Adam Pascal News

The producers of the off-Broadway production of Rent have announced that the musical will close after the performance on Sunday, September 9. The production will have played 32 previews and 450 performances.

Cape May Stage, South Jersey's premiere Equity theatre, is thrilled to launch another stellar season of their Second Stage Broadway Series with acclaimed star of stage and screen, Anthony Rapp in Anthony Rapp LIVE. On Monday, July 2nd at 8:00 p.m., Rapp brings his singular brand of cabaret to the Robert Shackleton Playhouse at the corner of Bank and Lafayette Streets in beautiful downtown Cape May.

Broadway and MEMPHIS star Adam Pascal stopped by Good Day New York this morning to treat audiences to a live performance of 'Memphis Lives in Me,' one of the show's most iconic numbers. Check out the performance and photos of Pascal's visit below!

The producers of the 2010 Tony Award-winning Best Musical MEMPHIS announced tonight that the production will play its final performance on Broadway on Sunday, August 5, 2012 after 30 previews and 1,166 regular performances. MEMPHIS opened on October 19, 2009 at Broadway's Shubert Theatre (225 W. 44th Street), having begun previews on September 23rd.

Jeremy Kushnier (Jesus Christ Superstar, Footloose), Eden Espinosa (Wicked, Brooklyn), Rachel York (Dirty Rotten Scoundrels, Victor/Victoria) and Jack Noseworthy (A Chorus Line, Sweet Smell of Success) lead the cast of New York Musical Theater Festival's 'Stealing Time,' the latest work of writers/composers Tor Hyams and Lisa Neubauer. 'Stealing Time' will play as a special event in the 2012 New York Musical Theater Festival at the PTC Performance Space. 'Stealing Time' is the second NYMF project for Hyams coming off the success of 'Greenwood' starring Andrea McArdle in the 2011 New York Musical Theater Festival.

Chocolate Factory Productions present a production of Anthony Rapp -WITHOUT YOU, based on Anthony Rapp's bestseller Without You: A Memoir of Love, Loss, and the Musical Rent, beginning performances in Boston today, June 19th. The show, which is directed by Steve Maler, will continue at the Edinburgh Festival Fringe this August and London's Menier Chocolate Factory until Septemeber 15.

Cape May Stage, South Jersey's premiere Equity theatre, is thrilled to launch another stellar season of their Second Stage Broadway Series with acclaimed star of stage and screen, Anthony Rapp in Anthony Rapp LIVE. On Monday, July 2nd at 8:00 p.m., Rapp brings his singular brand of cabaret to the Robert Shackleton Playhouse at the corner of Bank and Lafayette Streets in beautiful downtown Cape May.

Chocolate Factory Productions have announced a production of ANTHONY RAPP -WITHOUT YOU, based on Anthony Rapp's bestseller Without You: A Memoir of Love, Loss, and the Musical Rent, to begin performances in Boston on Tuesday, June 19th. The show, which is directed by Steve Maler, will continue at the Edinburgh Festival Fringe this August and London's Menier Chocolate Factory until Septemeber 15.

Today we are talking to a two-time Tony Award winning lyricist and book writer who was responsible for the 2010 Best Musical winner, MEMPHIS, and who has since written the libretto of the Gershwin revue NICE WORK IF YOU CAN GET and received a well-earned Tony nomination for his efforts; one of the show's ten nods - Joe DiPietro. In this concluding portion of our conversation, DiPietro and I break down the process of creating NICE WORK IF YOU CAN GET IT and he comments on the starry cast - including Matthew Broderick, Kelli O'Hara, Judy Kaye and Estelle Parsons - and the process of collaboration in bringing the 2012 Tony Awards top nominee to the Broadway stage. Additionally, DiPietro fills us in on the future for THE TOXIC AVENGER and its tentative Broadway plans, as well as the upcoming West End mountings of MEMPHIS and, hopefully, NICE WORK - and, a look ahead to his next David Bryan collaboration, CHASING THE SONG, as well. Plus, a glance back at his work on I LOVE YOU, YOU'RE PERFECT NOW CHANGE, F*CKING MEN and ALLEGRO and his favorite current pop acts.

Today we are talking to a two-time Tony Award winning lyricist and book writer who was responsible for the 2010 Best Musical winner, MEMPHIS, and who has since written the libretto of the Gershwin revue NICE WORK IF YOU CAN GET and received a well-earned Tony nomination for his efforts; one of the show's ten nods - Joe DiPietro. Discussing the finer points of his many musicals with a special focus on the two currently running on Broadway - MEMPHIS and NICE WORK - DiPietro eloquently elaborates on the process of creating both shows and the challenges new musicals these days face on their developmental road to Broadway. Additionally, we discuss Montego Glover, Chad Kimball, Matthew Broderick, Kelli O'Hara, Judy Kaye, Adam Pascal and the many other talented individuals onstage and off who have participated in the two hit productions treading the boards eight times a week. Besides the complete 411 on MEMPHIS in Part I and NICE WORK IF YOU CAN GET IT in Part II, DiPietro also opens up about his new musical endeavor with Bon Jovi and MEMPHIS composer David Bryan, THE TOXIC AVENGER, and its star, Constantine Maroulis - and don't miss my exclusive interview with Constantine all about the most recent Alley Theater iteration of the show, available here. Plus, DiPietro shares fond remembrances of shows past - I LOVE YOU, YOU'RE PERFECT, NOW CHANGE, F*CKING MEN and ALLEGRO - and future - CHASING THE DREAM - and expresses his infectious enthusiasm for the theatrical arts in general by revealing his early theatre memories, favorite scores and general love for the art form. All of that and much, much more! In Part I, DiPietro and I analyze MEMPHIS and take a step-by-step look at its creation and the development of the Tony Award-winning Best Musical. Additionally, DiPietro shares his theatrical influences and the shows and scores that meant the most to him growing up. Plus, he shares his thoughts on GLEE, SMASH and the new movie musical era.

On Monday, May 28, YouTube sensation, chanteuse and high-end vocal coach Miranda Sings made her tenth sold-out concert appearance as part of the Broadway at Birdland series. Seth Rudetsky acted as musical director/pianist, jazz violinist Aaron Weinstein got some brush-up suggestions from 'violimnist' Miranda, and Adam Pascal, currently starring on Broadway in Memphis, subjected himself to the diva's sensitive and pitch-perfect critiques. As always, the show was filled with improvisation, a few hit songs, magic tricks, and dramatic readings of the lady's own hate mail. The wacked-out superstar (in reality, California native Colleen Ballinger) continues to perform her one-woman show in sold-out nightclubs and theaters in New York, London, San Francisco, Los Angeles, Miami, Chicago, Dublin, and Sydney.

YouTube sensation, chanteuse and high-end vocal coach Miranda Sings is making her ninth concert appearance at Birdland tonight, May 28 at 7pm. This event is part of the Broadway at Birdland concert series, which showcases performers and composers from the Great White Way and environs.

Last night, Broadway veteran Taye Diggs brought his mom to MEMPHIS to see friend Adam Pascal play 'Huey Calhoun'. Check out photos of Diggs with the cast below!

HIGHLIGHTS OF THE WEEK: GODSPELL sings Schwartz, Paper Mill preps ONCE ON THIS ISLAND, New Dramtists honor Bernadette, and so much more!

New York Theatre Workshop (NYTW) last night honored New York Theatre Workshop Board Chair Barbara Warner Howard and Disney Theatrical Group and its president Thomas Schumacher at its 2012 Spring Gala at the Plaza Hotel. BroadwayWorld was ther for the festivities, and brings you full photo coverage below!

RENT owned the 90s. No other Broadway show managed to have the dual impact on society by becoming not only a pop culture phenomenon, but also changing perceptions of what a musical on Broadway could be - and, most importantly, how it could sound. Contemporary, cool, caustic and engaging, RENT updated LA BOHEME to the East Village just as Jonathan Larson updated the way the general public looked at Broadway at a time when musicals had fallen farther out of fashion than they had since their early years approaching the turn of the last century. Yet, at the end of the millennium - to quote one of the show's lyrics - RENT represented the hopes, dreams and desires of many Broadway babies and what we hoped would be achieved on the Great White Way in the new century. While SPRING AWAKENING, AMERICAN IDIOT and NEXT TO NORMAL certainly stand as solid continuations of the rock musical formula recalibrated and made anew in the mold made by RENT, no show since RENT has quite managed to have the cultural impact and win over audiences and critics alike in as major a way as that Tony Award-winning and Pulitzer Prize-winning musical has - with the exception, perhaps, of WICKED, which obviously owes a debt to its Oz-ian source inspiration and the built-in audience that comes along with that. Yes, indeed, RENT represents an entire generation in its sound, style, ideals and overall feeling, mood and tone and the subsequent success of the many members of the simply astounding assortment of talents that comprised the original cast acts as evidence that the show may have had the cast of the decade, as well.

While the Disney musical itself was suspiciously not nominated for Best Musical, the 2000 Tony Awards committee saw it fit to award Elton John & Tim Rice's stylish and emotional rock musical AIDA in four significant categories on June 4, 2000 - Best Actress In A Musical for Heather Headley charismatic lead performance, Best Score for Elton John and Tim Rice's moving and expressive music and lyrics, Best Scenic Design for Bob Crowley's stunning set-pieces and Best Lighting Design for Natasha Katz's enveloping illumination of the Palace Theatre's rightly famous stage. The show has gone on to a rich life around the world and in amateur productions, with generations of theatergoers hooked on the classic story once told in an opera by Verdi in a totally modern and dynamic new way - with some songs we are not soon to forget.