Billy Ditty News

It's 1939 and producer David O. Selznick (played by Derek Whittaker) finds himself under the gun: He only has seven days to fashion a shooting script for his epic film version of Margaret Mitchell's worldwide bestseller. Virtually every writer of note (including Ernest Hemingway and F. Scott Fitzgerald) has submitted a treatment of the novel only to have Selznick - whose reputation as a controlling perfectionist remains intact in this play - reject every one of them

It's a completely winning production from top to bottom: Osborne's direction is sure-handed and confident, his players' readings of their roles pitch-perfect and the technical elements and design aesthetic for the piece are delightfully on-target. It's essential, of course, in a comedy of British origins for the pacing to be quick, effortless and skilled or else the whole blessed thing becomes a bloody mess. Osborne obviously approaches the play with affection and skill, assembling a strong cast of players to bring Coward's near-iconic characters to life.

The Boiler Room Theatre (in The Factory at Franklin, 230 Franklin Road, Bldg Six, Franklin, 37064) opens its 10th Anniversary season with the classic musical 'Fiddler on the Roof.'

The Boiler Room Theatre (BRT), Williamson County's residentprofessional theatre company, will open its 10 th season on Feb. 5, 2010 with Fiddler onthe Roof for a run through Feb. 27 at the theatre, located in the historic Factory at Franklin, 230 Franklin Rd., Building Six, in Franklin, Tenn.

The Boiler Room Theatre (in The Factory at Franklin, 230 Franklin Road, Bldg Six, Franklin, 37064) opens its 10th Anniversary season with the classic musical 'Fiddler on the Roof.'

While the women in Nashville theatre might garner more critical attention, showier roles and sparklier costumes, the men, clearly, are no slouches themselves. Capable and committed, the men who assay roles on Nashville stages are a pretty impressive collection of actors who can take on the most traditional of roles one week, while tackling parts that require them to be more experimental and brave the next. In 2009, Nashville's best actors showed their range while strutting themselves in some of the best productions we've seen in years.

With the strains of 'Auld Lang Syne' mere moments away, minds are apt to be caught up in reflection, remembering the year now ending as a new one awaits just over the horizon. Certainly that's what I've been doing lately, looking back over the past year in Nashville theatre as I pencil in dates in my new 2010 (Here's a question to ponder: Is it 'two thousand ten' or 'twenty ten'...think about it and get back to me) calendar for the shows set to open in the months ahead.

Directed by Nate Eppler, Christmas Belles is staged in the round at Chaffin's Barn (as are all their shows), which works well for the play's hilariously overblown situations. Audiences have a birds-eye view of everything that's happening and that lends an even greater ring of authenticity to the hijinks unfolding onstage. By using every square foot of the Barn's playing area, Eppler involves the audience more intimately in the yuletide frivolities at the Tabernacle of the Lamb Church.

Burr's even-handed direction and his unerring eye and ear for what is truly funny ensure that King's circa 1940s script is winningly interpreted and offers further proof that good farce, no matter its age, remains highly entertaining and laugh-out-loud funny. With Burr's expertly cast ensemble enacting the ridiculously absurd situations, you have a winning combination that will delight audiences of all ages and backgrounds.

See How They Run is described as a 'hilarious 1940s slapstick farce that takes place in a quaint English vicarage.' The vicar's wife is a former actress--vicar plus stage diva can only equal hijinks and mayhem, of course--and she's joined by four men dressed like priests (two of whom are imposters). The vicar's wife is pretending to be married to one who not her real husband, there's a bishop clad in pajamas, a nosy neighbor hiding in the coat closet and a silent maid, all of whom are being interrogated by a British army sergeant who's looking for an escaped POW.

See How They Run is described as a 'hilarious 1940s slapstick farce that takes place in a quaint English vicarage.' The vicar's wife is a former actress--vicar plus stage diva can only equal hijinks and mayhem, of course--and she's joined by four men dressed like priests (two of whom are imposters). The vicar's wife is pretending to be married to one who not her real husband, there's a bishop clad in pajamas, a nosy neighbor hiding in the coat closet and a silent maid, all of whom are being interrogated by a British army sergeant who's looking for an escaped POW.

Eppler's richly textured script might best be described as a send-up of Anastasia meets Grey Gardens, with some Sleeping Beauty, Annie, You Can't Take it With You and The Grifters (and an affectionate nod to Fiddler on the Roof) thrown in for good measure, all presented in a farcical manner that works on every level. Kudos to director David Compton for keeping things moving at a good clip and coaxing some stellar performances from his cast of gifted players.

Green has long been heralded as one of the region's finest music directors, while Ditty has gained a justifiably stellar reputation as one of the best choreographers around. With this production, which exemplifies the term 'all-singing, all-dancing,' it's apropos then that the two would share the directing credit. Obviously, from the first notes of the overture to the final tormented moments of Jesus Christ's death on the cross, the shared vision of the two men is vividly portrayed and stunningly realized. The work, widely considered the first 'rock opera,' is movingly exhilarating, taking audiences on a veritable rollercoaster ride of emotional highs and lows.

Andrew Lloyd Webber and Tim Rice's historic rock opera Jesus Christ Superstar bows at Boiler Room Theatre Friday night, August 21, continuing through September 19 at the Franklin theatre. Directed by Jamey Green, with choreography by Billy Ditty, Jesus Christ Superstar is widely regarded as the first rock opera, originally created as a concept album at the end of the '60s.

Andrew Lloyd Webber and Tim Rice's historic rock opera Jesus Christ Superstar bows at Boiler Room Theatre Friday night, August 21, continuing through September 19 at the Franklin theatre. Directed by Jamey Green, with choreography by Billy Ditty, Jesus Christ Superstar is widely regarded as the first rock opera, originally created as a concept album at the end of the '60s.

When you go to a show at Chaffin's Barn Dinner Theatre, there are certain things you can always expect to find: a bountiful and tasty buffet, a warm welcome, attentive audiences and some of the best actors you're likely to find in Nashville.