The Catastrophic Theatre presents a limited run of Wallace Shawn's fiercely urgent, frighteningly prescient masterwork, THE DESIGNATED MOURNER, a special, off-season addition for those that need it, January 5-15, 2017 at The MATCH.
The Catastrophic Theatre presents a limited run of Wallace Shawn's fiercely urgent, frighteningly prescient masterwork, THE DESIGNATED MOURNER, a special, off-season addition for those that need it, January 5-15, 2017 at The MATCH.
Serpent Club Theater is grateful to receive the support of over 130 sponsors to showcases Matthew Gasda's new play, Ardor, which runs for sixteen shows between Nov 5 to Dec 3rd.
Ardor is Gasda's most ambitious play to date: a nine character ensemble, where each character is individuated, complicated, and alive. 'Ardor is ontologically and linguistically ambitious' Gasda explains, 'it attempts to put pressure on our own sense of ourselves not as beings in the world, but as beings who use language to define the world they live in.'
Serpent Club Theater is grateful to receive the support of over 130 sponsors to showcases Matthew Gasda's new play, Ardor, which runs for sixteen shows between Nov 5 to Dec 3rd.
Ardor is Gasda's most ambitious play to date: a nine character ensemble, where each character is individuated, complicated, and alive. 'Ardor is ontologically and linguistically ambitious' Gasda explains, 'it attempts to put pressure on our own sense of ourselves not as beings in the world, but as beings who use language to define the world they live in.'
Serpent Club Theater is grateful to receive the support of over 130 sponsors to showcases Matthew Gasda's new play, Ardor, which runs for sixteen shows between Nov 5 to Dec 3rd.
Ardor is Gasda's most ambitious play to date: a nine character ensemble, where each character is individuated, complicated, and alive. 'Ardor is ontologically and linguistically ambitious' Gasda explains, 'it attempts to put pressure on our own sense of ourselves not as beings in the world, but as beings who use language to define the world they live in.'
Yale Repertory Theatre, celebrating 50 years of daring artists, bold choices, and adventurous audiences, presents the world premiere of Scenes from Court Life, or the whipping boy and his prince by Sarah Ruhl, directed by Mark Wing-Davey, now through October 22 at Yale University Theatre (222 York Street). Opening Night is tonight, October 6.
Yale Repertory Theatre, celebrating 50 years of daring artists, bold choices, and adventurous audiences, presents the world premiere of Scenes from Court Life, or the whipping boy and his prince by Sarah Ruhl, directed by Mark Wing-Davey, tonight, September 30, through October 22 at Yale University Theatre (222 York Street). Opening Night is Thursday, October 6.
Yale Repertory Theatre, celebrating 50 years of daring artists, bold choices, and adventurous audiences, presents the world premiere of Scenes from Court Life, or the whipping boy and his prince by Sarah Ruhl, directed by Mark Wing-Davey, September 30-October 22 at Yale University Theatre (222 York Street). Opening Night is Thursday, October 6.
The fall season at New York Live Arts, home of the Bill T. Jones/Arnie Zane Company and under the artistic leadership of MacArthur Genius Award and National Medal of the Arts recipient Bill T. Jones and Associate Artistic Director Janet Wong, presents a dynamic roster of new works including five world and four New York City premieres, eight Live Arts commissions and an engaging schedule of humanities events.
The Town Hall Theater Young Company will perform an inventive and hilarious retelling of Alice and Wonderland on August 23 &24 at 7pm. This adaption was created by the Manhattan Project under the directions of Andre Gregory in 1972 and was inspired by both Alice's Adventures in Wonderland and Through the Looking Glass. This version of Alice was a seminal work for the period that met with international acclaim. It uses the original text by Lewis Carroll but takes of advantage of all kinds of theatricality and adds some dark twists and turns to Alice's adventure.
As our social and emotional differences corrode our relationships and divide us within our communities, Fells Point Corner Theatre dedicates its 20162017 season to reaffirming our belief in each other. This season we want to celebrate our capabilities, our vulnerabilities, and the challenges of being 'human,' together. #RescueMe is about what binds us together when we need each other, when we can't go it alone, when we must reach out.
New York Live Arts, home of the Bill T. Jones/Arnie Zane Company and under the artistic leadership of MacArthur Genius Award and National Medal of the Arts recipient Bill T. Jones, announced its upcoming 2016-2017 season today.
Chester Theatre Company (CTC) has announced the casting for its 2016 season opener, the World Premiere of My Jane by Producing Artistic Director Daniel Elihu Kramer. My Jane, a contemporary exploration of Charlotte Bronte?'s sweeping novel Jane Eyre, opens June 29th and plays through July 10, 2016, at Chester's historic Town Hall, 15 Middlefield Road in Chester, MA. Camila Cano?-Flavia? will be making her professional debut in the title role of Jane.
And just like that we're off. Follow Alice and the imaginary beasts as they dive headlong down the rabbit hole to present a seminal adaptation of Lewis Carroll's Alice in Wonderland and Through the Looking Glass.
Yale Repertory Theatre presents the world premiere of THE MOORS by Jen Silverman, directed by Jackson Gay, beginning tonight, January 29, where it will run through February 20 at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 4.
Yale Repertory Theatre presents the world premiere of THE MOORS by Jen Silverman, directed by Jackson Gay, January 29-February 20 at Yale Repertory Theatre (1120 Chapel Street). Opening Night is Thursday, February 4.