BWW Reviews: THE ERLKINGS Is a Fascinating Journey of Blaring, Brilliant Subtlety and Raw Emotions
Nathaniel Sam Sharpio's THE ERLKINGS is a gruesome reminder of the jarring headlines of 1999 across the nations and Columbine- gruesome because of how real and raw the performances and execution is. With heavy symbolism within the staging and the brilliant words, it is a night of theatre that needs to be seen to believe, and will not be soon forgotten.
The pre show begins: what seems to be a typical school setting, complete with a smattering of students, occupies the stage. All seems normal until one of the generous number of backpacks suspended above the stage falls, acting as a segue. The action begins. The audience is privy to the secret lives of a series of students, namely Eric Harris (Em Grosland) and Dylan Klebold (James Scully). They recite their letters, journal entries, online chat conversations, school assignments, and other individual works that give major, jarring insight into the world through their eyes. Sharpio's writing and structure is fascinating, and director Saheem Ali's execution is genius. Emotions run wild as Grosland and Scully's performances rage with the loudest subtlety ever witnessed, and layered with horrifying, gritty twists and turns. With strong ensemble work by Blair Baker, Matthew Bretschneider, Jonathan Iglesias, Reynaldo Piniella, and Kayla Wickes, this is an experience not to be missed.
The Erlkings began performances on November 9, opening on November 16 through December 13, 2014 at Theatre Row's Beckett Theatre (410 West 42nd Street). Tickets are $59.50 and can be purchased by calling 212.239.6200 or by visiting www.Telecharge.com.
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