Bernadette Peters News

The 23rd Annual GLAAD Media Awards were held on March 24, 2012 at the Marriott Marquis Times Square and Glee's Cory Monteith and Naya Rivera hosted the event. Check out highights from the evening below, which included appearances from Broadway's Cheyenne Jackson, John Stamos, and more!

The 23rd Annual GLAAD Media Awards were held last night, March 24, 2012 at the Marriott Marquis Times Square and were streamed live online. Footage of the red carpet and ceremony are available to view at the GLAAD website and on YouTube. Glee's Cory Monteith and Naya Rivera hosted the event.

The 23rd Annual GLAAD Media Awards were held last night, March 24, 2012 at the Marriott Marquis Times Square and Glee's Cory Monteith and Naya Rivera hosted the event. Check out photos from the red carpet below!

The 23rd Annual GLAAD Media Awards will be held tonight, March 24, 2012 at the Marriott Marquis Times Square and can be streamed live online beginning at 4:30pm.

The Harbor Lights Theater Company, Staten Island's own professional theater company, announces the first session of its 2012 master class series.

Today, the spotlight falls upon Ryan Bowie, who is a company member and director of fundraising and development at Clarksville's Roxy Regional Theatre, currently onstage in the staged reading of Moises Kaufman's Gross Indecency through Saturday night, March 24, and who will be opening in The Red Badge of Courage (running March 30-April 7) and in Spring Awakening (April 13-May 5). Obviously, Ryan pours his blood, sweat and tears into his work-but you've probably never realized just how true that assertion is.

The Drama League will honor three outstanding theatre luminaries at this year's 78th Annual Drama League Awards set for Friday afternoon, May 18th at the Marriott Marquis Times Square.

Today we are continuing BroadwayWorld's extensive coverage of NBC's hit musical drama series SMASH with a new entry in our ever-expanding collection of interviews with the cast, creative team and guest stars of the Broadway-based show - don't forget to check out the previous InDepth InterView with songwriters Marc Shaiman and Scott Wittman, as well (available here) - by talking to the leading lady of the show-within-the-show on SMASH itself all about her role on the series; the blonde bombshell of BOMBSHELL, Megan Hilty. In this candid conversation, Hilty and I discuss portraying a musical Marilyn Monroe and the volatile Broadway star playing her, Ivy Lynn, as well as her own personal experiences working on SMASH as we look ahead to the upcoming episodes which will feature the biggest musical sequence on the series so far and will also include guest appearances by Norbert Leo Butz, Marc Kudisch, Uma Thurman and more as BOMBSHELL heads towards its long-awaited big Boston tryout for the season finale. Additionally, Hilty and I take a look back at her prior musical theatre appearances, winning hearts the country over in her starring roles in WICKED and 9-TO-5 on Broadway, in LA and on tour - both under the direction of master director Joe Mantello - and, also, take a look ahead to the forthcoming Encores! GENTLEMEN PREFER BLONDES, which she will be headlining later this Spring. Plus, Hilty shares her experiences working with this week's SMASH guest star and Tony-winning legend Bernadette Peters and reflects on her forthcoming Disney animated film in the TINKER BELL series that features another dynamic diva, her SMASH co-star and fellow participant in this column, Oscar-winner Anjelica Huston (our interview coming up next week) - as well as touching on DOROTHY OF OZ (co-starring Lea Michele), her new animated TV project for Nickelodeon - ROBOTS & MONSTERS - and first news of a solo album coming soon. All of that and much, much more!

Last night on SMASH, everything came to a head as Eileen (Anjelica Huston), Derek (Jack Davenport) and the team presented 'Marilyn The Musical' to would-be investors. Ivy (Megan Hilty) was under pressure to perform, while her mother, Broadway star Leigh Conroy (special guest Bernadette Peters), undermined her at every turn. Karen (Katharine McPhee) had to decide between the workshop and a meeting with a big-time music producer. Julia (Debra Messing) and Michael (guest star Will Chase) had to face up to the consequences of their actions. Miss the episode? Catch up below.

When a big Broadway star like Bernadette Peters makes her way onto a national TV program, Broadway babies await it with abated breath. Yet, when a big Broadway star like Bernadette Peters appears on an actual musical TV series like SMASH, Broadway babies have reason to throw an all-out bacchanal - and, last night, they most certainly had a reason cause celebre. While GLEE has spoiled us with a plethora of guest stars from Broadway and Hollywood over the course of its three seasons - Kristin Chenoweth, Idina Menzel, Carol Burnett and Patti LuPone among them - the presence of two-time Tony Award-winner Peters - to say nothing of the forthcoming appearances by Norbert Leo Butz and Marc Kudisch - is a gift from the theatrical gods that instantly makes SMASH must-see-TV for the theatrically attuned among us (which, let's be honest, is most of us). Playing Ivy Lynn's blithely selfish and calculating former star of a mother, Leigh, Peters wrought every last ounce of bravado out of her bravura performance recreation of "Everything's Coming Up Roses" from GYPSY - a show she famously starred in under the direction of Sam Mendes earlier this century - and made her thorny scenes with Megan Hilty blossom; her overall star turn giving the entire affair a cold, brusque but all-too-believable bloom - ice in veins all too tangibly real to feel. The tension was certainly thick for the first workshop performance of the show-within-the-show on SMASH, as well, but Hilty still managed to set fire to her scenes and songs - and McPhee shows considerable promise with her burgeoning pop music career (and next week's Ryan Tedder-composed "Touch Me" sequence seems certain to deliver on the sultry, sexy siren of song front as McPhee comes closer to getting the role of Marilyn). And, speaking of songs knocked out of the park for the umpteenth time by this all-star musical team responsible for SMASH, besides the slowed down grand slam ballad version of "Let Me Be Your Star" - given a bluesy Broadway belt only the very best, like Hilty, could possibly provide - we were also treated to a striking and wholly stylistically unique new Marilyn Monroe/Joe DiMaggio song in the form of the arresting "On Lexington & 52nd Street", another homerun to tick off on the perfect scorecard for songwriters Marc Shaiman and Scott Wittman on SMASH so far; Will Chase's best (and, apparently, last) showcase. Film noir with a pulsating, almost atonal, steely and terse tinge, this is the sort of character number that seamlessly presents plot development and character exposition simultaneously in a purely, thrillingly theatrical manner and the type of dramatic and musical merging of storytelling SMASH excels at most of all, time after time after time after time. While "Everything's Coming Up Roses" was a strong cover of a classic Broadway barn-burner on account of Peters, "On Lexington & 52nd Street" expertly showcased the type of entertainment entity SMASH can ultimately be at its very best, firing on all axels - and how utterly enthralling in its layers of meta-narratives the real-life/showbiz soap saga that make it all come together it can fascinatingly be. Additionally, the workshop musical montage was the best example yet of how excitingly combustible and hot SMASH can really be when the boiler at its core is at full blast as it was sporadically last night in the appropriately titled "The Workshop" episode - almost always fueled by the simply spectacular songs for the show-within-the-show.

The 15th and grand finale edition of THE BROADWAY BEARS, the annual auction of handmade, one-of-a-kind, theatrically costumed teddy bears, raised a record-setting $198,300 on Sunday, benefiting Broadway Cares/Equity Fights AIDS.

Bernadette Peters, the Emmy-nominated, Tony-winning star of Broadway, returns to Music Hall's stage in her first appearance with the Pops in two decades.

The new featured song from tonight's episode of NBC's musical drama series SMASH (Mondays, 10-11 p.m. ET) is now available from NBCUniversal Television Consumer Products and Columbia Records on the iTunes store at http://www.itunes.com/NBCSmash. NBC also provides episode recaps, games, photos, videos, musical performance highlights and even fan challenges each week at http://www.nbc.com/smash/.

Tonight on SMASH, everything comes to a head as Eileen (Anjelica Huston), Derek (Jack Davenport) and the team present 'Marilyn The Musical' to would-be investors. Ivy (Megan Hilty) is under pressure to perform, while her mother, Broadway star Leigh Conroy (special guest Bernadette Peters), undermines her at every turn. Karen (Katharine McPhee) must decide between the workshop and a meeting with a big-time music producer. Julia (Debra Messing) and Michael (guest star Will Chase) must face up to the consequences of their actions. In the video below, special guest star Bernadette Peters visits 'The Today Show,' where she chats about her upcoming appearance. Click below to check it out!

Edmund Gaynes, in association with David Gersten, will present Loni Ackerman, Brad Bradley Gene Castle, and Karla Shook in TIN PAN ALLEY (The Original iTunes), which began an open-ended Off-Broadway engagement February 25th at Actors Temple Theater (339 West 47th Street between 8th and 9th Avenues). Opening Night is tonight, March 19th (7pm). TIN PAN ALLEY will run 75 minutes.

Broadway Cares/Equity Fights AIDS presents the 15th and grand finale edition of THE BROADWAY BEARS tonight, March 18, 2012 at 8 PM at B.B. King Blues Club & Grill on West 42nd Street. THE BROADWAY BEARS is an annual Broadway auction of teddy bears dressed in museum-quality outfits based on original costumes and created by acclaimed designers..

Since NBC's musical drama series SMASH is kicking into high gear as the Marilyn Monroe musical that forms the core of the show's story approaches its first workshop presentation on Monday night's episode - with the highly awaited appearance of Broadway legend Bernadette Peters coming next week, as well; playing the mother of the Marilyn musical star, Ivy Lynn (Megan Hilty) - now is the ideal opportunity to, well, "Fade in on a girl / With a hunger for fame / And a face and a name to remember," to quote Marc Shaiman and Scott Wittman's crown jewel in a diadem of a songstack for the show-within-the-show, BOMBSHELL. The show-within-the-show is better that most scores on Broadway these days and that is a credit to the Tony-winning tunesmiths and their ability to make musical theatre that is polished and professional, yet totally fun, bawdy and accessible, as well. Look no further than this week's "History Is Made At Night" or last week's "Let's Be Bad" - to say nothing of the pilot's twofer of titanic theatrical prowess in the form of "The National Pastime" and the afore-quoted "Let Me Be Your Star". Plus, we have to remember, SMASH has not one Marilyn, but two, so the future possibilities of who will be singing these songs and how they will be presented is totally unknown. As we shall see in the clips below, "Let Me Be Your Star" will now have its third iteration on the show, acting as the opening number in the workshop presentation as Ivy Lynn belts it to the rafters, ballad-style - not unlike the Karen/Ivy stage sequence presented in Episode 2 as a dream. Using just the example of "Star", we can see how rich and rewarding it is to further explore the depths of drama and heights of wit amply apparent in the sometimes caustic, sometimes campy and always enjoyably, embraceable unique work of Shaiman & Wittman on their songs for SMASH. The story setting them up, drama surrounding and contained within them - with the meta-narrative of the behind-the-scenes going on we are privy to acting as another layer - makes the production numbers the most brightly glittering stars of the SMASH universe. Katharine McPhee's "Somewhere Over The Rainbow", "Call Me" and "Rumor Has It", as well as Hilty's "Crazy Dreams", were all viable and entertaining covers in their own right, yet the original songs are what make SMASH really sing - and zing, sting and ring-a-ding-ding.

HIGHLIGHTS OF THE WEEK: Bernadette visits SMASH, The Acting Copany honors Patti, MEMPHIS hits 1000 shows, and so much more!

The Broadway production of Arthur Miller's DEATH OF A SALESMAN opened officially last night, March 15, at the Ethel Barrymore Theatre on Broadway. BroadwayWorld was on hand for the starry arrivals. Check out the photos below!

Yesterday, I had the exceptional privilege of talking to Oscar-winning stage and screen star Anjelica Huston and Broadway sensation Megan Hilty all about the new NBC musical series SMASH and their roles in it, and, while both their complete Spotlight On SMASH InDepth InterViews will be coming in full next week, we have some breaking news to share with you now that is certain to excite the many SMASH fans here on BroadwayWorld and beyond!