BWW Review: THE KNIGHT OF THE BURNING PESTLE, Barbican Centre
In 1607 Francis Beaumont was about to premiere his new play The Knight of the Burning Pestle, the pastiche that was set to change British comedy forever.
In 1607 Francis Beaumont was about to premiere his new play The Knight of the Burning Pestle, the pastiche that was set to change British comedy forever.
Cheek by Jowl reunites with the Moscow Pushkin Drama Theatre on Francis Beaumont's outrageous dark comedy, The Knight of the Burning Pestle, hilarious and terrifying in its relevance to our times.
Cheek by Jowl reunites with the Moscow Pushkin Drama Theatre on Francis Beaumont's outrageous dark comedy, The Knight of the Burning Pestle, hilarious and terrifying in its relevance to our times.
Cheek by Jowl reunites with the Moscow Pushkin Drama Theatre on Francis Beaumont's outrageous dark comedy, The Knight of the Burning Pestle, hilarious and terrifying in its relevance to our times.
Declan Donnellan is the co-Artistic Director of Cheek By Jowl.
In Shakespeare's 400th anniversary year, Cheek by Jowl today announce that their critically acclaimed Russian language production of Measure for Measure will open the 2016 Shakespeare Festival at Hamlet's Castle, Kronborg, Elsinore, with performances from 1 to 7 August.
Chicago Shakespeare Theater (CST) welcomes Cheek by Jowl and Moscow Pushkin Drama Theatre's internationally acclaimed production of William Shakespeare's MEASURE FOR MEASURE to kick off the line-up for the yearlong Shakespeare 400 Chicago celebration.
Chicago Shakespeare Theater (CST) welcomes Cheek by Jowl and Moscow Pushkin Drama Theatre's internationally acclaimed production of William Shakespeare's MEASURE FOR MEASURE to kick off the line-up for the yearlong Shakespeare 400 Chicago celebration.
Gary Naylor sees a visually stunning and powerful version of one of Shakespeare's problem plays, stripped back to its moral dilemmas
Cheek by Jowl and the Pushkin Theatre, Moscow, in a co-production with the Barbican, London, Les Gémeaux/Sceaux/Scène Nationale, and Centro Dramático Nacional, Madrid (INAEM), present MEASURE FOR MEASURE by William Shakespeare, beginning April 15 at the Barbican Centre and moving to the Oxford Pl