Broadway's longest running comedy, The Play That Goes Wrong, announced today that the Tony Award-winning production has recouped its $4 million investment.
PRETTY WOMAN: THE MUSICAL, with original music and lyrics by Grammy Award winner Bryan Adams and his longtime songwriting partner Jim Vallance, a book by Garry Marshall and the film's screenwriter J.F. Lawton, and direction and choreography by two-time Tony Award winner Jerry Mitchell, opens tonight, Thursday, August 16, 2018, at Broadway's Nederlander Theatre.
It was announced today that Tony Award nominee Alex Brightman (School of Rock) will star as 'Beetlejuice' and two-time Lortel Award nominee Sophia Anne Caruso (Lazarus) will star as 'Lydia' in the world premiere Pre-Broadway engagement of the new musical comedy Beetlejuice.
Megan Hilty may epitomize the image of a blonde bombshell, but she's also bringing her blockbuster Broadway talent and powerhouse vocals to SCERA Shell Outdoor Theatre Saturday, Sept. 1, accompanied by the Utah Valley Symphony.
The Playwrights Realm (Katherine Kovner, Founding Artistic Director; Roberta Pereira, Producing Director) today announces the complete cast and creative team for the world premiere of Jonathan Payne's The Revolving Cycles Truly and Steadily Roll'd, directed by Awoye Timpo (Sept. 7-Oct. 6, at The Duke on 42nd Street, a New 42nd Street project). This world premiere marks the first full production from the mordantly funny and unsparing voice of Jonathan Payne.
The highly anticipated musical Be More Chill celebrates its official off-Broadway opening night tonight! The production runs through September 23 at The Irene Diamond Stage at The Pershing Square Signature Center (480 West 42nd Street, NYC).
The New Colony, under the new artistic direction of Fin Coe* and Stephanie Shum*, is pleased to announce the full line-up for its 2018-19 season, to presented at its resident home, The Den Theatre, 1331 N. Milwaukee Ave. in Chicago's Wicker Park neighborhood.
I'd like to propose something worthy of 16th century Arcadia: an Ode in Praise of HEAD OVER HEELS. For those who don't know, last month a new musical, HEAD OVER HEELS, opened on Broadway. The music combines a Renaissance source text, Sir Phillip Sidney's 'The Arcadia,' with the music of the Go-Go's to create an adult fairy tale. Not only is the musical incredibly fun, hilarious, and heartwarming, but it is also incredibly important.
The pre-Broadway engagement of Moulin Rouge! The Musical at the Emerson Colonial Theatre officially opened last night, August 3. Let's see what the critics are saying...
Mint Theater (Jonathan Bank, Producing Artistic Director) will present a rare revival of Days to Come by Lillian Hellman, "one of the most important playwrights of the American theater" (New York Times). Performances will begin this Today, August 2nd, and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.
The Public Theater's production of Public Works' TWELFTH NIGHT, conceived by Kwame Kwei-Armah and Shaina Taub, music and lyrics by Shaina Taub, Choreography by Lorin Latarro, and directed by Oskar Eustis and Kwame Kwei-Armah, opened tonight and will run through Sunday, August 19.
Huntington Theatre Company will present the New England premiere of the hit musical comedy Spamilton: An American Parody at the Wimberly Theatre in the Calderwood Pavilion at the BCA in Boston's South End, from February 12 to March 10, 2019. Spamilton joins the 2018 - 2019 season as a special added event. Tickets are now on sale only to Huntington subscribers; any remaining tickets will be made available for sale to the public in December.
New York Theatre Workshop (NYTW) presents the New York Premiere of The House That Will Not Stand by Marcus Gardley (X: Or, Betty Shabazz v. The Nation), directed by NYTW Usual Suspect and Obie Award winner Lileana Blain-Cruz (Red Speedo; Pipeline). The play opened just last night, July 30 at New York Theatre Workshop (79 E. 4th Street New York, NY 10003), for a limited run through Sunday, August 12, 2018.
Broadway legend Andrew Lloyd Webber's high-octane Broadway and West End hit School of Rock - The Musical is coming to North Texas. The hilarious new musical will premiere at the Music Hall at Fair Park August 15-26, 2018, presented by Dallas Summer Musicals and Broadway Across America. The tour will then head to Fort Worth where it will play at Bass Performance Hall August 28 - September 2, 2018 presented by Performing Arts Fort Worth.
Featuring Tony nominee Carmen Cusack and Eden Espinosa, the world premiere of the musical Lempicka is playing at the Williamstown Theatre Festival. Lempicka is directed by Tony nominee Rachel Chavkin, with music by Matt Gould and book and lyrics by Carson Kreitzer. Let's see what the critics are saying...
Mint Theater (Jonathan Bank, Producing Artistic Director) will present a rare revival of Days to Come by Lillian Hellman, "one of the most important playwrights of the American theater" (New York Times). Performances will begin this Thursday, August 2nd, and continue through September 30th at Theatre Row (410 West 42nd Street). Opening Night is set for August 26th.
Beginning tomorrow, July 28, designer, director, master puppeteer, and MacArthur "genius" Basil Twist will perform in his singular creation, Symphonie Fantastique, during all Saturdayevening performances. The 20th-anniversary production, which has received near universal acclaim and is scheduled to close on September 2, will include Twist on July 28, August 4, 11, 18, 25 and September 1 at 8:30pm. Set to Hector Berlioz's revolutionary 1830 score, Symphonie Fantastique, for the first time in New York, features live piano accompaniment by Christopher O'Riley. Hailed as a creative masterpiece when it debuted in 1998, the production, which opened on April 4, is a presentation from HERE's Dream Music Puppetry Program and a centerpiece of HERE's 25th anniversary season.
Late Thursday evening, following the publication of the New York Times theatre review of Head Over Heels, members of the Broadway community took to social media to express outrage over a review which many have dubbed transphobic.
Late Thursday evening, following the publication of the New York Times theatre review of Head Over Heels, members of the Broadway community took to social media to express outrage over a review which many have dubbed transphobic.