BWW Review: Traditional Marionettes Update the Scrooge Story in A CHRISTMAS CAROL, OY! HANUKKAH, MERRY KWANZAA, HAPPY RAMADAN at Theater For The New City
If you've seen Drunk History on television you will understand the vibe of this show.
The latest reviews and critic recommendations from Off-Off-Broadway.
If you've seen Drunk History on television you will understand the vibe of this show.
Inspired by true events, A City of Refuge from Primitive Grace Theatre Ensemble brings the audience squarely to church, a haven-as-melting-pot that reaches its boiling point and beyond.
Since its first publication in 1843, Charles Dickens' holiday classic, A CHRISTMAS CAROL, has been adapted countless times for various stages, screens and pages, but undoubtedly the most authentic presentations of the story of the miserly Ebenezer Scrooge and the ghosts who assist in his transformat
Fans of David Bowie's music - and especially his lyrics - should immediately stop reading this review and book tickets to see the very limited run of Where Are We Now.
When a story is as woven in people's collective consciousness as A Christmas Carol is, how does one go about making their adaptation stand out amongst countless others? It turns out, all you have to do is be J.
In Sean Gorski's excellent scenic design, an inflatable parrot is perched on the back of a lounge chair.
An Italian family in the midst of a celebration, thrown into disarray by a missing prized truffle, looming money issues and an unsolved murdera??it really can't get better than this, am I right? What sounds like the next great television drama is given a musical flare and thus becomes a production t
A close friend recently told me there was no cure for climate change.
Dark, deep, mysterious and moving, Near to the Wild Heart echoes the voice and valor of the award-winning 1943 novel by Jewish-Brazilian author Clarice Lispector.
Christmas is fully represented on the stage in the small Teatro Círculo Theater.
As creatively ambitious as it is confounding, THE WHITES illuminates a race-inverted space where Black is white, the Whites are 'black' and.
Under the brilliant direction of Judith Feingold, with an exclusive three-performance run at the NuBox Theater (at the John DeSotelle Studio) in Hell's Kitchen, Cocaine is such an unexpectedly powerful piece that brings out the reality of addiction amidst the love of two young people, overcome by th
Presented by Two Tough Broads, directed by Joe John Battista and now in performances at the historic Theater for the New City, A Life In the Rye is truly an inspirational piece of theater that not only brings new life to J.
Truman Capote interviewed Marlon Brando in 1957.
Presented by Little Shadow Productions and Art Farm, and with music by Emmy Award-winning Paul Rudolph, ALL HALLOWS EVE is an immersive experience that compels its audience to adopt the belief of a child - to open up its collective mind and believe in something whose existence cannot be simply expla
Is playwright Cat Miller in possession of an oversized blender? For her play The Hope Hypothesis, she tosses in Alice in Wonderland, a Kafkaesque tale, absurdist comedy, a spy thriller, soap opera histrionics and a deep state government mystery all together.
In Eric Fallen's timely AMERICAN FABLES, all is fair in love and war as battle lines are drawn in five taut morality tales.
Directors Austin Pendleton and Peter Bloch have brought a more chilling atmosphere to the Glass Menagerie at The Wild Project.
With a certain and subdued beauty, NOTES ON MY MOTHER'S DECLINE softens the blow that expectations, memory and loss deal to a contemporary mother/son relationship.
Off Broadway enthusiasts are increasingly adding the tag South Broadway to denote the fact that first rate productions are being mounted by creative and savvy theater owners in their audience friendly state of the art venues in South Florida.
Written/performed by Valerie David and directed by Padraic Lillis and Maris Heller, THE PINK HULK is just about to finish its run at the 14th Street Y.
In NOTHING GOLD CAN STAY, Chad Beckim shows how a young woman's addiction to opioids affects not only her, but those who seek to help her.
'It's selfish to assume nature blooms just for you.
Written by Dann Berg and Avital Asuleen (Director/Choreographer), THE FLOORSHOW intersperses song-and-dance numbers into the dramatization of the personal and professional hurdles that an all-female performance troupe faces in 1951 New York City.
You might call John Kevin Jones the 'resident author' of East 4th Street's 1832 landmark Merchant's House Museum, though not in the traditional sense.
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