Go Behind the Scenes of THE PARIS OPERA, Opening Theatrically 10/18
by Emily Bruno
- Oct 10, 2017
In turns ironic, light-hearted and cruel, encompassing both music and ballet, THE PARIS OPERA puts the spotlight on great artistic passions and tells the story of life backstage at this iconic and indispensable performing arts institution.
Gloria Steinem and Robin Morgan to Curate Festival Albertine 2017 in NYC
by BWW News Desk
- Oct 5, 2017
The Cultural Services of the French Embassy and Albertine Books, the dynamic bookshop and cultural center operated by the French Embassy in New York, have announced that pioneering feminist writers and activists Gloria Steinem and Robin Morgan are the curators of the fourth annual Festival Albertine.
Columbus Symphony's BEETHOVEN: PASTORAL SYMPHONY to Feature Guest Violinist and Pulitzer Prize-Winning Composer Caroline Shaw
by Julie Musbach
- Sep 11, 2017
Even though they are two centuries apart, composers Ludwig van Beethoven and Pulitzer Prize-winning Caroline Shaw both speak with a provocative voice that is raw, earthy, and dug deep from the soul. Conducted by CSO Music Director Rossen Milanov, the full program will include Haydn's Symphony No. 59 ("The Fire"), an original Caroline Shaw composition for violin and orchestra titled Lo, and Beethoven's Symphony No. 6 ("Pastoral"). Shaw will be the featured guest violinist in Lo.
Roy Assaf Dance to Make New York Debut at Baryshnikov Arts Center
by BWW News Desk
- Aug 17, 2017
Israeli company Roy Assaf Dance makes its New York debut at Baryshnikov Arts Center (BAC) with a double bill featuring Assaf's award-winning works Six Years Later and The Hill. Performances are Thursday, October 12, and Friday, October 13, at 7:30pm, at BAC's Jerome Robbins Theater, 450 West 37th Street (between 9th and 10th Avenues) in Manhattan.
Columbus Symphony Opens 2017-18 with AN ALPINE SYMPHONY
by BWW News Desk
- Aug 14, 2017
CSO Music Director Rossen Milanov will lead the Columbus Symphony in a performance of two of the world's most iconic symphonic landscapes-Respighi's The Pines of Rome and Strauss' An Alpine Symphony.
Casting Announced for Bolshoi Ballet, New York City Ballet, and Paris Opera Ballet's JEWELS at Lincoln Center Festival
by BWW
News Desk
- Jul 20, 2017
Lincoln Center Festival Director Nigel Redden today announced casting for the unprecedented, international presentation of George Balanchine's Jewels . The Bolshoi Ballet, New York City Ballet, and Paris Opera Ballet will share the stage where the masterpiece first premiered on April 13, 1967, for five historic performances celebrating one of the greatest creative artists of the 20th century and the global recognition the work has received.
Paul Taylor Dance Company and the U.S. Debut of Roy Assaf Dance at Jacob's Pillow
by A.A. Cristi
- Jun 22, 2017
Based in Israel, Roy Assaf Dance makes its U.S. debut with a program of clever and heartfelt works in the Doris Duke Theatre July 12-16. A rising choreographic star, Assaf has been commissioned by companies across the globe including Batsheva Dance Company, The Royal Swedish Ballet, National Dance Company Wales, and LA Dance Project. The program opens with Assaf's embracing duet Six Years Later which is praised for its "beauty, nuances, and intricate, astute movements" (Ora Brafman, Jerusalem Post), and closes with his powerful all-male trio The Hill, inspired by veterans' experiences and based on the Hebrew song "Givat Hatachmoshet".
Dimitri Chamblas Joins CalArts as New Dean of The School of Dance
by BWW News Desk
- Jun 22, 2017
California Institute of the Arts (CalArts) announces that Dimitri Chamblas, former artistic director of the Paris Opera's creative digital platform 3rd Scene, has been chosen as the new Dean of the Sharon Disney Lund School of Dance.
BWW Review: L.A. DANCE PROJECT: Stellar Dancers, Yet a Lost Mission Statement
by Barnett Serchuk
- Jun 20, 2017
I don't know if it was me, but attending L.A. Dance Project on June 14, 2017, was a bit dispiriting. If this was an evening meant to deliver the L.A. Dance Project message: 'we're here folks, watch out, we're going to overtake the dance world,' it didn't register. What should have been a strong cold brew was tepid tea.
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