Australian soprano Antoinette Halloran won the praise of critics and audiences in 2008 when she performed the role of Mimi in New Zealand Opera's production of La boheme. Next month she's back on New Zealand stages to sing what she describes as 'the most demanding yet most beautiful soprano role ever created,' the role of Cio-Cio San (Butterfly) in NZ Opera's new production of Madame Butterfly.
Australian soprano Antoinette Halloran won the praise of critics and audiences in 2008 when she performed the role of Mimi in New Zealand Opera's production of La boheme. Next month she's back on New Zealand stages to sing what she describes as 'the most demanding yet most beautiful soprano role ever created,' the role of Cio-Cio San (Butterfly) in NZ Opera's new production of Madame Butterfly.
Aidan Lang, General Director of NZ Opera, has put the company's new production in the hands of award-winning Australians, director Kate Cherry and designer Christina Smith. "Kate's productions are always striking," Lang says, "and this one will be no exception. Kate hasn't been tempted to meddle with the essence of Madame Butterfly or stamp her mark on it by modernising it or changing the setting. So Puccini's classic will remain as the composer conceived it: a timeless tale of love and loss set in the Japanese city of Nagasaki around the turn of last century."
The NBR New Zealand Opera's restaging of Daniel Slater's ground-breaking Opera North production of Smetana's The Bartered Bride, opening in Wellington tonight, 13 October, dispenses with the folkloric cliches normally associated with this opera in favour of an updated setting in the Czechoslovakia of 1972, four years after the Prague Spring.
The NBR New Zealand Opera's restaging of Daniel Slater's ground-breaking Opera North production of Smetana's The Bartered Bride, opening in Auckland tonight, 22 September and Wellington on 13 October, dispenses with the folkloric cliches normally associated with this opera in favour of an updated setting in the Czechoslovakia of 1972, four years after the Prague Spring.
The NBR New Zealand Opera's restaging of Daniel Slater's ground-breaking Opera North production of Smetana's The Bartered Bride, opening in Auckland on 22 September and Wellington on 13 October, dispenses with the folkloric cliches normally associated with this opera in favour of an updated setting in the Czechoslovakia of 1972, four years after the Prague Spring.
A partnership 52 Years in the making, Casa Mañana and Dallas Theater Center unite to co-produce an adaptation of the Harper Lee classic To Kill a Mockingbird.