Theater Resources Unlimited (TRU) announces the 2014 Play Reading Series on Monday, June 9, Monday, June 16, and Monday, June 23 at 7pm at the Engelman Recital Hall, Baruch Performing Arts Center, 55 Lexington Avenue, NYC. Tickets are free and may be reserved by emailing TRUStaff1@gmail.com or phoning the TRU message line at 212-714-7628. For more information visit http://truonline.org/TRUPlays.htm.
Theater Resources Unlimited (TRU) announces the 2014 Play Reading Series on Monday, June 9, Monday, June 16, and Monday, June 23 at 7pm at the Engelman Recital Hall, Baruch Performing Arts Center, 55 Lexington Avenue, NYC. Tickets are free and may be reserved by emailing TRUStaff1@gmail.com or phoning the TRU message line at 212-714-7628. For more information visit http://truonline.org/TRUPlays.htm.
The Pasadena Symphony celebrates the best of the best Russian music with international piano star Shai Wosner guest conductor Jahja Ling. The 86thseason concert finale explodes with Tchaikovsky's dazzling Piano Concerto No. 1 and Shostakovich's Fifth Symphony tonight, May 10, 2014 at Ambassador Auditorium with matinee and evening performances at 2:00 p.m. and 8:00 p.m.
When conductor James Levine returned to the Metropolitan Opera last fall after a serious illness, he chose to return with Mozart's sparkling comedy, Cosi Fan Tutti. By all accounts, his return performance was the highlight of this or any other Met season.
The Pasadena Symphony celebrates the best of the best Russian music with international piano star Shai Wosner guest conductor Jahja Ling. The 86thseason concert finale explodes with Tchaikovsky's dazzling Piano Concerto No. 1 and Shostakovich's Fifth Symphony on Saturday May 10, 2014 at Ambassador Auditorium with matinee and evening performances at 2:00 p.m. and 8:00 p.m.
When conductor James Levine returned to the Metropolitan Opera last fall after a serious illness, he chose to return with Mozart's sparkling comedy, Cosi Fan Tutti. By all accounts, his return performance was the highlight of this or any other Met season.
The Richard Tucker Music Foundation has announced that Michael Fabiano - 'the tenor that we have all been waiting for' (San Francisco Classical Voice) - is the winner of the 2014 Richard Tucker Award.
The Dallas Opera, in partnership with AT&T Stadium and with support from our presenting sponsor, The Dallas Foundation, is extremely proud to announce the company's third stadium simulcast—the seventh free Dallas Opera simulcast since 2010. The announcement was made this afternoon at a gathering of prominent arts and sports representatives and attending local media at AT&T Stadium in Arlington. Participants included:
Tonight, April 1 at 7:30pm at Opera America's National Opera Center, New York Festival of Song concludes its 2013-14 edition of NYFOS Next-the series for new song in which composers curate and host an hour of contemporary song-with celebrated composer HAROLD MELTZER.
Boston Baroque has announced its New Directions Series for 2013 - 2014 Season, featuring two chamber concerts at Longy School of Music, the second of which runs today, March 29, 2014: MONOLOGUES.
Miller Theatre at Columbia University School of the Arts continues the 2013-14 Composer Portraits series with a multi-faceted exploration of the work of Jean-Baptiste Barrière featuring Raphaële Kennedy, soprano Camilla Hoitenga, flute Margaret Lancaster, flute Aliisa Neige Barrière, violin and Nathan Davis, percussion. The show is today, March 29, 2014, 8:00 p.m at the Miller Theatre at Columbia University (2960 Broadway at 116th Street).
The Dallas Opera's 2013-2014 Season Finale is Gioachino Rossini's wildest and most popular romp: THE BARBER OF SEVILLE, opening tonight, March 28, 2014 at 7:30 p.m. in theMargot and Bill Winspear Opera House at the AT&T Performing Arts Center, with generous support from TACA.
The Dallas Opera's 2013-2014 Season Finale is Gioachino Rossini's wildest and most popular romp: THE BARBER OF SEVILLE, opening the evening of Friday, March 28, 2014 at 7:30 p.m. in the Margot and Bill Winspear Opera House at the AT&T Performing Arts Center, with generous support from TACA.
The Dallas Opera's 2013-2014 Season Finale is Gioachino Rossini's wildest and most popular romp: THE BARBER OF SEVILLE, opening the evening of Friday, March 28, 2014 at 7:30 p.m. in theMargot and Bill Winspear Opera House at the AT&T Performing Arts Center, with generous support from TACA.
On Tuesday, April 1 at 7:30pm at Opera America's National Opera Center, New York Festival of Song concludes its 2013-14 edition of NYFOS Next-the series for new song in which composers curate and host an hour of contemporary song-with celebrated composer HAROLD MELTZER.
The Dallas Opera is proud to present the third production of the company's 2013-2014 “By Love Transformed” Season, Erich Wolfgang Korngold's late-Viennese style masterpiece, DIE TOTE STADT (“The Dead City”) which received an unprecedented two-city world premiere in 1920.
Miller Theatre at Columbia University School of the Arts continues the 2013-14 Composer Portraits series with a multi-faceted exploration of the work of JEAN-BAPTISTE BARRIÈRE, featuring: Raphaele Kennedy, soprano, Camilla Hoitenga, flute, Margaret Lancaster, flute, Aliisa Barriere, violin, and Nathan Davis, percussion.
Miller Theatre at Columbia University School of the Arts continues the 2013-14 Composer Portraits series with a multi-faceted exploration of the work of Jean-Baptiste Barrière featuring Raphaële Kennedy, soprano Camilla Hoitenga, flute Margaret Lancaster, flute Aliisa Neige Barrière, violin and Nathan Davis, percussion. The show is on Saturday, March 29, 2014, 8:00 p.m at the Miller Theatre at Columbia University (2960 Broadway at 116th Street). Tickets are $20-$30 • Students with valid ID: $12-$18
Conductor Michael Christie will lead the opening concerts of the Minnesota Orchestra's classical season subscription series today, February 20 at 11am; Friday, February 21 at 8pm; and Saturday, February 22 at 8pm as the orchestra returns to the renovated Orchestra Hall (1111 Nicollet Mall) for its homecoming subscription series, which runs from February through July 2014.
Russian bass Ildar Abdrazakov – whom the Metropolitan Opera just announced will star in the title role of a new production of Mozart's Le Nozze di Figaro for its 2014-15 season-opening gala – has earned a chorus of praise for his performance as the eponymous character in Dmitri Tcherniakov's new production of Prince Igor at the Met, which last staged Borodin's work nearly 100 years ago. In the New York Times, Anthony Tommasini enthused over Abdrazakov at length: “Solid and ruggedly handsome, Mr. Abdrazakov is a confident actor. Though his voice is firm and robust, he is not one of those formidable, gravelly Russian basses. He is a fine singer of Italian repertory, and his Igor has moments of Italianate lyrical refinement. He brings passion, even a touch of neediness, to his exchanges with his devoted wife, Yaroslavna. … Mr. Abdrazakov does his most burnished, powerful singing in the prince's despairing soliloquy [in Act II].” The New York Observer had a similar view: “Abdrazakov hurled his dark bass-baritone into Igor's soul-searching arias, the warm, lyrical tone suggesting the proud prince's underlying vulnerability.” WQXR likewise commended the bass's “sonorous” tone and Classical Review his “dramatic force.”
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