BWW Reviews: Blessing Sees The Arms Race as A WALK IN THE WOODS
Kathleen Chalfant and Paul Niebanck star as Cold War negotiators out for a friendly stroll....
BWW Reviews: Austin McCormick's ROCOCO ROUGE, an Intimate and Sensual Delight
Company XIV christens its new home with an elegantly erotic Baroque sampler....
BWW CD Reviews: Yellow Sound Label's TAMAR OF THE RIVER (A World Premiere Recording) is Majestically Opulent
The critically lauded and Drama Desk Award nominated TAMAR OF THE RIVER was originally commissioned as part of Signature Theatre's American Musical Voices Project: The Next Generation. With a rich tapestry of complicated choral and musical stylings, Marisa Michealson's inventive and experimental sco...
BWW Reviews: LaBute's Skewers L.A. Lifestyles in THE MONEY SHOT
Neil LaBute's new comedy is a riot from start to finish....
BWW Reviews: BEDBUGS!!! Delivers Mindless Sci-Fi Rocker Fun
Grace McLean and Brian Charles Rooney are both wildly funny in this musical spoof....
BWW Reviews: TEACH, TEACHER, TEACHEST Electrifies Ionesco
The new absurdist comedy, Teach Teacher, Teachest, One-Eighth Theater and INTAR Theatre pits Ionesco against Lazy Town and other supercharged pre-school aimed shows for highly entertaining results....
BWW Reviews: ROCK BOTTOM Offers Raunch Without Wit
Bridget Everett's obsessively aggressive raunchiness gets tiresome very quickly....
BWW Reviews: THE FATAL WEAKNESS May Be Found In The Script
The Mint mounts a fine revival of playwright George Kelly's final Broadway effort....
BWW Reviews: MIGHTY REAL: A FABULOUS SYLVESTER MUSICAL is Glittery, Glamorous Brillance
"The Queen of Disco" is back, honey! And, he is serving up something fierce and mighty real at the Theatre At St. Clement's. Anthony Wayne is channeling the disco legend and fabulously entertaining a wide range of audiences in MIGHTY REAL: A FABULOUS SYLVESTER MUSICAL. MIGHTY REAL is what the biogra...
BWW Reviews: BOOTYCANDY is Subversively Funny and Dramatically Intriguing
Robert O'Hara uses hilarious sketches and sobering drama in a collage of experiences from growing up gay and black....
BWW Reviews: Public Works' THE WINTER'S TALE Enchants at Delacorte
The phrase "community theatre" rarely inspires such vibrant dramatics and joyful pageantry as when the Public Theater's Public Works program takes the Delacorte stage....
BWW Reviews: DRUNKLE VANYA by Three Day Hangover, Don't Miss It!
Three Day Hangover is now performing 'Drunkle Vanya' an adaptation of Anton Chekhov's 'Uncle Vanya.' Adapted and directed by Lori Wolter Hudson, the show is a wholly entertaining piece of theater....
BWW Reviews: Absurdist Satire Meets Musical Comedy in RED EYE OF LOVE
Alli Mauzey and Josh Grisetti shine in a a daffy, enjoyable lark....
BWW Reviews: Neugebauer Provides a Satisfying Stay at THE WAYSIDE MOTOR INN
Lila Neugebauer directs an intriguing and touching production of A.R. Gurney's community of moments....
BWW CD Reviews: Jay Records' THE LAST SESSION (Original London Cast Recording)
THE LAST SESSION first opened in 1997 at the 47th Street Theatre. Sitting in one of those audiences was Rob Harris, who was so moved by the show that he made a vow to produce it himself one day. His dream become a reality in 2012, when he produced THE LAST SESSION in London. Now, fans of the musical...
BWW Reviews: AND I AND SILENCE Considers The Prison Life of Free Women
Naomi Wallace's intimate drama contrasts a women's prison and the prison free women encounter....
BWW Reviews: dell'Arte Opera Ensemble's MACBETH is Atmospheric and Intimate
As an art form, it seems that opera is having a hard time finding its footing with the current generation of young professionals. Increasingly, opera companies are scaling back as their current subscribers have no one to pass their torches on to. Despite this, dell'Arte Opera Ensemble is continuing ...
BWW Reviews: POOR BEHAVIOR is Bland Playwriting
Theresa Rebeck adds nothing fresh regarding the subjectivity of morality....
BWW Reviews: Start The REVOLUTION IN THE ELBOW OF RAGNAR AGNARSSON FURNITURE PAINTER Without Me
Ivar Pall Jonsson's pitiful attempt at allegorical whimsy lacks basic musical theatre craft....
BWW Reviews: COMING: A ROCK MUSICAL OF BIBLICAL PROPORTIONS is Irreverent Fun
When it comes to the annual Fringe Festival in New York City, everyone gets excited. Why? It's simple. New works! Erik Ransom's COMING: A ROCK MUSICAL OF BIBLICAL PROPORTIONS enjoyed a 2011 premiere and is now having its own second coming at Fringe. With humor that ranges from tongue-in-cheek camp t...
BWW Reviews: Sydney Theatre Company's THE MAIDS Goes For Jocular Over Jugular
Genet's erotically intimate drama gets played for broad laughs in Benedict Andrews' production....
BWW Reviews: dell'Arte Opera Ensemble's THE FAIRY QUEEN is Whimsical and Mirthful
In New York City, summer and Shakespeare go hand in hand. For their 2014 Season the dell'Arte Opera Ensemble is producing 'A Summer of Shakespeare,' and they kicked off this season with a fully staged production of Henry Purcell's THE FAIRY QUEEN. While giving the show a modern twist, dell'Arte Oper...
BWW CD Reviews: Ghostlight Records' A SECOND CHANCE (Original Cast Recording) Jazzes Life's Hardships
I've come to embrace the idea that a life well lived is filled with its fair share of second chances and new beginnings. For Ted Shen's A SECOND CHANCE audiences were introduced to Dan and Jenna, both are living in crisis. A SECOND CHANCE opened to mixed reviews at the Public Theater, and now Ghostl...
BWW Reviews: Sullivan's KING LEAR Lacks Serpent's Tooth Sharpness
Delacorte production more ritual than theatrical....
BWW Reviews: Stephen McKinley Henderson Displays Pathos and Power in BETWEEN RIVERSIDE AND CRAZY
Stephen Adly Guirgis' new play offers crackling, streetwise dialogue and tension-packed drama....
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