Ben Odom News

The Public Theater and the Onassis Foundation USA will begin free performances for a limited six-performance run of THE GOSPEL AT COLONUS on Tuesday, September 4.

The Public Theater (Artistic Director, Oskar Eustis; Executive Director, Patrick Willingham) and the Onassis Foundation USA announced today six free performances of THE GOSPEL AT COLONUS, the groundbreaking re-telling of Sophocles' classic, for a limited engagement, September 4-9 at the Delacorte Theater in Central Park. With book, original lyrics, and direction by Lee Breuer and original music, adapted lyrics, and music direction by Bob Telson, the iconic musical returns to New York City for the first time since 2004 to celebrate the 35th Anniversary of the original production at the Brooklyn Academy of Music and to honor visionary director Lee Breuer for his lifetime of excellence and historic collaboration with The Public Theater.

THE GOSPEL AT COLONUS will return to New York this fall, lighting up the Delacorte Theater in September.

Can we practice goodness and create a world to sustain it? In Brecht's comic and complex play, this question is raised by one of his most entertaining characters, Shen Tei, the good-hearted, penniless, cross-dressing prostitute, who is forced to disguise herself as a savvy businessman named Sui Ta so she can master the ruthlessness needed to be a 'good person' in a brutal world. The Good Woman of Setzuan will run tonight, March 28-April 13, 2014 in the Loft Theater at theSyracuse Stage/Drama Complex. BroadwayWorld has a first look at the cast in action below!

Presenters La MaMa and St. Ann's Warehouse, and producers piece by piece productions, Mabou Mines and Dovetail Productions-all ardent and longtime supporters of the 'bad boy of avant-garde theater' (Village Voice) Lee Breuer-unite for the World Premiere of Breuer's epic magnum opus, La Divina Caricatura. Breuer wrote and directs the work, a mixed-media pop-opera with Bunraku puppets, a cast of singers and live music composed by Lincoln Schleifer that ranges from Motown to Broadway and reggae to raga. La Divina Caricatura, a metaphorical send-up of Dante's classic, concerns Rose the Dog, who makes a pilgrimage through love to Paradiso. Rose thinks she's a woman and fantasizes a mad love affair with her master John, an East Village independent filmmaker. The show, Part 1 of a trilogy, draws on material that stretches all the way back to Breuer's doo-wop opera Sister Suzie Cinema (1975).

Presenters La MaMa and St. Ann's Warehouse, and producers piece by piece productions, Mabou Mines and Dovetail Productions-all ardent and longtime supporters of the "bad boy of avant-garde theater" (Village Voice) Lee Breuer-unite for the World Premiere of Breuer's epic magnum opus, La Divina Caricatura. Breuer wrote and directs the work, a mixed-media pop-opera with Bunraku puppets, a cast of singers and live music composed by Lincoln Schleifer that ranges from Motown to Broadway and reggae to raga. La Divina Caricatura, a metaphorical send-up of Dante's classic, concerns Rose the Dog, who makes a pilgrimage through love to Paradiso. Rose thinks she's a woman and fantasizes a mad love affair with her master John, an East Village independent filmmaker. The show, Part 1 of a trilogy, draws on material that stretches all the way back to Breuer's doo-wop opera Sister Suzie Cinema (1975).

Two years into its second half-century, La MaMa, under the artistic direction of Mia Yoo, continues the omnivorous work of its founder, the late Ellen Stewart. The institution's fall 2013 season is a mixture of established artists and forms La MaMa has long supported (Lee Breuer, Dario D'Ambrosi, puppetry) and celebrated artists and programs new to La MaMa (Irina Brook, Chiori Miyagawa and Alice Reagan, Pascal Rambert, Maureen Fleming, Dan Fishback and Max Steele, and many others). Show-by-show descriptions are below.

St. Ann's Warehouse has announced programming highlights of its 2013-14 season, which will kick off in October with the American Premiere of the Donmar Warehouse's tremendously acclaimed all-female production of Julius Caesar.