Cole Wimpee

After a run of ten weeks that presented 130 one-person theatre productions from six continents, the world's largest solo theatre festival concluded its ninth season at Theatre Row on 42nd Street in New York by presenting this year's awards. On behalf of the United Solo Academy, Omar Sangare, the artistic director of the festival, presented the United Solo Special Award to Renee Taylor for her solo show "My Life on a Diet." In her acceptance speech, Ms. Taylor said: "I'm very grateful for receiving an award from Untied Solo - it's a very prestigious honor" and added "I'm very happy to be touring the country with 'My Life on a Diet' - and now I can say I am an award-winning show!"

The John F. Kennedy Center for the Performing Arts hosts more than 120 outstanding theater students from colleges and universities across the nation as part of the Kennedy Center American College Theater Festival (KCACTF), which runs April 9-14, 2018 in multiple locations throughout the Center. The Center also announced the national awardees for the KCACTF.

One of Austin's most innovative theatre companies is Theatre Synesthesia, which has been recently recognized with awards from both BroadwayWorld and the Austin Critic's Table. We had an opportunity to sit down with two of the company founders, Devin Finn and Nick Kier to find out more about this company that, of late, has been creating so much buzz in the Austin theatre community.

NYC theatre company Aztec Economy teams with Austin theatre company Theatre Synesthesia to present Casey Wimpee's play BUTCHER HOLLER HERE WE COME in this Austin premiere production. Directed by Leah Bonvissuto, who directed the original NY production, the play is a seventy five minute sensory experience about five coal miners who are trapped in a cave in. Set in 1973, West Virginia, BUTCHER HOLLER HERE WE COME, is a startling look at the male psyche-in-crisis.  As these five coal miners struggle to overcome a dwindling supply of oxygen and the lack of food and water, it becomes clear that the biggest obstacles they face are their own competing natures. Director Bonvissuto has done a masterful job here of creating an immersive event.

AZTEC ECONOMY in association with THEATRE SYNESTHESIA is pleased to announce the Austin premiere of BUTCHER HOLLER HERE WE COME by Casey Wimpee, directed by Leah Bonvissuto.

The incendiary dark comedy Detroit - a Pulitzer Prize finalist, New York Times Critics' Pick, and Obie Award-winner for Best New American Play - begins a four-week run February 1 at TheatreSquared. The production is directed by Southern Repertory Theatre Producing Artistic Director Aimee Hayes.

The incendiary dark comedy Detroit - a Pulitzer Prize finalist, New York Times Critics' Pick, and Obie Award-winner for Best New American Play - begins a four-week run February 1 at TheatreSquared. The production is directed by Southern Repertory Theatre Producing Artistic Director Aimee Hayes.

The incendiary dark comedy Detroit - a Pulitzer Prize finalist, New York Times Critics' Pick, and Obie Award-winner for Best New American Play - begins a four-week run February 1 at TheatreSquared. The production is directed by Southern Repertory Theatre Producing Artistic Director Aimee Hayes.

The incendiary dark comedy Detroit - a Pulitzer Prize finalist, New York Times Critics' Pick, and Obie Award-winner for Best New American Play - begins a four-week run February 1 at TheatreSquared. The production is directed by Southern Repertory Theatre Producing Artistic Director Aimee Hayes.

Aztec Economy will be re-mounted for a limited engagement, 4 invited performances of Butcher Holler Here We Come as a part of Spit & Vigor's IRT 3B Residency. Details below...

AZTEC ECONOMY in association with THE TANK is pleased to present a first look into the world of BUTCHER HOLLER HERE WE COME by Casey Wimpee, directed by Leah Bonvissuto. BUTCHER HOLLER HERE WE COME will play a limited engagement at The Tank (151 W 46th St, 8th Fl, New York, NY 10036), and headline their second annual DarkFest, celebrating innovative performance that utilizes self-sufficient and alternative energy sources. Scroll down for a sneak peek at the cast!

AZTEC ECONOMY in association with THE TANK is pleased to announce the New York premiere of BUTCHER HOLLER HERE WE COME by Casey Wimpee, directed by Leah Bonvissuto. After premiering two years ago in the Cincinnati Fringe and performing in Baltimore, New Orleans, Dallas, Houston, Tampa, and West Palm Beach, BUTCHER HOLLER HERE WE COME will play a limited engagement at The Tank (151 W 46th St, 8th Fl, New York, NY 10036), and headline their second annual DarkFest, celebrating innovative performance that utilizes self-sufficient and alternative energy sources. Performances begin tonight, July 24 (Preview performance) and continue through Sunday, August 2, 2015. Opening Night is Saturday, July 25 (7 p.m.).

 AZTEC ECONOMY in association with THE TANK is pleased to announce the New York premiere of BUTCHER HOLLER HERE WE COME by Casey Wimpee, directed by Leah Bonvissuto. After premiering two years ago in the Cincinnati Fringe and performing in Baltimore, New Orleans, Dallas, Houston, Tampa, and West Palm Beach, BUTCHER HOLLER HERE WE COME will play a limited engagement at The Tank (151 W 46th St, 8th Fl, New York, NY 10036), and headline their second annual DarkFest, celebrating innovative performance that utilizes self-sufficient and alternative energy sources. Performances begin Friday, July 24 (Preview performance) and continue through Sunday, August 2, 2015. Opening Night is Saturday, July 25 (7 p.m.).

1973, West Virginia. Following a cave collapse, 5 coal miners struggle to survive the dwindling supply of oxygen, the lack of food and water, the unraveling sense of passing time, and, even more threatening, their own competing natures. Brutally weaving through family histories, complicated friendships, crooked politics, childhood visions, audacious hopes, eerie dreams, criminal addictions, and fervent spirituality in this run-of-the-mill Appalachian community, Butcher Holler Here We Come is a descent into the male psyche-in-crisis where secret desires, carnal urges, and hidden memories come boiling to the surface in a primitive territory of Earth that mirrors the subliminal mind.

1973, West Virginia. Following a cave collapse, 5 coal miners struggle to survive the dwindling supply of oxygen, the lack of food and water, the unraveling sense of passing time, and, even more threatening, their own competing natures. Brutally weaving through family histories, complicated friendships, crooked politics, childhood visions, audacious hopes, eerie dreams, criminal addictions, and fervent spirituality in this run-of-the-mill Appalachian community, Butcher Holler Here We Come is a descent into the male psyche-in-crisis where secret desires, carnal urges, and hidden memories come boiling to the surface in a primitive territory of Earth that mirrors the subliminal mind.

East River Commedia (Paul Bargetto, Artistic Director) announces the 4th annual undergroundzero festival of experimental theatre, featuring over twenty New York City and European theatre companies and artists at the legendary downtown performance venue Performance Space 122, July 6-25.

Tickets are now on sale for the 4th annual undergroundzero festival of experimental theatre, featuring over twenty New York City and international theatre companies and artists at the legendary downtown performance venue Performance Space 122, (150 1st Ave at East 9th Street) July 6-25.

East River Commedia (Paul Bargetto, Artistic Director) announces the 4th annual undergroundzero festival of experimental theatre, featuring over twenty New York City and European theatre companies and artists at the legendary downtown performance venue Performance Space 122, July 6-25.

BroadwayWorld.com's New and Updated Who's Who Entries for the Week of 12/4/2007. Updates include: James Anest, George Costacos, Jason Dinant, Larry Hamilton, Ciaran Hinds, Kate Swan, Cole Wimpee.

Leslie Caveny's comedy Love of a Pig began performances at the 45th Street Theatre on October 12, running through October 28. Directed by D.H. Johnson, a portion of the proceeds goes to The Olivieri Center for Homeless Women.