Elizabeth Kaye

Directed by Elizabeth Kaye Sortun, while it offers a look at the complexities of toxic dynamics, coercion, consent, and control, it doesn’t truly achieve its goal. Verlo’s past is colourful and intriguing, but this isn’t the production that makes it shine. It lacks the aplomb that inspires reflection and change, settling on underwhelming attempts at cheap laughs.

Pittsburgh Ballet Theatre invites audiences to take a deeper dive into the enduring love story of Swan Lake with the PBT Orchestra, running May 6 – 15 at the Benedum Center through a variety of virtual and in-person free educational programs.

BABETTE’S FEAST nourishes the soul and feeds the spirit. It is a sweet story about the beauty of life and finding contentment. Told slowly without the need to rush, we meet the characters and traipse along with them through their lives in the small Norweigan town of Berlevaag. It is a story of insiders and outsiders who cross paths, the story of what is expected and what is desired, and a story of finding answers within yourself, and mostly a story of home. And much like the turtle soup, BABETTE’s FEAST is the show we didn’t even know we were hungry for until we got the first bite.

ometimes it's nice not to have to follow a dramatic storyline throughout a ballet, and just be able to enjoy the performances, the artistry, the costumes, the captivating choreography and the whole presentation. This, is such a ballet. Before the performance began, there was a wonderful, informative and interesting lecture, or talk, given on the expansive and beautiful mezzanine of the Dorothy Chandler Pavilion by Elizabeth Kaye. It's worth the fight through the rush-hour traffic to get there in time to listen to her expound on the history and trademarks of this impeccable and invaluable Ballet Company. It so enhances everything when you see the performance. It is an offering from Glory Kaufman Presents: Dance at the Music Center at the Los Angeles' premiere venue for dance, the Dorothy Chandler Pavilion.

The opening of the 17th season of Glorya Kaufman Presents Dance at The Music Center (Dance at The Music Center), programmed by TMC Arts, will sparkle as two of the world's preeminent arts organizations, Mariinsky Ballet and Mariinsky Orchestra, return to Los Angeles with five performances of George Balanchine's Jewels at The Music Center's Dorothy Chandler Pavilion from October 24a?"27, 2019. Jewels, a fan favorite, was choreographed by Balanchine in 1967 and is considered the first great three-act abstract ballet. The jewel motif, sustained by costumes and décor, is actually a device to unify sections that would otherwise be disparate; each act is distinct in its style and choreographed to music by a different composer. Since receiving its first performance at the Mariinsky in 1999, Jewels has become a core part of the company's repertoire.

After a 24-year absence from Los Angeles, Great Britain's most prestigious ballet company The Royal Ballet returns to The Music Center for two back-to-back-weekends this July at The Music Center's Dorothy Chandler Pavilion. From July 5-7, 2019, The Royal Ballet performs its masterpiece, Mayerling, a three-act work depicting scandal and murder in the 19th century Austro-Hungarian Empire.

The covers of the March/April issue of CBS's Watch! magazine, available on newsstands as of today, feature NCIS: LOS ANGELES star Daniela Ruah and CBS EVENING NEWS anchor Jeff Glor. Also, Beverley Mitchell, Jodie Sweetin and Christine Lakin (HOLLYWOOD DARLINGS on Pop) go glam in a playful fashion spread.

Casting for American Ballet Theatre's The Nutcracker, co-presented by Segerstrom Center for the Arts and ABT, was announced today by Kevin McKenzie, ABT Artistic Director. Choreographed by ABT Artist in Residence Alexei Ratmansky, The Nutcracker will be given 14 performances at Segerstrom Center for the Arts, December 10-20, 2015.

Heightening its role as a powerful commissioning force, Glorya Kaufman Presents Dance at The Music Center - The Music Center's acclaimed dance series - is introducing an exciting new chapter in dance with the world premiere of BalletNow, an original three-performance program for which American Ballet Theatre Principals Roberto Bolle and Herman Cornejo are serving as artistic directors. Bolle and Cornejo have formed an international ensemble of 18 major dancers from 12 foreign countries for three distinctive performances, with many of the dancers performing at The Music Center and in Southern California for the first time.

Lovers of dance-theatre and visual arts will be wowed by the much-anticipated return to The Music Center of Russia's leading contemporary ballet company as Glorya Kaufman Presents Dance at The Music Center presents Eifman Ballet of St. Petersburg with Rodin.

Segerstrom Center for the Arts is proud to present the world premiere of American Ballet Theatre's spectacular new production of The Sleeping Beauty today, March 3 - 8, 2015.

Segerstrom Center for the Arts is proud to present the world premiere of American Ballet Theatre's spectacular new production of The Sleeping Beauty March 3 - 8, 2015. Audiences are invited to enjoy lobby activities and Preview Talks at all performances, free to all ticketholders. Lobby activities begin one hour before show time and are available during intermission. Preview Talks are held in the Orchestra Terrace seating of Segerstrom Hall one hour prior to curtain.

Clive Barnes, drama critic, dance lover and a true legend of the New York theatrical landscape passed away after a battle with liver cancer on November 19th, 2008.

Clive Barnes, drama critic, dance lover and a true legend of the New York theatrical landscape passed away after a battle with liver cancer on November 19th, 2008.

In a special tribute to Clive Barnes on the New York Post's web site, columnist Michael Riedel talks to Harvey Fierstein, Jeffrey Richards, John Cullum, Gerald Schoenfeld about the legendary critic's life and legacy.

Clive Barnes, drama critic, dance lover and a true legend of the New York theatrical landscape passed away after a battle with liver cancer on November 19th BroadwayWorld has learned.