The Mint Theater will follow the extended run of the acclaimed A Day by the Sea with the World Premiere of Yours Unfaithfully by Miles Malleson, an "un-Romantic Comedy" about the price of free love.
The Mint Theater, currently enjoying the extended run of the acclaimed A Day by the Sea will follow that with the World Premiere of Yours Unfaithfully by Miles Malleson, an 'un-Romantic Comedy' about the price of free love.
What do you feel you are owed in this world? What are you willing to do to get it? To complete the season's theme, 'But Who Am I, Really,' The Seeing Place presents one of Shakespeare's greatest stories in a way rarely seen it before: with a deep emphasis on text that's understandable, presented in modern dress to deeply connect the audience to the play's relevance today.
What do you feel you are owed in this world? What are you willing to do to get it? To complete the season's theme, 'But Who Am I, Really,' The Seeing Place presents one of Shakespeare's greatest stories in a way rarely seen it before: with a deep emphasis on text that's understandable, presented in modern dress to deeply connect the audience to the play's relevance today.
With such a fine set of frontliners behind him, John Rapson may not be a dominant as Jefferson Mays was on Broadway, but the touring show comes off as more balanced, the LOVE and MURDER more equally weighted.
The Vancouver Academy of Music Symphony Orchestra (VAMSO) presents Sergei Prokofiev's timeless symphonic tale, Peter and the Wolf, November 27, 2016, 2pm at the Orpheum Theatre. This enchanting story of a boy outwitting a wolf will come to life with music by VAMSO's more than 100 musicians, and a splendid performance by dancers of Goh Ballet choreographed by Adonis Daukaev. Bard on the Beach Founder & famed theatre figure, Christopher Gaze, will lend his voice as narrator for this delightful family event.
The Mint Theater, currently enjoying the extended run of the acclaimed A Day by the Sea will follow that with the World Premiere of Yours Unfaithfully by Miles Malleson, an 'un-Romantic Comedy' about the price of free love.
So, this was my first time seeing A GENTLEMAN'S GUIDE TO LOVE & MURDER, and as the plot began to unfold, I was struck by its similarity to a film I saw many years before. Growing up I remember watching selections from the Janus Films collection on my local PBS station (KETC, channel 9 in St. Louis), and the film that immediately came to mind was Kind Hearts and Coronets, which featured Alec Guinness in a variety of roles. Reading the program I noticed that Roy Borniman's novel of the same name was the basis for this Tony winning musical. Mystery solved. This is a wonderfully fun take on the story, and makes for an engaging and highly entertaining experience. Even if you've never seen the movie or read the book, you'll find plenty to love about this splendid adaptation that makes it all seem very fresh and funny!
When you're catching the touring production of a show you saw with it's original cast on Broadway, you hope that the folks on tour will be up to par at least somewhat. Such was my fear catching the touring company of the Tony Award winning Best Musical "A Gentleman's Guide to Love & Murder" currently playing at the 5th Avenue Theatre especially for one quite daunting role where the actor must play nine different people. Well, luckily the touring company was completely up to the task especially in that one role making for a hilarious and rousing evening that only did honor to my memory of the original.
?Bill Kenwright's West End production of Alan Ayckbourn's farcical tale of matrimonial mishaps How The Other Half Loves is moving house. The comedy, which has enjoyed huge public and critical acclaim since it opened in March, will extend its West End run, transferring from the Theatre Royal Haymarket to the Duke of York's from 7 July - 1 October.
Occasionally we venture beyond the borders of Ventura County to see what is going on in Los Angeles, and on this occasion, we couldn't resist taking in a performance of A Gentleman's Guide to Love and Murder, which is currently playing at the Ahmanson Theatre downtown. The 2013 show won Tonys for Best Musical and Best Book of a Musical after its initial Broadway run and is now currently on its first national tour.
The nominations ceremony will be broadcast worldwide via live stream at www.broadwayworld.com, and will be hosted by National Life Group, a longstanding Drama League partner and supporter of the arts. Since 1848, National Life has lived its corporate values of do good, be good, and make good by offering financial solutions to those it serves.
Can personal bonds bridge political chasms? John Henry Davis directs Tony Abatemarco and David Nevell in a brilliant and funny play of ideas by Lee Blessing. A Walk in the Woods opens April 29 at International City Theatre, with two low-priced previews set for April 27 and April 28.
The Drama League will recognize three outstanding stage luminaries at this year's 82nd Annual Drama League Awards, set for Friday afternoon, May 20, 2016 at the Marriott Marquis Times Square, it was announced today.
Casting has been announced for Bill Kenwright's new West End production of Alan Ayckbourn's farcical tale of matrimonial mishaps, How The Other Half Loves. The 1969 classic - the first of Ayckbourn's plays to be staged on Broadway - returns to London to play the Theatre Royal Haymarket from Wednesday 23 March 2016 - Saturday 25 June, with a press night on 31 March.
A GENTLEMAN'S GUIDE TO LOVE AND MURDER must have been a 'labor of love' for Robert L. Freedman, who wrote the book: After all, it is derived from the brilliant 1949 British comedy classic KIND HEARTS AND CORONETS, which benefited immeasurably by performances by Dennis Price, Joan Greenwood, and -- most especially -- the brilliant Alec Guinness, whose impersonation of all the victims was a tour de force. Yet, A GENTLEMAN'S GUIDE, with wickedly droll music and lyrics by Steven Lutvak, is a deliciously poisonous bon bon all its own. It's as if Joseph Kesselring's ARSENIC AND OLD LACE had somehow melded with Oscar Wilde's THE IMPORTANCE OF BEING EARNEST, and somewhere 'up there' (or 'down there,' whatever the case may be) writers like Roald Dahl and directors like Alfred Hitchcock must be smiling at the production currently delighting audiences at the Orpheum.