Billy Ditty News

While the women in Nashville theatre might garner more critical attention, showier roles and sparklier costumes, the men, clearly, are no slouches themselves. Capable and committed, the men who assay roles on Nashville stages are a pretty impressive collection of actors who can take on the most traditional of roles one week, while tackling parts that require them to be more experimental and brave the next. In 2009, Nashville's best actors showed their range while strutting themselves in some of the best productions we've seen in years.

With the strains of 'Auld Lang Syne' mere moments away, minds are apt to be caught up in reflection, remembering the year now ending as a new one awaits just over the horizon. Certainly that's what I've been doing lately, looking back over the past year in Nashville theatre as I pencil in dates in my new 2010 (Here's a question to ponder: Is it 'two thousand ten' or 'twenty ten'...think about it and get back to me) calendar for the shows set to open in the months ahead.

Directed by Nate Eppler, Christmas Belles is staged in the round at Chaffin's Barn (as are all their shows), which works well for the play's hilariously overblown situations. Audiences have a birds-eye view of everything that's happening and that lends an even greater ring of authenticity to the hijinks unfolding onstage. By using every square foot of the Barn's playing area, Eppler involves the audience more intimately in the yuletide frivolities at the Tabernacle of the Lamb Church.

Burr's even-handed direction and his unerring eye and ear for what is truly funny ensure that King's circa 1940s script is winningly interpreted and offers further proof that good farce, no matter its age, remains highly entertaining and laugh-out-loud funny. With Burr's expertly cast ensemble enacting the ridiculously absurd situations, you have a winning combination that will delight audiences of all ages and backgrounds.

See How They Run is described as a 'hilarious 1940s slapstick farce that takes place in a quaint English vicarage.' The vicar's wife is a former actress--vicar plus stage diva can only equal hijinks and mayhem, of course--and she's joined by four men dressed like priests (two of whom are imposters). The vicar's wife is pretending to be married to one who not her real husband, there's a bishop clad in pajamas, a nosy neighbor hiding in the coat closet and a silent maid, all of whom are being interrogated by a British army sergeant who's looking for an escaped POW.

See How They Run is described as a 'hilarious 1940s slapstick farce that takes place in a quaint English vicarage.' The vicar's wife is a former actress--vicar plus stage diva can only equal hijinks and mayhem, of course--and she's joined by four men dressed like priests (two of whom are imposters). The vicar's wife is pretending to be married to one who not her real husband, there's a bishop clad in pajamas, a nosy neighbor hiding in the coat closet and a silent maid, all of whom are being interrogated by a British army sergeant who's looking for an escaped POW.

Green has long been heralded as one of the region's finest music directors, while Ditty has gained a justifiably stellar reputation as one of the best choreographers around. With this production, which exemplifies the term 'all-singing, all-dancing,' it's apropos then that the two would share the directing credit. Obviously, from the first notes of the overture to the final tormented moments of Jesus Christ's death on the cross, the shared vision of the two men is vividly portrayed and stunningly realized. The work, widely considered the first 'rock opera,' is movingly exhilarating, taking audiences on a veritable rollercoaster ride of emotional highs and lows.

Andrew Lloyd Webber and Tim Rice's historic rock opera Jesus Christ Superstar bows at Boiler Room Theatre Friday night, August 21, continuing through September 19 at the Franklin theatre. Directed by Jamey Green, with choreography by Billy Ditty, Jesus Christ Superstar is widely regarded as the first rock opera, originally created as a concept album at the end of the '60s.

Andrew Lloyd Webber and Tim Rice's historic rock opera Jesus Christ Superstar bows at Boiler Room Theatre Friday night, August 21, continuing through September 19 at the Franklin theatre. Directed by Jamey Green, with choreography by Billy Ditty, Jesus Christ Superstar is widely regarded as the first rock opera, originally created as a concept album at the end of the '60s.