Arena Stage at the Mead Center for American Theater announces the full company for the Washington, D.C. premiere of Christopher Durang's Tony Award-winning comedy Vanya and Sonia and Masha and Spike.
Theater and film actress Cherie Gil ('Master Class,' 'Full Gallop') makes her Philippine Educational Theater Association (PETA) debut via theater director-scenic designer Loy Arcenas ('Corpus Christi,' 'Love! Valour! Compassion!') and playwright Rody Vera's ('The Merchant of Venice,' 'D' Wonder Twins of Boac') reimagining of Anton Chekhov's masterwork 'The Cherry Orchard,' now titled 'Arbol de Fuego,' a flowering tree that bears no fruit, which frames the main entrance to the nearly bankrupt estate Balay Dako in Negros Occidental, Southern Philippines, during the '70s.
Famous, but aging, actress Irina Arkadina is obsessed with a callous younger lover, dismissive of her son the frustrated playwright, and suspicious of an admiring ingenue. Christopher Hampton's adaptation of Anton Chekhov's 1895 play lays bare its comedy and its cruelty in a household overflowing with creativity, fantasies of fame, jealousy, and unrequited love.
Catastrophic is pleased to once again introduce Houston audiences to a fresh voice in American theatre. As it did with Mickle Maher (The Strangerer and Spirits to Enforce) and Miki Johnson (American Falls and Fleaven), Catastrophic will produce 2 plays by Mark Schultz in a single season, beginning with the world premiere of The Blackest Shore and ending with Everything Will Be Different.
Power. Kingdoms. Lust. And the will of one (anti-) hero who wants to do everything he can to conquer the one enemy he cannot beat: Death. Based on the epic from Mesopotamia, one of the oldest pieces of literature known to us today, 'Gilgamesh - A Musical Epic' is the story of how Man went from Animal to God, told in the form of an epic rock opera. It brings together the rocky deserts of the mythical Middle East and the electrifying energy of Rock to challenge the gods themselves.
?Stories on Stage collaborates once again with the Buntport Theater Company in Son of Very Short Stories. Denver performances are Saturday, March 7 at 1:30 p.m. and 7:30 p.m. at Su Teatro Cultural and Performing Arts Center, located at 721 Santa Fe Drive. Tickets are $28 and are available by calling 303-494-0523 or online at www.storiesonstage.org. On Friday, March 13 at 7:30 p.m. the show moves to the Chautauqua Community House, 900 West Baseline Road, Boulder, CO 80302. Tickets for the Boulder performance are $28 and are available by calling 303-440-7666 or online at https://tickets.chautauqua.com.
Antaeus, L.A.'s classical theater ensemble, opens its 2015 season with a fully partner-cast production of William Shakespeare's Henry IV, Part I. Previews begin March 6, with two opening nights set for March 12 and March 13 (one with each cast) at the Antaeus Theater in NoHo. Michael Murray directs.
Sierra Stages opens its 2015 season with the hilarious Broadway comedy VANYA AND SONIA AND MASHA AND SPIKE, winner of the 2013 Tony Award for Best Play. Written by Christopher Durang, VANYA AND SONIA AND MASHA AND SPIKE plays at the historic Nevada Theatre in Nevada City from March 5-28. The play is directed by Jeffrey Mason, with set design by Pamela Hodges, lighting design by Erin Beatie, and costume design by Jill Kelly. The cast includes local Nevada County actors Casey Burke, Susan Mason, Robert Rossman, Karen Leigh Sharp, Rachel Wellman, and Sharon Winegar.
WaterTower Theatre Producing Artistic Director Terry Martin today announced its production of the Michele Riml comedy Sexy Laundry, directed by Terry Martin, tonight, Jan. 31 - Feb. 22, 2015 in the Studio Theatre. Sexy Laundry is part of the new Discover Series in the Studio Theatre.
Columbia Stages is proud to present FESTEN, a dark comedy by British playwright David Eldridge. Adapted from the 1998 Danish film of the same name, FESTEN depicts the story of a family ravaged by secrets, twisted accusations, and unbearable wounds.
Theatre Communications Group (TCG) has announced the publication of the revelatory new translation of Ivan Turgenev's A Month in the Country, by renowned playwright Richard Nelson and foremost Russian translators Richard Pevear and Larissa Volokhonsky. The play marks the second of TCG's Classic Russian Drama Series, which will publish classics over the next ten years.
Theater and film actress Cherie Gil ('Master Class,' 'Full Gallop') makes her Philippine Educational Theater Association (PETA) debut via theater director-scenic designer Loy Arcenas ('Corpus Christi,' 'Love! Valour! Compassion!') and playwright Rody Vera's ('The Merchant of Venice,' 'D' Wonder Twins of Boac') reimagining of Anton Chekhov's masterwork 'The Cherry Orchard,' now titled 'Arbol de Fuego,' a flowering tree that bears no fruit, which frames the main entrance to the nearly bankrupt estate Balay Dako in Negros Occidental, Southern Philippines, during the '70s.
Columbia Stages is proud to present FESTEN, a dark comedy by British playwright David Eldridge. Adapted from the 1998 Danish film of the same name, FESTEN depicts the story of a family ravaged by secrets, twisted accusations, and unbearable wounds.
Cygnet Theatre has announced a Season 13 lineup featuring seven productions sure to take audiences on a rollicking theatrical journey. Adding a new creative influence to the season will be Cygnet's most recent addition, Rob Lutfy, who has been appointed as Cygnet's Associate Artistic Director and will start in the summer.
People's Light continues its 40th Anniversary Season with The Cherry Orchard. Academy Award nominees Mary McDonnell and David Strathairn join People's Light company artists in Emily Mann's acclaimed adaptation of Chekhov's masterwork directed by Abigail Adams. People's Light is located at 39 Conestoga Road, Malvern, PA 19355. For tickets, call 610.644.3500 or visit Peopleslight.org.
New York's home for the Classics announces its inaugural exploration of what modern language brings to timeless stories. With 12 days of readings and discussions, The Pearl's Resident Acting Company and three contemporary playwrights will investigate the power of language, the fortitude of classic stories, and the tricky role of the adapter in tackling these often-told tales.