Nancy Gustafson

Internationally renowned soprano Patricia Schuman will step in for Nancy Gustafson as the Duchess of Argyll in Opera Philadelphia's June 2013 Company Premiere of Powder Her Face by Thomas Ades.

Opera Philadelphia's Aurora Series for Chamber Opera has produced five seasons of cutting-edge productions at the Perelman Theater, and this June the Opera continues its bold programming with the company premiere ofPowder Her Face, composer Thomas Ades's provocative debut opera based on a real-life sex scandal that rocked the British aristocracy in the 1960s. Tickets from $20 are available via Ticket Philadelphia at 215.893.1018 or operaphila.org.

The Castleton Festival, one month of extraordinary operas, recitals, musicals, and concerts, unfolds its fourth season in the rolling hills of Castleton Farms in Rappahannock County this summer when young artists and experienced virtuosos come together for 21 performances from today, June 22 through Sunday, July 22, including performances at the Hylton Performing Arts Center in Manassas.

The Castleton Festival, one month of extraordinary operas, recitals, musicals, and concerts, unfolds its fourth season in the rolling hills of Castleton Farms in Rappahannock County this summer when young artists and experienced virtuosos come together for 21 performances from Friday, June 22 through Sunday, July 22, including performances at the Hylton Performing Arts Center in Manassas.

Artistic Director, Lorin Maazel, and Administrative Director, Dietlinde Turban Maazel, of the Castleton Festival have announced casting and concert program details for this summer's festival that will bring together young talent with experienced professionals for 20 opera and concert performances over four weeks, Saturday, June 25 through Sunday, July 24.

Artistic Director, Lorin Maazel, and Administrative Director, Dietlinde Turban Maazel, of the Castleton Festival have announced casting and concert program details for this summer's festival that will bring together young talent with experienced professionals for 20 opera and concert performances over four weeks, Saturday, June 25 through Sunday, July 24.

On Thursday, August 12 Chicago Opera Theater (COT) will set sail on Lake Michigan to celebrate a memorable evening of opera on its second annual Opera Cruise. The cruise will feature a short performance by soprano Nancy Gustafson and baritone Paul La Rosa.

On Thursday, August 12 Chicago Opera Theater (COT) will set sail on Lake Michigan to celebrate a memorable evening of opera on its second annual Opera Cruise. The cruise will feature a short performance by soprano Nancy Gustafson and baritone Paul La Rosa.

Lorin Maazel was honored last night by The City of New York and by the New York Philharmonic at the first of his final series of concerts with the Orchestra as Music Director. The French-born American conductor, who first led the Philharmonic at the age of 12, received a Proclamation from the Office of the Mayor designating June 24, 2009, as 'Maestro Lorin Maazel Day.'

The New York Philharmonic's performance of Mahler's Symphony No. 8, Symphony of a Thousand, conducted by Lorin Maazel in his last program with the Orchestra as Music Director, will be broadcast live, Thursday, June 25, 2009, on The New York Philharmonic This Week - a two-hour, national, weekly radio program of concerts by the Philharmonic.

In celebration of Lorin Maazel's tenure as Music Director, the New York Philharmonic is releasing a set of new digital recordings - The Complete Mahler Symphonies, Live - recorded at Philharmonic concerts at Avery Fisher Hall, led by Mr. Maazel, over the course of his seven years with the Orchestra. The release coincides with Mr. Maazel's performances of Mahler's Symphony No. 8, Symphony of a Thousand, June 24-27, 2009, in his final concerts as Music Director of the Philharmonic.

Lorin Maazel?s final weeks as Music Director of the New York Philharmonic will culminate with wide-ranging repertoire that includes a new work, and large-scale masterpieces that represent Mr. Maazel?s myriad interests, influences, and personal passions while also showcasing the artistry of the New York Philharmonic. Highlights include a World Premiere?New York Philharmonic Co-Commission; works by Bach and Copland that feature soloists from the Orchestra; Britten?s War Requiem; Mahler?s rarely performed Symphony No. 8, Symphony of a Thousand; and performances of two of Mr. Maazel?s own works ? Monaco Fanfares and Farewells.

New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller will curate and host ?Music in Time of War,? a multimedia Insight Series event, Tuesday, June 2, 2009, at 6:30 p.m., in the Stanley H. Kaplan Penthouse, Rose Building, 65th Street and Amsterdam Avenue. The lecture will include musical examples that trace the relationship between composers and war over the centuries, and archival footage of Leonard Bernstein and the New York Philharmonic?s 1959 tour to the Soviet Union.

The New York Philharmonic's performance of Mahler's Symphony No. 8, Symphony of a Thousand, conducted by Lorin Maazel in his last program with the Orchestra as Music Director, will be broadcast live, Thursday, June 25, 2009, on The New York Philharmonic This Week - a two-hour, national, weekly radio program of concerts by the Philharmonic.

In June 2009, The New York Philharmonic This Week ? a two-hour, national, weekly radio program of concerts by the New York Philharmonic ? begins with a concert from the Philharmonic?s sixth annual residency in Vail, Colorado, as part of the Bravo! Vail Valley Music Festival. In this program, from the July 18, 2008 performance, Music Director Designate Alan Gilbert leads the Orchestra in Tchaikovsky?s Piano Concerto No. 1, with Lang Lang as soloist; Beethoven?s Symphony No. 4; and Sibelius?s Finlandia. The following week, after conducting J.S. Bach?s Brandenburg Concerto No. 4, Music Director Lorin Maazel leads the World Premiere of Aaron Jay Kernis?s a Voice, a Messenger (a Co-Commission with the New York Philharmonic and the Big Ten Band Association); Copland?s Clarinet Concerto, with Principal Clarinet Stanley Drucker as soloist; and Ravel?s Boléro. The third June broadcast, conducted by Lorin Maazel, will be Britten?s powerful War Requiem. Lionel Bringuier conducts the chamber orchestra (in his Philharmonic debut), and soprano Nancy Gustafson, tenor Vale Rideout (Philharmonic debut), and baritone Ian Greenlaw will be the soloists with the New York Choral Artists, the Dessoff Symphonic Choir, and the Brooklyn Youth Chorus. In the final June broadcast, Lorin Maazel conducts two of his own compositions, Monaco Fanfares and Farewells, concluding with Sibelius?s Symphony No. 2.

New York Philharmonic Program Annotator and Leonard Bernstein Scholar-in-Residence James M. Keller will curate and host ?Music in Time of War,? a multimedia Insight Series event, Tuesday, June 2, 2009, at 6:30 p.m., in the Stanley H. Kaplan Penthouse, Rose Building, 65th Street and Amsterdam Avenue. The lecture will include musical examples that trace the relationship between composers and war over the centuries, and archival footage of Leonard Bernstein and the New York Philharmonic?s 1959 tour to the Soviet Union.

Lorin Maazel?s final weeks as Music Director of the New York Philharmonic will culminate with wide-ranging repertoire that includes a new work, and large-scale masterpieces that represent Mr. Maazel?s myriad interests, influences, and personal passions while also showcasing the artistry of the New York Philharmonic. Highlights include a World Premiere?New York Philharmonic Co-Commission; works by Bach and Copland that feature soloists from the Orchestra; Britten?s War Requiem; Mahler?s rarely performed Symphony No. 8, Symphony of a Thousand; and performances of two of Mr. Maazel?s own works ? Monaco Fanfares and Farewells.