Alan Gilbert News

The Art of the Score, exploring some of the most distinctive uses of music in film, will return for its fifth season with Amadeus: Live, the New York Premiere screening of Amadeus with the Mozart-centered score performed live to the complete film. Conducted by Richard Kaufman in his Philharmonic debut and featuring Musica Sacra, directed by Kent Tritle, Amadeus: Live will take place Wednesday, April 11, 2018, at 7:30 p.m.; Thursday, April 12 at 7:30 p.m.; Friday, April 13 at 11:00 a.m.; Saturday, April l4 at 7:30 p.m.; and Tuesday, April 17 at 7:30 p.m. On April 11 actor Alec Baldwin - Philharmonic Board Member and Artistic Advisor of The Art of the Score - and special guest F. Murray Abraham - who won an Academy Award for his portrayal of Salieri - will introduce the film.

»Tradition and innovation«: Managing Director Peter Theiler presents the programme for his first season at the Semperoper Dresden; twelve premieres, repertoire and lieder recitals with brilliant artists; Omer Meir Wellber appointed as the Principal Guest Conductor of the Semperoper.

"PREFORMANCES WITH ALLISON CHARNEY" returns with a dynamic classical music program for the third concert of its 2017-18 Season on Monday March 5th at 7:30PM, Merkin Concert Hall at Kaufman Music Center, 129 W 67th St, New York, NY 10036

Music Director Designate Jaap van Zweden will lead the New York Philharmonic on the ASIA 2018 tour, March 8–18, 2018. The ten-day tour — Jaap van Zweden's first international tour with the Orchestra — will feature eight concerts in five cities. The Orchestra will perform in Beijing, Kyoto, Tokyo, Nagoya, and Taipei. The soloists on the tour are Beijing-born pianist Yuja Wang and Japanese-American violinist Ryu Goto.

The GRAMMY Award-winning Brooklyn Youth Chorus presents Silent Voices: If You Listen, the second installment of its multimedia, multi-composer, and multi-year Silent Voices series of concert works with spoken word, conceived, produced and performed by Brooklyn Youth Chorus (April 27-28, at National Sawdust). Silent Voices: If You Listen builds on the success of Silent Voices' 2017 premiere at BAM's Howard Gilman Opera House. Here, eight composers, all women, collaborate with the choristers in amplifying the voices of the marginalized and confronting the challenges of division and categorization, racism, sexism, social and economic disparity, immigration, our environment, and threats to our understanding of truth. Commissioned composers for Silent Voices: If You Listen include Julia Adolphe, Olga Bell, Anna Clyne, Paola Prestini, Toshi Reagon, Shelley Washington, Bora Yoon, and Pulitzer winner Du Yun; the concert will also feature a work with guest artist Shaina Taub. Unifying this work is the distinctively versatile and beautiful sound of the rigorously-trained singers - a chorus of culturally and socioeconomically diverse New York City young people, ages 12-18 - joined by International Contemporary Ensemble (ICE). These are young voices set on resisting the socio-politically retrograde elements of the present in a move towards a more inclusive and compassionate vision of the future.

Juilliard today announced conductor David Robertson as director of conducting studies, distinguished visiting faculty at Juilliard. As part of his new role, Mr. Robertson will be the principal teacher for all conducting degree students at the school. He will work with three or four students per academic year and will personally audition prospective students.

The New York Philharmonic will return to Bravo! Vail in Colorado for the Orchestra's 16th annual summer residency there, performing six orchestral concerts July 20-27, 2018.

Soprano Heidi Melton is the 2009 George London-Kirsten Flagstad Award winner who in February sings the role of Sieglinde in the New York Philharmonic's concert performance of Act I of Wagner's Die Walküre led by Jaap van Zweden, and tenor Kyle van Schoonhoven is the winner of the Nicolai Gedda Memorial Award at the 2017 George London competition as well as a 2017 Metropolitan Opera National Council Auditions winner. These two young rising stars join pianist Craig Rutenberg to perform a joint recital, the final event of the George London Foundation's 2017-18 season, on Sunday, March 4, 2018, at 4:00 pm, at the Morgan Library and Museum's Gilder Lehrman Hall.

St phane Den ve will conduct the New York Philharmonic in an all-Prokofiev program featuring the Violin Concerto No. 1, with James Ehnes as soloist; selections from Romeo and Juliet; and The Love for Three Oranges Suite, Today, January 25, 2018, at 7:30 p.m.; Friday, January 26 at 2:00 p.m.; and Saturday, January 27 at 8:00 p.m.

In the spring of 2018, choral conducting superstar (Time Out New York) Kent Tritle leads two programs featuring world premieres of works with American themes that are resonating especially strongly today: with the Oratorio Society of New York, Sanctuary Road, an oratorio about the Underground Railroad with music by Paul Moravec and text by Mark Campbell (commissioned by the OSNY) based upon the accounts of William Still, as well as Behzad Ranjbaran's We Are One (commissioned by the Los Angeles Chamber Orchestra) on May 7; and a program at the Cathedral Choir of St. John the Divine celebrating the immigrant history of New York in collaboration with early/world music group Rose of the Compass that includes the world premiere of a commissioned work by Robert Sirota, text by Reverend Victoria Sirota, on April 9.

Beethoven + Kanye West Yeethoven. Two eras, one radical spirit. The musical mash-up that no one expected, but critics and audiences raved about, is back, and this time it's bicoastal.

The New York Philharmonic announces Foreign Bodies, a one-night-only multidisciplinary event conducted and hosted by Esa-Pekka Salonen, concluding his tenure as The Marie-Jos e Kravis Composer-in-Residence. The concert, Friday, June 8, 2018, at 8:00 p.m., will feature Esa-Pekka Salonen's Foreign Bodies, accompanied by the World Premiere of a live video installation by Tal Rosner; Dan el Bjarnason's Violin Concerto, with Pekka Kuusisto in his New York Philharmonic debut; and Obsidian Tear, a dance work choreographed by Wayne McGregor performed by members of the Boston Ballet (Philharmonic debut) and set to Mr. Salonen's Nyx and Lachen verlernt. Foreign Bodies will be casual and multi-sensory; drinks and conversation will flow as attendees mingle with the performers, who will give additional impromptu performances throughout the event.

Two nights. All five Beethoven piano concertos. Pure bliss. Celebrated Israeli pianist Inon Barnatan and British conductor Courtney Lewis collaborate to bring a one-of-a-kind experience to Columbus.

The Metropolitan Opera and The Juilliard School present an 'Evening of Verdi' in their seventh collaboration on Friday, February 23, 2018, at 8pm in Juilliard's Peter Jay Sharp Theater. Evan Rogister, an alumnus of Juilliard and guest conductor at the Met this season, conducts scenes from Verdi's operas with singers from the Met Opera's Lindemann Young Artist Development Program and the Juilliard Orchestra. Stephen Wadsworth provides concert stage direction for excerpts from I Lombardi alla prima crociata, Stiffelio, Falstaff, and Rigoletto.

The New York Philharmonic will perform the New York Concert Premiere of The Marie-Jos e Kravis Composer-in-Residence Esa-Pekka Salonen's Helix, conducted by the Finnish composer's compatriot Susanna M lkki, Musical America's 2017 Conductor of the Year.

Music Director Designate Jaap van Zweden will conduct the New York Philharmonic in a program pairing the New York Premiere of Pulitzer Prize winner John Luther Adams's Dark Waves with Act I of Wagner's Die Walk re (in concert), with soprano Heidi Melton as Sieglinde, tenor Simon O'Neill as Siegmund (in his New York Philharmonic debut), and bass John Relyea as Hunding.

Jeffrey Kahane will return to the New York Philharmonic to conduct Mozart's Piano Concerto No. 17, from the piano; conduct Tchaikovsky's Variations on a Rococo Theme, with cellist Alisa Weilerstein as soloist; and conduct Haydn's Symphony No. 98, from the fortepiano, Today, January 4, 2018, at 7:30 p.m.; Friday, January 5 at 11:00 a.m.; Saturday, January 6 at 8:00 p.m.; and Tuesday, January 9 at 7:30 p.m.

Joshua Weilerstein will conduct the New York Philharmonic in a French program spotlighting Ravel. The program he will lead, in which he is replacing Charles Dutoit (who withdrew from the performances), remains unchanged: the Piano Concerto for the Left Hand, with Jean-Yves Thibaudet as soloist; Le Tombeau de Couperin; Valses nobles et sentimentales; Bol ro; and Ravel's orchestration of Debussy's Sarabande et Danse, Wednesday, January 17, 2018, at 7:30 p.m.; Thursday, January 18 at 7:30 p.m.; Friday, January 19 at 8:00 p.m.; and Saturday, January 20 at 8:00 p.m.

It's just about time to wish you all a happy 2018--but I'm not quite ready to put 2017 to rest. Though it won't go into the annals as one of the best years ever, there were quite enough performances and performers that made this year a winner for me, operatically speaking at least, in my corner of the world.

St phane Den ve will conduct the New York Philharmonic in an all-Prokofiev program featuring the Violin Concerto No. 1, with James Ehnes as soloist; selections from Romeo and Juliet; and The Love for Three Oranges Suite, Thursday, January 25, 2018, at 7:30 p.m.; Friday, January 26 at 2:00 p.m.; and Saturday, January 27 at 8:00 p.m.