Seattle Theater Writers, a group of 11 local theater writers and reviewers, has announced the 2011 winners of the first annual Gypsy Rose Lee Awards, a new set of theater awards devoted to recognizing excellence across the Equity and non-Equity spectrum. 2011 marks the 100th year of Ms. Lee's birth in Seattle.
The 5th Avenue Theatre is bringing the wide open plains to Seattle this February with a reimagining of Rodgers & Hammerstein's Oklahoma!
After an intense internal auditing process, the results are in for the 2011 Seattle Awards! This year's awards broke traffic records and we couldn't be more excited to announce the 2011 BroadwayWorld Seattle Award winners!
The Seattle Times has officially announced the winners of their 2011 Footlight Awards. Featured amoungst this year's winners are such favorites as Mike Daisey, Carolee Carmello, and many more! The full list of 2011 winners is as follows:
It's almost over! There's just THREE days of voting remaining for the 2011 Seattle Awards and here is the latest update! Have you voted yet, and helped to spread the word to support your favorites in the hopes that they will be the recipients of a 2011 BroadwayWorld Seattle Award? There is no time to waste, click on the voting link and make your opinion count! Below are the stats so far as of Monday December 26, 2011. Voting ends at midnight on 12/31 so time is running out.
There is no time to waste, click on the voting link and make your opinion count! Below are the stats so far. Voting ends at midnight on 12/31 so time is running out. Click Here to Vote Now!...
There's just 4 weeks left to go in voting for the 2011 Seattle Awards and here is the latest update! Have you voted yet, and helped to spread the word to support your favorites in the hopes that they will be the recipients of a 2011 BroadwayWorld Seattle Award? There is no time to waste, click on the voting link and make your opinion count! Below are the stats so far as of Tuesday November 29, 2011.
Voting is now well underway for the 2011 Seattle Awards and here is the latest update! Now, it's time for you to get out and vote for your favorites in the hopes that they will be the recipients of a 2011 BroadwayWorld Seattle Award. No time to waste, click on the voting link and make your opinion count! Below are the stats so far as of Monday November 23, 2011.
Political intrigue, shifting loyalties and two powerhouses vying for victory over the other while advisors whisper their own agendas in their ears. No, it's not the upcoming Presidential campaign although one does resonate with the other. No, this is ACT's production of "Mary Stuart" directed by Victor Pappas and starring two grande dames of local theater, Anne Allgood and Suzanne Bouchard. And with this much history and pedigree on stage, what you end up with is a cutting machination woven together with humor, heart and venom.
Political intrigue, shifting loyalties and two powerhouses vying for victory over the other while advisors whisper their own agendas in their ears. No, it's not the upcoming Presidential campaign although one does resonate with the other. No, this is ACT's production of "Mary Stuart" directed by Victor Pappas and starring two grande dames of local theater, Anne Allgood and Suzanne Bouchard. And with this much history and pedigree on stage, what you end up with is a cutting machination woven together with humor, heart and venom.
Times are tough, unemployment is on the rise, and people are struggling to make ends meet let alone keep their sanity. Sound familiar? Well ACT's current production of Neil Simon's "The Prisoner of Second Avenue" sounds like it could be set today but instead we go back not too long ago to 1971 to another recession in our country's economy. But even with this dark subject, the cast makes this show frenzied, frothy and fun!
Timely, relevant, bittersweet, and scathingly funny, The Prisoner of Second Avenue by the prolific Neil Simon gets the all-star treatment at ACT Theatre, April 29-May 29, with director Warner Shook at the helm and a cast that reads like a Who's Who in Seattle Theatre.
Times are tough, unemployment is on the rise, and people are struggling to make ends meet let alone keep their sanity. Sound familiar? Well ACT's current production of Neil Simon's "The Prisoner of Second Avenue" sounds like it could be set today but instead we go back not too long ago to 1971 to another recession in our country's economy. But even with this dark subject, the cast makes this show frenzied, frothy and fun!
A Contemporary Theatre brings to stage a host of performances for the month of May! Vanities: A New Musical concludes it successful run, as ACT's next Mainstage production starts, Neil Simon's comic portrait of urban angst, The Prisoner of Second Avenue.
Timely, relevant, bittersweet, and scathingly funny, The Prisoner of Second Avenue by the prolific Neil Simon gets the all-star treatment at ACT Theatre, April 29-May 29, with director Warner Shook at the helm and a cast that reads like a Who's Who in Seattle Theatre.
A Contemporary Theatre brings to stage a host of performances for the month of May! Vanities: A New Musical concludes it successful run, as ACT's next Mainstage production starts, Neil Simon's comic portrait of urban angst, The Prisoner of Second Avenue.
Timely, relevant, bittersweet, and scathingly funny, The Prisoner of Second Avenue by the prolific Neil Simon gets the all-star treatment at ACT Theatre, April 29-May 29, with director Warner Shook at the helm and a cast that reads like a Who's Who in Seattle Theatre.
Tony nominee Christiane Noll (Ragtime) will play Yum-Yum in The Mikado from March 11-13 with the Eugene Opera. The production's cast also includes Nicholas Isherwood, Joel Andrew Weiss, Jamie LaVerdiere, Brooke Cagno and Anne Allgood.
Tony nominee Christiane Noll (Ragtime) will play Yum-Yum in The Mikado from March 11-13 with the Eugene Opera. The production's cast also includes Nicholas Isherwood, Joel Andrew Weiss, Jamie LaVerdiere, Brooke Cagno and Anne Allgood.
The 5th Avenue Theatre is presenting a brand new addition to holiday theater offerings with the new adaptation of the classic 1983 film, "A Christmas Story: The Musical". And while half the show harkened fond memories of the film and left me with a wonderful sense of hope for this new piece of musical theater, the other half fell into old familiar musical traps and left me wanting as it shot its eye out. In case you haven't seen the movie that is shown incessantly over the holiday season (sometimes for 24 hour periods nonstop) here's a brief rundown. We follow the quest of young Ralphie Parker as he plots and schemes to convince his parents (and Santa) to get him the best Christmas present in the world, a Red Ryder 200 Shot Carbine Action Air Rifle. The problem is he keeps running into obstacles of his Mother, his teacher and even Santa as they warn him away from the gift with the familiar, "You'll shoot your eye out." But Ralphie is tenacious and will have his prize. Meanwhile we also get to know the rest of the Parkers and their neighbors as we dive into the world of story originator Jean Shepherd. Complete with bullies, major awards and triple dog dares, the story harkens back to a simpler time when the biggest thing kids had to worry about was what Santa was bringing them. The show itself is a charmer with book by Joseph Robinette who manages to keep the feel of the original material intact and still hits all the points and jokes that have become so familiar. The problem I ran into was with the songs. As I said, half of the show worked great. Act One was filled with wonderful tuners that captured the tone perfectly. And composers/lyricists Benj Pasek and Justin Paul seemed to show that someone understands the structure of musical theater. The songs were either perfect for moving the story along or emphasizing through song what a character couldn't do any other way. And the songs "Ralphie to the Rescue" and "A Major Award" were both complete show stoppers and crucial to the story. Then we hit Act Two and suddenly it was like a completely different writing team as the songs ceased being essential as every single moment in the play got one right up to the end. So many superfluous numbers that could have been forsaken for just telling the story weighed down the second half until it finally ended with a whimper of exhaustion. The cast however is superb and has the perfect style for the period. Clarke Hallum plays the scheming Ralphie and even though he was a bit presentational at times, his voice is right up there with any of the adults on stage. Anne Allgood is endearingly lovely as Ralphie's Mother and her moment in Act Two where she covers for Ralphie had me in tears. Frank Corrado is spot on as the narrator Jean Shepherd as he weaves this wonderful tale for us in the guise of a radio drama. And special kudos to John Bolton as Ralphie's "Old Man" who practically steals the show with is antics and especially with his overly zealous "Major Award" number. With a gorgeous set from Walt Spangler and costumes that look like they were transported right from the movie by Elizabeth Hope Clancy, this show could have been the new theatrical holiday standard by which all of the "Elf"s, and "Grinch"s would be judged. I only wish the writers had realized what they were doing so right in the first half and could have kept it up in the second. "A Christmas Story: The Musical" plays at the 5th Avenue Theatre through December 30th. For tickets or information contact the 5th Avenue Box Office at 206-625-1900 or toll free at 888-5TH-4TIX (584-4849) or visit them online at www.5thavenue.org. Photo Credit: Chris Bennion
Videos
.jpg?format=auto&width=365)
