La Femme Theatre Productions presents the revival of Tennessee William's A Lovely Sunday for Creve Coeur, directed by Austin Pendleton. After staging a string of successful co-productions with top Off-Broadway theater companies, La Femme is thrilled to debut its first solo production. Performances begin on September 14 and run through October 21, 2018, with opening night on September 23 at Theatre at the St. Clement's
Hartford Stage Artistic Director Darko Tresnjak and Managing Director Michael Stotts announced today the cast and creative team for Henry V, which will be performed Thursday, October 11, through Sunday, November 11. Stephen Louis Grushportrays the English king.
La Femme Theatre Productions presents the revival of Tennessee William's A Lovely Sunday for Creve Coeur, directed by Austin Pendleton.
La Femme Theatre Productions presents the revival of Tennessee William's A Lovely Sunday for Creve Coeur, directed by Austin Pendleton.After staging a string of successful co-productions with top Off-Broadway theater companies, La Femme is thrilled to debut its first solo production.
After last season's much-buzzed-about Butterfly and Carmen, HEARTBEAT OPERA-the daring young company whose unconventional orchestrations and stagings of classic operas have been called 'a radical endeavor' by Alex Ross in The New Yorker-returns to Baruch Performing Arts Center with its fourth annual Spring Festival May 2-13, 2018. Heartbeat will premiere adaptations of two operatic masterpieces, both radically staged, trimmed down and re-orchestrated: Mozart's DON GIOVANNI and Beethoven's FIDELIO.
2017 Regional Theatre Tony Award Recipient Dallas Theater Center (DTC), in association with the Theatre Division of Meadows School of the Arts at Southern Methodist University (SMU), presents Frankenstein at the Kalita Humphreys Theater. Directed by DTC's Associate Artistic Director Joel Ferrell, Frankenstein begins on Feb. 2 and runs through March 4. A Pay-What-You-Can performance will be Sunday, Feb. 4 at 2 p.m.
2017 Regional Theatre Tony Award Recipient Dallas Theater Center (DTC), in association with the Theatre Division of Meadows School of the Arts at Southern Methodist University (SMU), presents Frankenstein at the Kalita Humphreys Theater. Directed by DTC's Associate Artistic Director Joel Ferrell, Frankenstein begins on Feb. 2 and runs through March 4. A Pay-What-You-Can performance will be Sunday, Feb. 4 at 2 p.m., and Press Night will be Wednesday, Feb. 7 at 7:30 p.m. Tickets to Frankenstein are on sale now at www.DallasTheaterCenter.org and by phone at (214) 880-0202.
String Quartet ETHEL, known for their enlivened playing and consistently groundbreaking redefinition of concert music, announces their upcoming Winter/Spring 2018 season. Described as an adventurous quartet with a rock band's zest by the New York Times and deemed a genre unto itself by the Village Voice, ETHEL's new season offers the world premiere of Circus: Wandering Cityin Sarasota, Florida.
Patrick Hamilton's mystery thriller Gaslight will be opening Oct 8th on the Boyd-Quinson Mainstage at Barrington Stage Company. BroadwayWorld was there for the curtain call at a recent preview.
Well, three cheers for On Site Opera, for completing its trilogy of works based on Beaumarchais' 18th century 'Figaro' plays and digging deep into the repertoire to deliver some lesser known works. First, a BARBIERE DI SIVIGLIA not by Rossini (theirs, by Giovanni Paisiello) and then a FIGARO not by Mozart (instead, Marcos Portugal). This week, the whip-smart company presented the American premiere, in partnership with the Darius Milhaud Society, of Milhaud's LA MERE COUPABLE (THE GUILTY MOTHER), based on the least known and, to some, the unknown, among the Beaumarchais plays.
It had a great score but an unmanageable book. So the director had it reshaped, cut and done in a creative environmental production that sent the singers scampering throughout the audience. No, I'm not talking about Hal Prince's famous reinvention of Leonard Bernstein's CANDIDE, but On Site Opera's (OSO) charming new take on Mozart's THE SECRET GARDENER (LA FINTA GIARDINIERA), a coproduction with the Atlanta Opera, which just opened in a New York garden before heading south.
On Site Opera's (OSO) new production of THE SECRET GARDENER--better known to Mozart aficionados as LA FINTA GIARDINIERA--debuts in New York, as part of the New York Opera Alliance's New York OperaFest, in Manhattan's Westside Community Garden on Thursday May 11 for three performances. It was created and produced in conjunction with the Atlanta Opera, which present it in the Atlanta Botanical Gardens next week, marking the start of a series of “beautiful friendships” for the spunky New York company, which is known for its unique, immersive, site-specific productions of often-unfamiliar works.
The Atlanta Opera closes its 2016-17 season with an outdoor production of Mozart's early opera The Secret Gardener (La Finta Giardiniera), a story of love, madness and redemption that plays out in a lush garden.
Known for staging “the ultimate in intimate productions” (The New York Times), On Site Opera (OSO) presents the U.S. premiere and new site-specific production of Darius Milhaud's La mère coupable (The Guilty Mother). For the premiere, OSO partners with the Darius Milhaud Society and the award-winning International Contemporary Ensemble (ICE). The site-specific production celebrates the 125th birthday of Milhaud and is dedicated to Katharine Warne, composer and founder of the Darius Milhaud Society. La mère coupable also marks the completion of OSO's three-year Figaro Project, in which the company is staging lesser-known operatic adaptations of French playwright Beaumarchais' (1732-1799) famed trilogy of Figaro plays.
Known for staging 'the ultimate in intimate productions' (The New York Times), On Site Opera (OSO) presents a trio of exciting new site-specific opera productions in 2017, beginning May 11-13 with Mozart's rarely-performed early opera The Secret Gardener (La finta giardiniera) at the West Side Community Garden.
A funny thing happened on the way to Emperor Claudius' death scene: He didn't die. At least, that's what happens in Handel's opera AGRIPPINA, setting the convoluted plot in motion and giving the young singers of Juilliard Opera and its Juilliard415 period-instrument ensemble a heck of a ride, directed by Louisa Proske and conducted by Jeffrey Grossman.
The Juilliard Opera season continues with a concert version and a fully staged production of G.F. Handel's Agrippina, presented by Juilliard as part of Carnegie Hall's La Serenissima: Music and Arts From the Venetian Republic festival.
The Juilliard Opera season continues with a concert version and a fully staged production of G.F. Handel's Agrippina, presented by Juilliard as part of Carnegie Hall's La Serenissima: Music and Arts From the Venetian Republic festival.
Known for staging "the ultimate in intimate productions" (The New York Times), On Site Opera (OSO) will present a trio of exciting new site-specific opera productions in 2017.
Dallas Theater Center announced today complete details for The Christians at the Kalita Humphreys Theater.
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