 2019 season highlights, featuring a series of exciting world premieres and newly commissioned works.
Tony Award winner and American Conservatory Theater (A.C.T.) Artistic Director Pam MacKinnon and Executive Director Jennifer Bielstein announced today that tickets for A.C.T.'s 2019a?'20 season will be available beginning Friday, August 9 at 10 a.m
American Conservatory Theater (A.C.T.) Artistic Director Pam MacKinnon and Executive Director Jennifer Bielsteinannounced the performance schedule for the previously announced productions that will make up the company's 2019-20 season. In addition, A.C.T. announced new weekday performance times for Geary Theater productions for the 2019-20 season.
Yaddo, America's first artist colony, will commemorate the 50th anniversary of the Stonewall uprising with "Yaddo Inspirations: A Queer Look Through The Generations". The celebration will highlight queer artists as they discuss their individual ownership of queerness and queer liberation through the arts.
The 2017-2019 Lab Culminates with Free Presentations from Collaborative Partners Shayok Misha Chowdhury & Virginia Grise, Ann Marie Dorr & Paul Ketchum, Jen Goma & Kristine Haruna Lee, Raja Feather Kelly & Daaimah Mubashshir, and Julia Mounsey & Peter Mills Weiss
Branden Jacob-Jenkins's play is a dramatic comedy focusing on the lives of working Americans and dynamics in the workplace. Directed by David Hoover, this funny, trenchant, and powerful play follows an ambitious group of editorial assistants at a notorious Manhattan magazine, each of whom hopes for a starry life of letters and a book deal before they turn thirty. But when n ordinary humdrum workday becomes anything but, the stakes for who will get to tell their own story becomes higher than ever.
Who is or isn't prejudiced or racist is part of the cargo in Branden Jacob-Jenkins' APPROPRIATE, but the playwright also dissects what makes families tick and malfunction.
Mixed Blood Theatre is pleased to announce its 2018-19 Season, Transforming the Impossible to the Probable. Speaking truth to power and upending the status quo through theater via provocative programming in which comedy, drama, satire, and extravaganza take on Me Too, automation, Black Lives Matter, abortion, climate change, gender identity, NFL player protests, and, throughout everything, race. The season will put on display Mixed Blood's core value to be predictably unpredictable.
The Wilbury Theatre Group proudly announces the world premiere of New and Dangerous Ideas by internationally acclaimed playwright and poet Christopher Johnson, directed by Christopher Johnson and Wilbury Artistic Director Josh Short.
Capital Stage will launch its 2017-18 Season: Future Tense with the Obie Award Winner and Sacramento Premiere of An Octoroon by Branden Jacob-Jenkins. This poignant adaptation of a 19th century anti-slavery melodrama will be directed by star of stage and screen, and UCLA's professor of Theatre, Film and Television, Judith Moreland. An Octoroon will be the first production of Capital Stage's 13th Season, and will run from August 30 - October 1, 2017 with a Press Opening on Saturday, September 2, 2017 at 8pm.
Hampstead Theatre presents the UK premiere of Branden Jacob-Jenkins' Gloria, directed by Michael Longhurst. A finalist for the Pulitzer Prize for Drama in 2016, this razor-sharp comic drama focuses on ambition, office warfare and hierarchies, where the only thing that matters is moving up the ladder and selling out to the highest bidder.
The Tony-nominated playwright Paula Vogel (INDECENT) - a Pulitzer Prize winning dramatist and one of the nation's preeminent teachers of playwriting -- will offer one of her trademark sessions on playwriting, which she calls BOOT CAMPS, on Monday, May 22nd at the Vineyard Theatre (108 E. 15 St.) starting at 10 a.m., it has been announced by Vineyard's artistic directors Douglas Aibel and Sarah Stern.
On Friday, March 31, 2017, The League of Professional Theatre Women (LPTW), a not-for-profit organization committed to promoting visibility and increasing opportunities for women in the professional theatre, is pleased to recognize the talents of six outstanding women: Carol Hall, Linda Cho, Lilieana Blain-Cruz, Liesl Tommy, Jess Chayes and Emily Simoness.
The reclamation of spaces, ideas, and paradigms by female-identified and informed bodies and queer bodies embodying feminist ethos must be made paramount at this moment in American Life. Led by Half Straddle's Artistic Director, Tina Satter, Here I Go, pt. 2 of You is a two week open work period and colloquy, encompassing rehearsals and showings of new theater and video work; the launch of an online journal of performance writing; public lectures; and communal zine-making activities that will act as accessible discussion periods.
The 2017/18 Main Series Season includes Harold Pinter's groundbreaking The Caretaker, Branden Jacob-Jenkins' Neighbors, Young Jean Lee's Church, Thornton Wilder's Pulitzer Prize-winning masterpiece The Skin of Our Teeth, Annie Baker's The Flick, and Sean Graney and Kevin O'Donnell's subversive new adaptation of Gilbert and Sullivan's The Pirates of Penzance, or The Slave of Duty.
The Wilbury Theatre Group's Founding Artistic Director Josh Short has announced the Group's 2017/18 Main Series Season. The exciting 6 play season includes some of our audiences favorite playwrights alongside experimental new works by the brightest theatre artists working today, including Harold Pinter's groundbreaking The Caretaker, Branden Jacob-Jenkins' Neighbors, Young Jean Lee's Church, the Pulitzer Prize winning The Skin of Our Teeth, Annie Baker's The Flick, and Sean Graney and Kevin O'Donnell's subversive new adaptation of the Gilbert and Sullivan's The Pirates of Penzance, or The Slave of Duty.
The reclamation of spaces, ideas, and paradigms by female-identified and informed bodies and queer bodies embodying feminist ethos must be made paramount at this moment in American Life. Led by Half Straddle's Artistic Director, Tina Satter, Here I Go, pt. 2 of You is a two week open work period and colloquy, encompassing rehearsals and showings of new theater and video work; the launch of an online journal of performance writing; public lectures; and communal zine-making activities that will act as accessible discussion periods.