Zurich Meets New York: A Festival of Swiss Ingenuity presents Collegium Novum Zurich: Live Music & Silent Films tonight, May 16, 7 p.m. at the David Rubenstein Atrium at Lincoln Center. Featuring music by Carola Baukholt, Hanns Eisler, Erik Satie, and Iris ter Schiphorst.
Kathleen Tolan ("Memory House") has granted the side project the world premiere rights to her exploration of memory, history and music, What to Listen For, opening June 3, 2014. The company will also present the Midwest premiere of Washington State-based playwright/performer Kristen Kosmas' Hello Failure, commencing June 15, as it continues its 2013-14 season of repertory plays. Overall, the June Rep, featuring two of America's most fascinating female playwrights, will explore themes of loss and the search for lasting connections.
Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, tonight, May 8, 2014, at 7:30 p.m.; Friday, May 9 at
8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.
Zurich Meets New York: A Festival of Swiss Ingenuity presents Collegium Novum Zurich: Live Music & Silent Films on Friday, May 16, 7 p.m. at the David Rubenstein Atrium at Lincoln Center. Featuring music by Carola Baukholt, Hanns Eisler, Erik Satie, and Iris ter Schiphorst.
With all the traditional elements of a big band, along with the modern and diverse compositional style of Dorian Wallace, The Free Sound Ahn-somble delivers an experience that is improvisational, honest, and from the heart.
With all the traditional elements of a big band, along with the modern and diverse compositional style of Dorian Wallace, The Free Sound Ahn-somble delivers an experience that is improvisational, honest, and from the heart.
Bernard Haitink will return to the New York Philharmonic to conduct two weeks of performances highlighting works by Austrian composers - Berg, Webern, and Mahler - and Beethoven, who spent much of his career in Austria. In the first program, Mr. Haitink will conduct Webern's Im Sommerwind, Berg's Violin Concerto with Leonidas Kavakos, and Beethoven's Symphony No. 3, Eroica, on Thursday, May 8, 2014, at 7:30 p.m.; Friday, May 9 at
8:00 p.m.; and Saturday, May 10 at 8:00 p.m. Bernard Haitink's appearances are part of an international, season-wide celebration of the 60th anniversary of his conducting debut with the Netherlands Radio Union Orchestra (now the Netherlands Radio Philharmonic Orchestra) and his 85th birthday.
A founding resident company of The Kimmel Center for the Performing Arts, The Chamber Orchestra of Philadelphia is thrilled to present its 50th Anniversary Concert Season. With classical masterpieces and an extraordinary roster of artists, the Chamber Orchestra showcases excellent musicianship and programming on an intimate scale – the characteristics that have most defined the ensemble over the past fifty years.
Modernist composer Arnold Schoenberg's landmark work, Pierrot lunaire, was recently the focus of the Chicago Symphony Orchestra's award-winning Beyond the Score® series. That performance has been added to a selection of other Beyond the Score® presentations which can be streamed at no cost at the CSO's online magazine, Sounds & Stories (www.cso.org/sas).
Geoff Nuttall, now in his fifth year as Spoleto Festival USA's Charles E. and Andrea L. Volpe Director for Chamber Music, today announced details of the Bank of America Chamber Music series comprising 11 programs, each performed three times at the Dock Street Theatre in Charleston, South Carolina from Friday, May 23 through Sunday, June 8.
The Music Institute of Chicago joins the national celebration of Music In Our Schools Month with a morning of music for all ages Today, March 15 at Nichols Concert Hall, 1490 Chicago Avenue, Evanston.
Miller Theatre at Columbia University School of the Arts continues the 2013-14 Composer Portraits series with Unsuk Chin featuring Ensemble Signal: Brad Lubman, conductor, Rachel Calloway,mezzo-soprano, Oliver Hagen, piano, Bill Solomon, percussion, and Ning Yu, piano. The show is tonight, March 13, 2014, 8:00 p.m. at the Miller Theatre (2960 Broadway at 116th Street) and Tickets are $20-$30 and for Students with valid ID they are $12-$18.
Miller Theatre at Columbia University School of the Arts continues the 2013-14 Composer Portraits series with Unsuk Chin featuring Ensemble Signal: Brad Lubman, conductor, Rachel Calloway,mezzo-soprano, Oliver Hagen, piano, Bill Solomon, percussion, and Ning Yu, piano. The show is Thursday, March 13, 2014, 8:00 p.m. at the Miller Theatre (2960 Broadway at 116th Street) and Tickets are $20-$30 and for Students with valid ID they are $12-$18.
Chamber Orchestra Kremlin has earned national and international recognition as one of Russia's leading ensembles. After a successful appearance in our 2011-2012 season, Harris Center for the Arts is especially pleased to welcome their return.
With James Levine on the podium, and Thomas Hampson in the title role, Deborah Voigt will make her role debut as Marie in Alban Berg's harrowing opera Wozzeck at New York's Metropolitan Opera (March 6 - 22). The revival of this 'arrestingly abstract ' (New York Times) staging of Berg's landmark opera is highly anticipated, pairing two beloved American singers with a conductor - the Met's music director - who is widely regarded as one of the work's most passionate advocates. The fifth and final performance of Wozzeck this season will be broadcast live on Saturday, March 22 in the Metropolitan Opera Radio Broadcast series on WQXR 105.9 FM and online at www.wqxr.org. In April, Voigt heads out for a four-city recital tour, taking her to three venues in California and a return engagement in the 75th anniversary season of Boston's popular Celebrity Series. On May 14, she returns to the Met to host the 'Live in HD' broadcast of Rossini's La Cenerentola.
Singer Karyn Levitt, with pianist Eric Ostling, will perform Eric Bentley's Brecht-Eisler Song Book, a unique evening that features the songs of Austrian composer Hanns Eisler (1898-1962), set to poetry by Bertolt Brecht and other noted writers, in English versions by Eric Bentley, Monday February 3 at 7:30 PM at the Leonard Nimoy Thalia/Symphony Space, 2537 Broadway (entrance on 95th Street). Eric Bentley, now 97 years old, is the first translator into English of Brecht's plays and poems, introducing Brecht's work to American stages in the 1940's and 50's. Bentley has now unlocked Hanns Eisler's starkly beautiful songs, many set to poems by Brecht, to be performed by soprano Karyn Levitt, with whom he has worked closely since 2011.
The Music Institute of Chicago joins the national celebration of Music In Our Schools Month with a morning of music for all ages Saturday, March 15 at Nichols Concert Hall, 1490 Chicago Avenue, Evanston.
The Canadian Opera Company unveiled a season dominated by the most important, respected and talked-about artists working on the operatic world stage today at a public launch of its 2014/2015 season at the Four Seasons Centre for the Performing Arts.