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The Public Announces Extension of WHITE NOISE

The Public Announces Extension of WHITE NOISE

The Public Theater announced today a one-week extension of the world premiere of White Noise, written by Public Theater Master Writer Chair and Pulitzer Prize-winning playwright Suzan-Lori Parks. Oskar Eustis directs this fierce new playabout race, friendship, and our rapidly unraveling social contract. White Noise begins with a Joseph Papp Free Preview performance on Tuesday, March 5 in The Public's Anspacher Theater and will now run through Sunday, April 21, with an official press opening on Wednesday, March 20.

The complete cast of White Noise features Daveed Diggs (Leo), Sheria Irving (Misha), Thomas Sadoski(Ralph), and Zoë Winters (Dawn).

Following her critically-acclaimed trilogy Father Comes Home From The Wars (Parts 1, 2 & 3), Pulitzer Prize-winning playwright Suzan-Lori Parks (Topdog/Underdog, In the Blood) returns with a world premiere play about race, friendship, and our rapidly unraveling social contract. Long-time friends and lovers Leo, Misha, Ralph, and Dawn are educated, progressive, cosmopolitan, and woke. But when a racially motivated incident with the cops leaves Leo shaken, he decides extreme measures must be taken for self-preservation. The Public's Artistic Director, Oskar Eustis (Julius Caesar, Public Works' Twelfth Night), directs this fierce new drama about what happens when the unspoken and the unspeakable come head-to-head.

Public Theater Master Writer Chair Suzan-Lori Parks has a long relationship with The Public beginning in 1994 with The America Play, directed by Liz Diamond. Since then, her works have been produced by The Public five times, including Venus in 1996, directed by Richard Foreman; the Pulitzer Prize-winning Topdog/Underdog in 2001, directed by George C. Wolfe and featuring Don Cheadle and Jeffrey Wright; F*cking A in 2003, directed by Michael Greif; Book of Grace in 2010, directed by James G. Macdonald; and Father Comes Home From The Wars (Parts 1, 2 & 3), directed by Jo Bonney, which was a finalist for the Pulitzer Prize.

WHITE NOISE features scenic design by Clint Ramos, costume design by Toni-Leslie James, lighting design by Xavier Pierce, sound design by Dan Moses Schreier, and projection design by Lucy Mackinnon.

Photo Credit: Joan Marcus

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