The Gift Theatre's Artistic Director Michael Patrick Thornton is proud to announce that 4802-the new play research and development wing of The Gift named after its storefront address located on N Milwaukee Ave in Jefferson Park-is now accepting applicants. In 4802, Chicago-based artists and artistic teams will be given residencies in the Gift Theatre's 40-seat storefront, providing dedicated tailor-made time, space, and support for their work.
Shoptalk: Queering Theater, a co-presentation of Vertigo Theater Company and BRIC, is slated for Monday, October 3, 2016 at 7:30pm. Featuring guest panelists: Adam Bock, Will Davis, Donnetta Lavinia Grays, and Carmelita Tropicana.
Rehearsals begin tomorrow, Tuesday, September 13, for the world-premiere production of Kingdom Come by Jenny Rachel Weiner, directed by Kip Fagan, as part of Roundabout's 50th Anniversary Season.
Goodman Theatre announces the lineup of its 13th annual New Stages festival-a celebration and discovery of new work by some of the finest established and emerging playwrights.
This fall, Goodman Theatre combines world-class magic with a human story of loss and love in the world premiere of The Magic Play, by Andrew Hinderaker and directed by Halena Kays, starting October 21.
The Fall of 2016 will see Chicago bursting with new works and adaptations. Long regarded as the leader in the U.S. for producing new work, Chicago companies will stage a record number of new plays making their world premieres in Chicago. More than 250 companies of the Chicago theater community typically produce more than 100 world premieres each season.
Roundabout Theatre Company (Todd Haimes, Artistic Director) has just announced the cast for the first new play of Roundabout Underground's newly expanded 2016-2017 season. The world-premiere production of Kingdom Come by Jenny Rachel Weiner will be directed by Kip Fagan, as part of Roundabout's 50th Anniversary Season, and will feature Brooke Bloom (Layne), Carmen M. Herlihy (Samantha Carlin), Alex Hernandez (Dominick Aquendo), Socorro Santiago (Delores Aquendo) and Stephanie Styles (Suz).
American Theater Company (ATC) has restructured its 2016-17 Season and will present three of four previously announced plays, with an updated production schedule.
National New Play Network, the country's alliance of nonprofit theaters that champions the development, production, and continued life of new plays, is pleased to co-present the 11th annual MFA Playwright's Workshop (MFAPW) in association with the Kennedy Center American College Theater Festival and Stanford University's National Center for New Plays.
During Saturday's Season Release Bash at Fischman Liquors and Tavern, co-founder and artistic director Michael Patrick Thornton proudly announced The Gift Theatre's 2017 season of three world premieres by women playwrights. The all-new season kicks off in February with the debuts of Mona Mansour's war-torn drama Unseen, Claire Kiechel's futuristic Pilgrims and Janine Nabers' time-hopping love story A Swell in the Ground.
Stage Left Theatre is pleased to announce the programming for its 35th season. The season begins with the world premiere of The Bottle Tree by Beth Kander directed by ensemble member Amy Szerlong. The Bottle Tree was developed through Stage Left's Downstage Left program, at the Ashland New Plays Festival and and has received an Honorable Mention on The Kilroys List for the past two years. Next, in the winter, Stage Left and Cor Theatre present a co-production of What of the Night? by Maria Irene Fornes, directed by Carlos Murillo. This epic meditation on poverty in America was a Pultizer finalist in 1990. Cor Theatre Artistic Director Tosha Fowler says of the partnership, 'With admiration for Stage Left's longevity and the exciting opportunities they provide to artists through their strong commitment to mission, we at Cor are thrilled to announce a collaboration of theatre that is bound to leave you breathless. Combining Stage Left's strength with our fearless aesthetic, Fornes' poetically primal voice, and Carlos Murillo's passionate vision, What of the Night is going to be our biggest leap yet.' Finally, the company will present LeapFest, its annual developmental festival featuring workshop productions of new plays, at a time to be announced later.
MEN ON BOATS, the critically-acclaimed comedy which premiered at Clubbed Thumb's 2015 Summerworks Festival, announced today casting for its return this summer in a co-production by Clubbed Thumb and Playwrights Horizons.
Steep Theatre Company has announced the programming for its upcoming 16th season, which continues the company's tradition of presenting bold plays from today's most exciting playwrights, brought to life by fearlessly honest ensembles and visionary directors. Season 16 will feature a world premiere from Chicago playwright Alex Lubischer, a U.S. premiere from Olivier Award-winning playwright Mike Bartlett, a U.S. premiere from rising English playwright Cordelia Lynn, and a Midwest premiere from California-based playwright Lauren Yee. Steep Ensemble Members and Jeff Award-winning directors Robin Witt and Jonathan Berry will helm two of the productions, to be joined by two guest directors.
American Theater Company (ATC) proudly announces Season 32, led by its newly appointed Artistic Director Will Davis and continuing the theater's dedication to developing new works. The 2016-17 season kicks off this September with the world premiere of Dan Aibel's T., an exploration of the competitive ice skating saga between Nancy Kerrigan and Tonya Harding, directed byMargot Bordelon, Sept. 23-Oct. 30, 2016. In the New Year, ATC presents Jaclyn Backhaus' Men On Boats, making its regional premiere at ATC Jan. 6-Feb. 12, 2017, under Will Davis' direction after he remounts his acclaimed New York production Off Broadway at Playwrights Horizons this summer. Next spring brings another world premiere at ATC, Basil Kreimendahl's We're Gonna Be Okay, March 17-April 23, 2017. The production is directed by Bonnie Metzgar and was originally developed at ATC in collaboration with The Araca Group during AracaWorks: Chicago 2015. The final production of ATC's 2016-17 Season is a reimagined classic, Pulitzer Prize winner Picnic by William Inge, under Davis' direction May 19-June 25, 2017. Season subscriptions are on sale now and range from $60-$150, with special pricing available for advance purchases before July 31, 2016. To purchase a subscription or for more information, visit www.atcweb.org or call the ATC Box Office at 773-409-4125.
Southern Rep Theatre announces details of its upcoming production of COLOSSAL by Andrew Hinderaker: a thrilling, one-of-a-kind theatrical experience that combines football, modern dance, and a live drumline across four quarters and a half-time performance to tell the story of a star college player following his catastrophic injury on the football field.
Classic Stage Company, under the leadership of Artistic Director Brian Kulick and Managing Director Jeff Griffin, today announced that acclaimed actors (and married couple) Becky Ann Baker (currently featured on "Girls") and Dylan Baker (currently featured on "The Americans") have joined the cast of its upcoming production of Henrik Ibsen's PEER GYNT, directed by Tony Award winner John Doyle, who becomes the company's new Artistic Director in July.
Artistic Director Robert Falls announces the 2016/2017 Season-his 30th year as "Chicago's most essential director" (Chicago Tribune) and the creative force behind the 92-year old not-for-profit Goodman Theatre, "one of the country's most respected stages" (NPR ).
From tonight, March 12, to April 9, 2016, SpeakEasy Stage Company will present the New England Premiere of BOOTYCANDY, a shockingly funny and saucy spin on race, sex, and sexuality, written by award-winning playwright and director Robert O'Hara.
?Following a six-month national search, American Theater Company's (ATC) Board of Directors has named Will Davis its new artistic director, effective immediately.
From March 12 to April 9, 2016, SpeakEasy Stage Company will present the New England Premiere of BOOTYCANDY, a shockingly funny and saucy spin on race, sex, and sexuality, written by award-winning playwright and director Robert O'Hara.
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