FOX's hit musical comedy series GLEE saw further improvement in its numbers last night, with a 5 percent increase in its ratings, maintaining its 6 million+ audience it has retained since its 2013 return (which does not factor in DVR viewings, of which GLEE is one of the most-DVR-ed of all).
Unmissable BroadwayWorld reference included, last night's GLEE was a spectacular addition to the theme-show collective of FOX's hit musical comedy series thus far in its rich history, eighty-plus episodes in now in Season Four, with an exceptionally explosive episode directed by Paris Barclay and written by Brad Falchuk, 'Diva.' The leading ladies of legend acted as the foundation of the fodder for the fabulous episode - dramatically, musically, thematically and otherwise - with a music-heavy show featuring a plethora of memorable musical numbers and a generally fancy-free storyline ending in a shocking cliffhanger ending - Santana (Naya Rivera) moves to NYC to live with Rachel (Lea Michele) and Kurt (Chris Colfer), unbeknownst to them; suitcase in tow! Uh oh!
Lea Michele has taken to her Twitter account to tease a potential duet with her dashing scene partner Dean Geyer (Brody) as well as a cover of a song by buzz-worthy group Marina & The Diamonds, the earworm 'How To Be A Heartbreaker'.
The Paley Center for Media today announced the full lineup of special guest panelists scheduled to appear for the upcoming 30th annual ultimate TV fan festival, PaleyFest: The William S. Paley Television Festival, which takes place at the Saban Theatre, March 1-15, 2013.
Last night, GLEE made its big Winter return on FOX with Episode 11 of Season Four, titled 'Sadie Hawkins' and a virtually (and sonically) dizzyingly plot-packed and music-bedecked episode written by Ross Maxwell and directed by Bradley Buecker. New characters were introduced, romances were born and furthered and a lot of songs were sung - all in all, a GLEE just right for the midway point of the year.
Liberally utilizing tried and true heartstring-tugging tropes masterfully displayed in holiday entities as diverse as LOVE, ACTUALLY, IT'S A WONDERFUL LIFE, A CHRISTMAS CAROL, HOLIDAY INN and even showing some Chanukah action sure to set virtually anybody's menorah fully alight thanks to the Puckerman brothers, GLEE's Christmas episode - this year, aptly titled 'Love, Actually' and written by Matthew Hodgson and directed by HAIRSPRAY and ROCK OF AGES movie musical helmer and a recent participant in this very column, Adam Shankman (available here) - was all in all a quite quintessential quintet of seasonal joy, cheer, and, well, glee, broaching the quoin of many and any a viewer's heart valves in so pleasingly enacting its ample entertainment value over the course of the episode's five featured segments within the winning framework. While the split-location structure of the series as dictated by the new style of GLEE 4.0 is assuredly more pronounced than would be the case had the proposed NYC-set spin-off gotten the greenlight by FOX, the cast and creators are making it all work and it is more seamless as it goes on - and the addictive, giddy, all-consuming glee of it all that drew us all in in the first season is still there to relish by Santa's sleigh-ful.
"For the first time in its charmed, yet pitiful, existence the New Directions has lost Sectionals," and, with that, indeed did "Christmas came early for one Sue Sylvester." As GLEE gave the gift of its inimitable takes on a number of musical theatre showstoppers - among them, songs from CHICAGO, COMPANY and HALLELUJAH, BABY - to gleeks around the world with last night aptly-titled "Swan Song" episode, the Lima-based glee club that now and always acts as the focal point of the show faced perhaps its most treacherous hurdle yet - and that's not even including Sue's evil shenanigans. In NYC, the temperature rose in much the same way that it actually unseasonably happened to do in Gothan itself this week with a spectacularly sexy "All That Jazz" and some seriously stage-worthy barn-burners courtesy of "Being Good Isn't Good Enough" - recently re-introduced to the world at large by no less than Barbra Streisand in her landmark 2012 tour (as well as on her recently released cut-out compilation RELEASE ME) - and COMPANY classic "Being Alive". While next week is sure to provide all the holiday cheer a show named GLEE could possibly muster - which is a whole lot - this week's "Swan Song" reminded us why GLEE connects and continues to express an all-too-rarely explored, expressed and enacted trope of those who are involved with the performing arts: competition inspires greater dedication.
'Tis the season to be jolly as the Glee cast releases Glee: The Music, The Christmas Album Vol. 3, available Tuesday, December 11.The album features timeless holiday classics, including "Have Yourself A Merry Little Christmas," "White Christmas," and "Jingle Bell Rock." Six of the tracks recorded will be included on the holiday themed episode of Glee, which airs Thursday, December 13, at 9:00 PM ET/PT on FOX. Glee: The Music, The Christmas Album Vol. 3 will also showcase 4 songs recorded exclusively for the release including "Joy To The World" and "Silent Night" (see below for track-listing).
Today BroadwayWorld is proud to present the third and fourth world premiere exclusive songs in a month's time, following "Look At Me, I'm Sandra Dee" performed by Kitty (Becca Tobin) and the New Directions girls as well as "Look At Me, I'm Sandra Dee (Reprise)" performed by Marley (Melissa Benoist): in addition to Cory Monteith, Naya Rivera, Amber Riley, Darren Criss and the New Directions with a theatrically-attuned group reworking of the 80s Crowded House pop classic "Don't Dream It's Over", here is theatrical standard "All That Jazz" from CHICAGO courtesy of Rachel (Lea Michele) and Cassandra (Kate Hudson) from this Thursday's brand new episode, "Swan Song".
Today BroadwayWorld is proud to present the third and fourth world premiere exclusive songs in a month's time, following "Look At Me, I'm Sandra Dee" performed by Kitty (Becca Tobin) and the New Directions girls as well as "Look At Me, I'm Sandra Dee (Reprise)" performed by Marley (Melissa Benoist): following "All That Jazz" from CHICAGO courtesy of Rachel (Lea Michele)and Cassandra (Kate Hudson), here is Cory Monteith, Darren Criss and the New Directions with a theatrically-attuned group reworking of the 80s Crowded House pop classic "Don't Dream It's Over" from this Thursday's brand new episode, "Swan Song".
FX has ordered the next book of the award-winning miniseries AMERICAN HORROR STORY, picking up 13 hours of a new miniseries from Twentieth Century Fox Television, it was announced today by John Landgraf, President and General Manager of FX Networks. Production of the untitled AHS will begin next summer and premiere in the fall of 2013.
The results are in! And, last night, after a month-long hiatus, GLEE came speeding back to the small screen with the spiffy and spunky new episode, "The Role You Were Born To Play" - a Michael Hitchcock-written, Brad Falchuk-directed entry to Fox's hit musical series centering on the auditions for this year's McKinley High musical - none other than the campy 50s musical comedy GREASE! And, indeed, GREASE is the word - and, furthermore, the musical GLEE was born to do.
Sarah Jessica Parker will make her debut as Vogue.com editor Isabelle Klempt on this Thursday's episode of GLEE titled 'Makeover'. Get a first listen to Parker singing a mashup with Lea Michele and Chris Colfer of Fred Astaire's 'The Way You Look Tonight' and 'You're Never Fully Dressed Without a Smile' from Annie as well as more songs from the episode.
GLEE STAR Darren Criss will cover the Tears for Fears' hit 'Everybody Wants to Rule the World' during Thursday night's episode of the FOX musical drama. The Hollywood Reporter has an exclusive first listen to the upcoming performance. To check it out, click here!
Sunday night marks the biggest night in TV when the 2012 Primetime Emmy Awards - the 64th telecast of its kind - airs on ABC, hosted by late-night mainstay Jimmy Kimmel in his Emmy hosting debut. How will he fare - and, furthermore, which of the most nominated series will win the big awards? Tune in Sunday at 7 PM on ABC to see, but, first, let's size up the competition in the hottest races of the night - while putting a special focus on the most theatrically-attuned of the nominees (and, in some cases, winners) whenever possible - and take a look at clips from the shows most likely to win.
Actress Sarah Jessica Parker will make her first appearance as Isabelle Wright, the eccentric editor of Vogue.com and mentor to Chris Colfer's Kurt, in the September 27th episode of GLEE titled 'Makeover.' Get a first look below!
This week saw the second Britney Spears-centric episode of the musical dramedy series GLEE, "Britney 2.0", as well as the second three-hour block of new episodes of the reality singing competition THE X FACTOR, the latter featuring none other than new judge Britney Spears as it continued to offer up even more preliminary auditions as the arbiters hone in on a Top 20 and we gear up for the live shows starting soon. While the theme of Thursday night on Fox may have very well been their $15 million investment given glam, grand primetime treatment as only the network AMERICAN IDOL and GLEE built really could, both shows proved that the pop princess of the 21st century is at the top of the entertainment heap for very good reason, leaving X FACTOR fans, gleeks and entertainment junkies alike left requesting one thing and one thing only by the time 11 o'clock rolled around: "Gimme gimme more."
GLEE returned to television last night, September 13 with a handful of new cast members, including: Dean Geyer as Brody Weston, Melissa Benoist as Marley Rose, and Becca Tobin as Kitty, Kate Hudson and Sarah Jessica Parker. Check out the Heather Morris' FULL performance from second episode of the season, titled 'Britney 2.0,' below!
This week saw the premieres of not one, but two of the biggest entertainment extravaganzas currently on show in the vast TV landscape, both on Fox - the season two debut of the reinvented reboot of the reality singing competition show THE X FACTOR (with Britney Spears and Demi Lovato as new judges), as well as the season four premiere of the returning, albeit re-jiggered, half-NYC-set GLEE (with a memorable Kate Hudson, and, also, Sarah Jessica Parker joining next week). While one may have been more successful than the other in pulling off its grand switcheroo (especially insofar as overall transitional smoothness, THE X FACTOR really seems to be finding its voice, pardon the puns), the sheer enjoyment levels achieved by each was enough to make both recommendable and worthy of review given their intrinsic ties to the performing arts realm and their exploration, exhibition and employment of the titular x factor. Individuals with that oh-so-unmistakable allure were on ample display both on THE X FACTOR and GLEE, making both properties once again worth revisiting each week this year, like last year - look no further than jaw-dropping X FACTOR audition of Carly Rose Sonenclar for clear-cut proof of that. Plus, next week, THE X FACTOR and GLEE shall share a similar theme when GLEE gets 1,2,3 (or, more to the point: 5,6,7,8) with a second Britney Spears tribute, "Britney 2.0"
According to TVGuide, co-creator and executive producer Ian Brennan has revealed that GLEE fans should expect a Grease-themed episode this season.
Videos
