Anna Netrebko News

The Royal Ballet's production of Carlos Acosta's charming and fun Don Quixote will screen in US cinemas across March and April 2019. The production is filed from the Royal Opera House in London's Covent Garden.

Composer Christopher James's upcoming album Grace from Persistence, his third as a solo artist, represents a synthesis of musical genres from jazz and pop to classical and film music, informed not only by his early experiences scoring for film and television, but also by his many years working with leading artists and on major soundtracks as an executive and producer for Universal Music Group. Mr. James's music takes inspiration from the visual and the dramatic, and two of the ten tracks on this recording (“Grace from Persistence” and “Mother Russia”) feature accompanying video.

Not since a memorable La traviata in 2008 have superstars Anna Netrebko and Jonas Kaufmann appeared together at the Royal Opera House. Small wonder, then, that their pairing as fate-thwarted lovers Leonora and Don Alvaro in Verdi's sprawling tragedy La Forza del Destino sent the Royal Opera House booking system into meltdown, with tickets soon appearing on external sites for four-figure sums. No sooner had that excitement subsided than the usual rumours started circulating: one or other of the stars would pull out – both have form. And when Kaufmann failed to appear for the dress rehearsal the doom-mongers' chatter gained volume.

San Francisco's acclaimed Merola Opera Program, one of the most prestigious and selective opera training programs in the world, launches its 62nd season offering audiences a look at the opera stars of tomorrow. The 2019 Merola Summer Festival announces this year's 29 Merola artists, selected from more than 800 international applicants from as far away as Brazil, South Korea, New Zealand, and Colombia, as well as across the U.S. Along with the announced world premiere of If I Were You (August 1-6) by Jake Heggie and Gene Scheer, the singers will perform in the Schwabacher Summer Concert (July 11 & 13) and Merola Grand Finale (August 17). The 2019 Merola Summer Festival includes performances in San Francisco at various locations. Individual event tickets and information available at www.merola.org or 415-864-3330.

The Met: Live in HD, the Metropolitan Opera's award-winning series of live high-definition cinema simulcasts, will begin its 14th season on October 12, with the Met's production of Puccini's Turandot, starring Christine Goerke in the title role, led by the Met's Jeanette Lerman-Neubauer Music Director, Yannick Nézet-Séguin.

The Metropolitan Opera today announced its 2019 20 season, which opens on September 23 with a new production of the Gershwins' classic American opera Porgy and Bess, last performed at the Met in 1990, starring Eric Owens and Angel Blue, directed by James Robinson and conducted by David Robertson.

Pélleas et Mélisande last night was hands down the best thing the Met has done this season. No arias, no duets, no trios, no choruses, just ravishing melodies bathed in some of the most complex web-like, ethereal harmonies.

On Today, January 12 at 1:00pm the Peterborough Players present, Live from the Metropolitan Opera, a screening of Cilea's Adriana Lecouvreur.

Soprano Anna Netrebko takes on for the first time at the Met the title role of the 18th century actress Adriana Lecouvreur. A co-production of the Royal Opera House, Covent Garden, London, Gran Teatre del Liceu - Barcelona, Wiener Staatsoper, San Francisco Opera and L'Opera National de Paris conducted by Gianandrea Noseda and directed by Sir David McVicar, who ingeniously sets the action in a working replica of a Baroque theatre.

On Saturday, January 12 at 1:00pm the Peterborough Players present, Live from the Metropolitan Opera, a screening of Cilea's Adriana Lecouvreur.

Anna Netrebko brings her acclaimed portrayal of the passionate real-life French actress at the heart of Francesco Cilea's Adriana Lecouvreur to the Metropolitan Opera for the first time in a new production that opens in a special New Year's Eve gala performance and continues through January 26, 2019. Let's see what the critics had to say.

On New Year's Eve, the Metropolitan Opera unveiled a new production of Cilea's ADRIANA LECOUVREUR, with a high-powered, audience-pleasing cast--headed by Anna Netrebko--in a production by Met favorite David McVicar, appealingly designed and costumed, and played elegantly by the Met orchestra under Gianandrea Noseda's sweeping baton.

Soprano Anna Netrebko joins the ranks of Renata Tebaldi, Montserrat Caballe, and Renata Scotto, taking on the title role of the real-life French actress who dazzled 18th-century audiences with her on-and offstage passion

Well, it's that time of the year again--time for a look-back on what was worth making note of during the calendar year that's about to come to an end. It's from a totally personal, subjective point of view, of course, but frankly that's the way opera-lovers always seem to like it, n'est-ce pas? The productions worth noting come from places big, small and in-between, from composers old as the hills to freshly minted or somewhere in between (likewise the performers), from traditional or boldly modern to simply stand up and sing.

Soprano Anna Netrebko joins the ranks of Renata Tebaldi, Montserrat Caballe, and Renata Scotto, taking on-for the first time at the Met-the title role of the real-life French actress who dazzled 18th-century audiences with her on-and offstage passion. The soprano is joined by tenor Piotr Becza?a as Adriana's lover, Maurizio. The principal cast also features mezzo-soprano Anita Rachvelishvili and baritone Ambrogio Maestri. Gianandrea Noseda conducts. Sir David McVicar's staging, which sets the action in a working replica of a Baroque theater, premiered at the Royal Opera House in London, where the Guardian praised the 'elegant production, sumptuously designed ... The spectacle guarantees a good night out.'

Soprano Anna Netrebko takes on for the first time at the Met the title role of the 18th century actress Adriana Lecouvreur. A co-production of the Royal Opera House, Covent Garden, London, Gran Teatre del Liceu - Barcelona, Wiener Staatsoper, San Francisco Opera and L'Opera National de Paris conducted by Gianandrea Noseda and directed by Sir David McVicar, who ingeniously sets the action in a working replica of a Baroque theatre.

Gianandrea Noseda-Music Director of the National Symphony Orchestra (NSO), Principal Guest Conductor of the London Symphony Orchestra and newly-appointed General Music Director of the Zurich Opera starting in 2021-returns to the Metropolitan Opera for the first time since 2017 to conduct a new production of Cilea's Adriana Lecouvreur starring Anna Netrebko in her house role debut, December 31, 2018 through January 26, 2019. The 2018-2019 season marks Noseda's second as Music Director of the NSO, including a full schedule of subscription concerts that recently included critically-acclaimed performances of Britten's War Requiem in November and Mahler's Symphony No. 1 earlier this month. On May 19, 2019, Noseda will bring the NSO to Carnegie Hall in a program that includes Rossini's rarely-performed Stabat Mater.

The Royal Opera House presents a host of world premieres and debuts across ballet and opera in 2019, alongside a diverse range of free and ticketed Front of House events for all ages. 2019 also sees the first performances by The Royal Ballet and The Royal Opera in the newly refurbished Linbury Theatre, the West End's newest and most intimate theatre.

Soprano Anna Netrebko discusses 'Adriana Lecouvreur' during the Live in HD broadcast of La Traviata with host Anita Rachvelishvili.

Soprano Anna Netrebko joins the ranks of Renata Tebaldi, Montserrat Caballe, and Renata Scotto, taking on the title role of the real-life French actress who dazzled 18th-century audiences with her on-and offstage passion. The Metropolitan Opera's performance of Adriana Lecouvreur comes to the big screen in HD at The Ridgefield Playhouse on Sunday, January 13 at 1pm. This encore screening is part of Atria Senior Living Classical Series with support from The Ridgefield Press and Whistle Stop Bakery. This series is underwritten by Lori & John Berisford, Jeanne Cook, Liz & Steven Goldstone, and Sabina & Walter Slavin.