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Chicago Opera Theater to Present MARÍA DE BUENOS AIRES, 4/20-28

Chicago Opera Theater's Chicago Stage Premiere production of Astor Piazzolla's MARÍA DE BUENOS AIRES evokes Argentina's 'Dirty War', the period between 1976 and 1983 when the country was governed by military juntas which controlled the populace through state-sponsored terrorism. This 'tango operita' is of stunning originality, pulsing to the passion and beat of Astor Piazzolla's revolutionary 'nuevo tango' and Horacio Ferrer's mesmerizing, imaginative poetry. Chicago Opera Theater's production is a collaboration with Chicago's Luna Negra Dance Theater at the Harris Theater for Music and Dance, 205 E. Randolph Drive, and runs for four performances only: Saturday, April 20; Wednesday, April 24; Friday, April 26; and Sunday, April 28.

Chicago Opera Theater Presents THE FALL OF THE HOUSE USHER, 1/27

Philip Glass' The Fall of the House of Usher, a gothic horror story which blurs the line between the real world and the supernatural, opens Chicago Opera Theater's 2013 Season, titled "Power of Love, Love of Power." This is Andreas Mitisek's inaugural season as General Director of Chicago Opera Theater since assuming the position in June 2012. Glass' haunting 1987 score for Edgar Allan Poe's macabre masterpiece, with lyrics by Arthur Yorinks, provides the perfect backdrop for this nightmarish journey to the edge of madness. The Fall of the House of Usher, taking place at the Harris Theater for Music and Dance, 205 E. Randolph Drive, runs for four performances only: Saturday, February 23 at 7:30 p.m., Sunday, February 24 at 3 p.m., Wednesday, February 27 at 7:30 p.m. and Friday, March 1 at 7:30 p.m. Single tickets go on sale Monday, January 21.

Chicago Opera Theater's OPERA FOR ALL Expands to Seven Chicago Schools

Chicago Opera Theater's (COT) Opera For All education outreach program began its 13th year in Chicago Public Schools this August. The program is returning to Dewitt Clinton Elementary, Lionel Hampton Fine & Performing Arts School, and Reilly Elementary. This year, the program is able to bring opera to more students than ever before, adding Chase Elementary, Cameron Elementary, St. Vincent Center, and the Marillac Center to the roster of participating schools. With such an expansion, Opera For All now educates more than 600 students from second to sixth grade.

Chicago Opera Theater Announces Their 2011 Spring Festival Season

On March 25, 2010, General Director Brian Dickie announced Chicago Opera Theater's (COT) 2011 Spring Festival Season: the Midwest Premiere of Tod Machover's Death and the Powers, the Chicago Premiere of Marc-Antoine Charpentier's Medea (Médée), and 'HE/SHE' featuring Leoš Janá?ek's The Diary of One Who Disappeared (Zápisník zmizelého) and Robert Schumann's A Woman's Love and Life (Frauenliebe und Leben).

COT's OPERA FOR ALL Concludes its 11th Year, 5/10-6/2

Chicago Opera Theater's (COT) Opera for All, an educational outreach program that brings opera to Chicago elementary students at four Chicago Public Schools (Lionel Hampton Fine & Performing Arts School, Dewitt Clinton Elementary, Reilly Elementary, and Calmeca Academy of Fine Arts & Dual Language), is concluding it's 11th year with four fantastic 45-minute student performances, replete with acting, singing, dancing, and spectacular props! COT's Opera For All works in conjunction with Chicago Arts Partnerships in Education (CAPE).

Chicago Opera Theater Presents Their 2nd Annual OPERA CRUISE 8/12

On Thursday, August 12 Chicago Opera Theater (COT) will set sail on Lake Michigan to celebrate a memorable evening of opera on its second annual Opera Cruise. The cruise will feature a short performance by soprano Nancy Gustafson and baritone Paul La Rosa.

Chicago Opera Theater Presents Their 2nd Annual OPERA CRUISE 8/12

On Thursday, August 12 Chicago Opera Theater (COT) will set sail on Lake Michigan to celebrate a memorable evening of opera on its second annual Opera Cruise. The cruise will feature a short performance by soprano Nancy Gustafson and baritone Paul La Rosa.

Chicago Opera Theatre Concludes Its 10th Year on 6/9

Chicago Opera Theater's (COT) Opera for All, concluding its 10th year, is an educational outreach program that works with Chicago Arts Partnerships in Education (CAPE) to bring opera to Chicagoelementary students at five Chicago Public Schools: Clinton Elementary, Hampton Elementary, McKinley Park, Reilly Elementary and Von Humboldt.

Chicago Opera Theatre Concludes Its 10th Year on 6/9

Chicago Opera Theater's (COT) Opera for All, concluding its 10th year, is an educational outreach program that works with Chicago Arts Partnerships in Education (CAPE) to bring opera to Chicagoelementary students at five Chicago Public Schools: Clinton Elementary, Hampton Elementary, McKinley Park, Reilly Elementary and Von Humboldt.

Chicago Opera Theater Announces Their 2011 Spring Festival Season

On March 25, 2010, General Director Brian Dickie announced Chicago Opera Theater's (COT) 2011 Spring Festival Season: the Midwest Premiere of Tod Machover's Death and the Powers, the Chicago Premiere of Marc-Antoine Charpentier's Medea (Médée), and 'HE/SHE' featuring Leoš Janá?ek's The Diary of One Who Disappeared (Zápisník zmizelého) and Robert Schumann's A Woman's Love and Life (Frauenliebe und Leben).

Chicago Opera Theater Announces Their 2011 Spring Festival Season

On March 25, 2010, General Director Brian Dickie announced Chicago Opera Theater's (COT) 2011 Spring Festival Season: the Midwest Premiere of Tod Machover's Death and the Powers, the Chicago Premiere of Marc-Antoine Charpentier's Medea (Médée), and 'HE/SHE' featuring Leoš Janá?ek's The Diary of One Who Disappeared (Zápisník zmizelého) and Robert Schumann's A Woman's Love and Life (Frauenliebe und Leben).

COT Launches YouTube Contest 'How do YOU Make Opera Less Ordinary?'

On Monday, March 1st, 2010, Chicago Opera Theater (COT) launches its second annual YouTube Contest encouraging the public to upload videos of their interpretations of any of the three operas in COT's 2010 Spring Festival Season. The YouTube contest is titled: 'How do YOU make opera less ordinary?'

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