Think about it: What if you were watching The King and I and when Anna and the King of Siam started to sing 'Shall We Dance' and they just stood there, it just wouldn't have much of an impact, would it? Or if all those budding chorus members in A Chorus Line just stood around and talked about dancing but never did even the most basic shuffle-ball-change...sounds pretty bleak, doesn't it? That's where choreographers come into the picture; they collaborate with the director, the music director and the cast members to create movement that elevates every musical comedy. Without them, the action remains stagebound and static. A choreographer allows your heart to soar along with the performers onstage, making musical comedy all the more compelling and transformative. These talented men and women created remarkable and memorable work in 2010 as First Night's Top Choreographers...
Nashville's divas proved their mettle and showed their immense talents in 2010 while assaying some of the most challenging and best loved roles in all of musical theater. Ranging from classic musical comedy heroines that any actress would love to play to newer, more contemporary characters, Music City's women were given the opportunity to showcase their multitude of talents on various stages while again proving they are capable of virtually anything - and everything. Here are our choices for the top ten musical performances by an actress in 2010...
Not all of the Top Ten Lists announced at Winter's First Night on Sunday, January 9, were serious, high-toned salutes to all that is special and spectacular about live theater in Nashville. Sure, most of them were heartfelt and memorable, but some were (how shall I put this?) off-kilter, tongue-in-cheek and just plain fun. And not all the lists were limited to only ten entries; in fact, some had many more than that. But, for your reading pleasure, we present them to you without any real explanation. You'll have to figure that all out for yourself!
If you find yourself venturing outside of New York, and you want to see some really good musical theater, what should you do? Allow me to suggest a visit to my neck o' the woods: A trip to Nashville might provide you with exactly what you seek. After all, in a city perhaps best known throughout the world as Music City USA, what else could you expect but some exceedingly well-cast, well-produced, well-played and well-sung musical theater? We're lousy with exceptional singers and musicians and, as a result, musical theater is alive and well - and thriving - in Nashville. And here's my list of the Best Musicals of 2010...
Amid threatening weather forecasts and a winter storm bearing down on the South, more than 150 hardy souls gathered to celebrate live theatre in Nashville and Middle Tennessee with the presentation of the BroadwayWorld.com Nashville Theatre Awards and First Night's Top Ten of Twenty-Ten on Sunday night, January 9. Street Theatre Company's new venue at 1933 Elm Hill Pike was the setting for the event that featured performances by Joann Coleman, Ben Van Diepen, Ann Street Kavanaugh, Laura Matula, Michael Kitts and Bakari Jamal King.
Despite portentous warnings of an approaching snowmageddon across the South, more than 150 members of the Nashville and Middle Tennessee theater community gathered at Street Theatre Company in Nashville Sunday night, January 9, for the announcement of the BroadwayWorld.com Nashville Theatre Award winners and the presentation of First Night's Top Ten of Twenty-Ten.
The individuals and productions that made 2010 such a memorable year in Nashville theater will be recognized Sunday night, January 9, with the presentation of the BroadwayWorld.com Nashville Theatre Awards and the unveiling of First Night's Top 10 of 2010. Street Theatre Company, located at 1933 Elm Hill Pike in Nashville, will provide the setting for the event, which is hosted by Jeffrey Ellis, the executive producer of the First Night Nashville Theatre Honors, who covers Nashville theater for the world's largest theater website.
The Boiler Room Theatre (in The Factory at Franklin, 230 Franklin Road, Bldg Six, Franklin) continues its 10th Anniversary season with the game-changing musical that defined a generation and heralded the beginning of a new age of Broadway musicals.
With a trio of powerful leading performances from Ben Van Diepen, Ciaran McCarthy and Laura Matula, the Boiler Room Theatre production of Jonathan Larson's Pultizer Prize-winning Rent may well be the finest interpretation of the groundbreaking musical we've ever seen. Certainly, we've never seen a more passionate or more engaging mounting of Rent and the cast assembled by director Corbin Green deserve every accolade possible for the obviously heartfelt rendering they give Larson's work.
The Boiler Room Theatre (in The Factory at Franklin, 230 Franklin Road, Bldg Six, Franklin) continues its 10th Anniversary season with the game-changing musical that defined a generation and heralded the beginning of a new age of Broadway musicals.
As Nashville's summer theater season continues to heat up, anticipation continues to grow for September's First Night Nashville Theatre Honors, the revival of the Music City theater gala that will benefit Reading is Fundamental (RIF) and sponsored by Macy's and BroadwayWorld.com. Set for Sunday, September 19, at Belmont University's Troutt Theatre, First Night 2010 will honor eight individuals for their sustained and continued commitment to theater in Nashville.
The Boiler Room Theatre (in The Factory at Franklin, 230 Franklin Road, Bldg Six, Franklin) continues its 10th Anniversary season with the game-changing musical that defined a generation and heralded the beginning of a new age of Broadway musicals.
As Nashville's summer theater season continues to heat up, anticipation continues to grow for September's First Night Nashville Theatre Honors, the revival of the Music City theater gala that will benefit Reading is Fundamental (RIF) and sponsored by Macy's and BroadwayWorld.com. Set for Sunday, September 19, at Belmont University's Troutt Theatre, First Night 2010 will honor eight individuals for their sustained and continued commitment to theater in Nashville.
With the strains of 'Auld Lang Syne' mere moments away, minds are apt to be caught up in reflection, remembering the year now ending as a new one awaits just over the horizon. Certainly that's what I've been doing lately, looking back over the past year in Nashville theatre as I pencil in dates in my new 2010 (Here's a question to ponder: Is it 'two thousand ten' or 'twenty ten'...think about it and get back to me) calendar for the shows set to open in the months ahead.
Created by Jean Doumanian, Jeffrey Richards and Rick Steiner ('in association with Janet Pailet,' according to the program), The Great American Trailer Park Musical is about all the rednecks, hicks and white trash you've ever met - well, if you know anybody from the aforementioned groups - and the whole set-up is beyond hilarious and so inspired by the tasteless that you simply cannot go and not enjoy yourself. Unless, of course, you hope to hear every word and see every bit of onstage business.
Green has long been heralded as one of the region's finest music directors, while Ditty has gained a justifiably stellar reputation as one of the best choreographers around. With this production, which exemplifies the term 'all-singing, all-dancing,' it's apropos then that the two would share the directing credit. Obviously, from the first notes of the overture to the final tormented moments of Jesus Christ's death on the cross, the shared vision of the two men is vividly portrayed and stunningly realized. The work, widely considered the first 'rock opera,' is movingly exhilarating, taking audiences on a veritable rollercoaster ride of emotional highs and lows.
Andrew Lloyd Webber and Tim Rice's historic rock opera Jesus Christ Superstar bows at Boiler Room Theatre Friday night, August 21, continuing through September 19 at the Franklin theatre. Directed by Jamey Green, with choreography by Billy Ditty, Jesus Christ Superstar is widely regarded as the first rock opera, originally created as a concept album at the end of the '60s.
Andrew Lloyd Webber and Tim Rice's historic rock opera Jesus Christ Superstar bows at Boiler Room Theatre Friday night, August 21, continuing through September 19 at the Franklin theatre. Directed by Jamey Green, with choreography by Billy Ditty, Jesus Christ Superstar is widely regarded as the first rock opera, originally created as a concept album at the end of the '60s.
The Boiler Room Theatre (BRT), Williamson County?s resident professional theatre company, will present Andrew Lloyd Webber?s rock opera Jesus Christ Superstar, beginning Aug. 21, 2009 at the theater, located in the historic Factory at Franklin, 230 Franklin Rd., Building Six, for a run through Sept. 19, 2009.
Street Theatre Company, a non-profit arts organization dedicated to professional, affordable and accessible theatrical performances in Middle Tennessee, announced today that it will present a limited engagement of Once on this Island at Bailey Middle School Auditorium in historic East Nashville, Friday, March 13th through Sunday, March 29th, 2009. Performances are Fridays and Saturdays at 8 p.m., Sundays, March 15 & 29 at 3 pm, and Sunday, March 22 at 7pm. Tickets are $14/adults and $10 for students & seniors.
