Blaine Smith

Obie Award winner Metropolitan Playhouse will present a free 'screened' reading of THE SMOKING CAR, a one-act play by William Dean Howells, via live stream video, with talkback to follow, on Saturday, July 25th, 2020 at 8 PM, EST.

The Obie Award-winning Metropolitan Playhouse offers the first uncut revival of Susan Glaspell's 1931 Pulitzer winning ALISON'S HOUSE since its debut. Directed by Artistic Director Alex Roe at the Playhouse (220 E 4th Street, New York City), the production runs now through December 13, 2015. Opening night is set for tonight, November 20.

The Obie Award-winning Metropolitan Playhouse offers the first uncut revival of Susan Glaspell's 1931 Pulitzer winning ALISON'S HOUSE since its debut. Directed by Artistic Director Alex Roe at the Playhouse (220 E 4th Street, New York City), the production runs tonight, November 13 - December 13, 2015.

The Obie Award-winning Metropolitan Playhouse offers the first uncut revival of Susan Glaspell's 1931 Pulitzer winning ALISON'S HOUSE since its debut. Directed by Artistic Director Alex Roe at the Playhouse (220 E 4th Street, New York City), the production runs November 13 - December 13, 2015.

Fresh from their critically acclaimed, sold out productions of Twelfth Night, Much Ado About Nothing, Euripides' The Bacchae, and Macbeth, The Queens Players returns for their debut performance in the newly redesigned Little Theatre with a magical, Night Circus reimagining of William Shakespeare's A Midsummer Night's Dream. Director Illana Stein's vision of the dichotomy between the monochromatic mortal world of Athens and the black-light drenched, twilight infused circus-realm of the fairies will bring audiences right 'into the tent' so to speak. True love will be tested, two worlds will collide, and mischief will be made!

Fresh from their critically acclaimed, sold out productions of Twelfth Night, Much Ado About Nothing, Euripides' The Bacchae, and Macbeth, The Queens Players returns for its debut performance in the newly redesigned Little Theatre with a magical, Night Circus reimagining of William Shakespeare's A Midsummer Night's Dream. BroadwayWorld has a sneak peek at the cast below!

Fresh from their critically acclaimed, sold out productions of Twelfth Night, Much Ado About Nothing, Euripides' The Bacchae, and Macbeth, The Queens Players returns for their debut performance in the newly redesigned Little Theatre with a magical, Night Circus reimagining of William Shakespeare's A Midsummer Night's Dream. Director Illana Stein's vision of the dichotomy between the monochromatic mortal world of Athens and the black-light drenched, twilight infused circus-realm of the fairies will bring audiences right 'into the tent' so to speak. True love will be tested, two worlds will collide, and mischief will be made!

The Queens Players' and Secret Theatre's Richard Mazda [Edward II, MacBeth, Othello, Knight of the Burning Pestle, Dr Faustus], once again brings a unique style and concept to a beloved Shakespeare piece, MUCH ADO ABOUT NOTHING with a fantastically talented team of designers; Beth Williams, Helen Ammon, Casey Rowe and John Michael Creenan helping to create a unique Trash Period world who with an extremely talented cast will bring the funny in William Shakespeare's beloved comedy. Our Benedict is noted Actor/Director/Teacher, Alberto Bonilla* who collaborated with the director and hosted Clown workshops for the cast. Although there are no red noses, the deep insights that clown elements bring to the show are self evident.

The Queens Players' and Secret Theatre's Richard Mazda [Edward II, MacBeth, Othello, Knight of the Burning Pestle, Dr Faustus], once again brings a unique style and concept to a beloved Shakespeare piece, MUCH ADO ABOUT NOTHING with a fantastically talented team of designers; Beth Williams, Helen Ammon, Casey Rowe and John Michael Creenan helping to create a unique Trash Period world who with an extremely talented cast will bring the funny in William Shakespeare's beloved comedy. Our Benedict is noted Actor/Director/Teacher, Alberto Bonilla* who collaborated with the director and hosted Clown workshops for the cast. Although there are no red noses, the deep insights that clown elements bring to the show are self evident.