Fernando Sanchez

The NYC LGBT Historic Sites Project has announced the digital publication of the Leonard Bernstein Residence at the Osborne Apartments to its online map, a dynamic continually-evolving catalogue of geographic locations significant to LGBT history.

The Costume Institute's Fall 2015 exhibition, Jacqueline de Ribes: The Art of Style, will focus on the internationally renowned style icon Countess Jacqueline de Ribes, whose originality and elegance established her as one of the most celebrated fashion personas of the 20th century. The exhibition will be on view in The Metropolitan Museum of Art's Anna Wintour Costume Center from today, November 19, 2015 through February 21, 2016.

(New York, July 8, 2015)–The Costume Institute's Fall 2015 exhibition, Jacqueline de Ribes: The Art of Style, will focus on the internationally renowned style icon Countess Jacqueline de Ribes, whose originality and elegance established her as one of the most celebrated fashion personas of the 20th century. The exhibition will be on view in The Metropolitan Museum of Art's Anna Wintour Costume Center from November 19, 2015 through February 21, 2016.

The Costume Institute's Fall 2015 exhibition, Jacqueline de Ribes: The Art of Style, will focus on the internationally renowned style icon Countess Jacqueline de Ribes, whose originality and elegance established her as one of the most celebrated fashion personas of the 20th century. The exhibition will be on view in The Metropolitan Museum of Art's Anna Wintour Costume Center from November 19, 2015 through February 21, 2016.

After a career on Broadway and at Radio City Music Hall, New Jersey wardrobe & hair professional Vince Esoldi is retiring along with his unique Autograph Suit with over 300 famous signatures!

After a career on Broadway and at Radio City Music Hall, New Jersey wardrobe & hair professional Vince Esoldi is retiring along with his unique Autograph Suit with over 300 famous signatures!

Ensemble Studio Theatre bills itself as 'The Major Forum for One-Act Plays in America.' Having not surveyed too many of the minor forums, I can't necessarily second it. But if its 28th Festival of One-Act Plays 'Series C' is any indication, the company can pride itself on presenting intriguing work by artists more than skilled in the craft of one-act playwriting-and even the writing of musicals