THE METROMANIACS Enters Final Weeks

Red Bull Theater (Jesse Berger, Founder and Artistic Director | Jim Bredeson, Managing Director) presents the New York Premiere of David Ives's The Metromaniacs, adapted from Alexis Piron's La Métromanie and directed by Michael Kahn. Performances continue through Sunday May 20th only.

The cast for The Metromaniacs features Noah Averbach-Katz (The Bachelors - Williamstown Theater Festival, Othello - Dir. Pam MacKinnon); Christian Conn (RBT:The School for Scandal, Desire Under the Elms -Broadway, The Liar -CSC); Adam Green(RBT: The Witch of Edmonton, two Helen Hayes nominations for Midsummer Night's Dream and the world premiere of The Liar - Shakespeare Theatre of DC); Peter Kybart (Broadway: Awake and Sing, The Diary of Anne Frank, Judgment at Nuremberg; Off-Broadway: Beckett-Albee, Andorra, Cymbeline); Adam LeFevre (Bway: Devil's Disciple; Our Country's Good; Summer & Smoke; Footloose; Mamma Mia; Guys and Dolls; Priscilla Queen of the Desert; The Liar - CSC, Marriage of Bette and Boo - Roundabout); Amelia Pedlow (RBT: 'Tis Pity She's a Whore; Pride and Prejudice - Primary Stages; The Liar, The Heir Apparent - CSC); and Dina Thomas (Tribes, Clever Little Lies - Off-Broadway).

The Metromaniacs at The Duke on 42nd Street (229 West 42nd Street, between 7th and 8th Avenues), began performances April 10th with Opening Night on Sunday April 22nd. This limited Off-Broadway engagement will run through May 20th only. Running time is one hour and forty-five minutes, including one intermission.

The Metromaniacs has set design by James Noone, costume design by Murell Horton, lighting design by Betsy Adams, sound design by Matt Stine and original music composed by Adam Wernick.

To purchase tickets for the remaining performances, visit Dukeon42.org or call 646/223-3010. In person, regular box office hours at The Duke on 42nd Street are: Tuesday throughFriday, 4pm-7pm; Saturday 12pm-6pm.

It's springtime in Paris, 1738. Metromania, the poetry craze, is all the rage. Damis, a young, would-be poet with a serious case of verse-mania falls for a mysterious poetess from Breton, Meriadec de Peaudoncqville (say it). She turns out to be none other than a wealthy gentleman (yes, that's right) with a touch of the mania himself-looking to unload his sexy but dimwitted daughter-who also just happens to be cuckoo for couplets. Soon scheming servants, verbal acrobatics, and mistaken identities launch a breathless series of twists and turns in this breezy "transladaptation" of a rediscovered French farce by comedic master David Ives (The Liar, Venus in Fur, All in the Timing).

Red Bull Theater, hailed as "the city's gutsiest classical theater" by Time Out New York,is the not-for-profit Off-Broadway theater dedicated to shining a light on the classics, bringing rarely seen plays to dynamic new life for contemporary audiences. With the Jacobean plays of Shakespeare and his contemporaries as our cornerstone, Red Bull Theater is New York City's home for dynamic performances of great plays that stand the test of time. The company also produces new works that are in conversation with the classics.

Acclaimed as "a dynamic producer of classic plays" by The New York Times, Red Bull Theater has previously staged productions of Pericles, The Revenger's Tragedy, Edward the Second, Women Beware Women, The Duchess of Malfi, The Witch of Edmonton, The Maids, The Dance of Death, Loot, The Mystery of Irma Vep, Volpone, 'Tis Pity She's A Whore, The Changeling, The School For Scandal, Coriolanus, and last season's runaway comedy hit, The Government Inspector for an extended run at the Duke on 42nd Street and New World Stages. The company's work has been hailed as "the most exciting classical theater in New York" (Time Out New York), "Dynamite!" (The New York Times), "Triumphant" (Associated Press), and "Proof that classical theater can still be surprising after hundreds of years" (Variety).

Red Bull Theater's work has been recognized with multiple Drama Desk, Drama League, Lucille Lortel, Callaway and OBIE Award nominations and awards, including the Off-Broadway Alliance Award for Best Revival in the 2015-'16 season (School for Scandal). The company has staged over 150 Revelation Readings, named by the Village Voice "Best Play Reading Series," also developing new plays of heightened language and classical adaptations through workshops and offering educational programs for students of all ages, including Shakespeare In School residencies. Post-play Bull Session discussions with scholars following select Sunday matinees and Readings are free and open to the public.

Founded in 1990, The New 42nd Street is an independent, nonprofit organization charged with long-term responsibility for seven historic theaters on 42nd Street between Seventh and Eighth Avenues. In addition to running The New Victory Theater, The New 42nd Street built and operates the NEW 42ND STREET® Studios - a ten-story building of rehearsal studios, offices and a 200-seat theater named The Duke on 42nd Street - for national and international performing arts companies. Since its opening on June 21, 2000, the NEW 42ND STREET Studios has been fully occupied by both nonprofit and commercial theater, dance and opera companies. With these institutions and the other properties under its guardianship, The New 42nd Street plays a pivotal role in fostering the continued revival of this famous street at the Crossroads of the World.

The Duke on 42nd Street is an intimate 200-seat black box theater built and operated by The New 42nd Street. Since opening in 2000, the theater has been available on a rental basis to international and domestic nonprofit organizations to present their work. Companies that have presented at The Duke on 42nd Street theater include: Theatre for a New Audience; Playwrights Horizons; Lincoln Center Great Performers; Transport Group Theatre Company; The NYC Tap Festival; and 92nd Street Y's Harkness Dance Project. In October 2008, Lincoln Center Theater launched "LCT3" at The Duke on 42nd Street. In 2012, the American premiere of The Royal Court Theatre's Olivier Award-winning play,Cock, was presented by Stuart Thompson, Jean Doumanian and The Royal Court Theatre. NEW 42ND STREET presentations at The Duke on 42nd Street have included: Karole Amitage's Armitage Gone! Dance; Chicago Shakespeare Theater's Rose Rage; Naked Angels and Dan Klores's Armed and Naked in America; and Classical Theater of Harlem's production of Langston Hughes's Black Nativity. Notable NEW VICTORY® presentations at The Duke on 42nd Street include Joan McLeod's The Shape of a Girl, Steppenwolf Theater Company's The Bluest Eye and the smash hit, Once and For All We're Gonna Tell You Who We Are So Shut Up and Listen, presented by The New Victory Theater in cooperation with The Under the Radar Festival.

Remaining performances are Tuesday & Wednesday evenings at 7:30, Thursday, Friday & Saturday evenings at 8pm, with matinees select Wednesdays at 2pm, Saturdays at 2pm and Sundays at 3pm. Tickets for The Metromaniacs are available now. To purchase tickets, visit Dukeon42.org or call 646/223-3010. In person, regular box office hours at The Duke on 42nd Street are: Tuesday through Friday, 4pm-7pm; Saturday 12pm-6pm. On performance days the Box Office hours are extended.

The Duke on 42nd Street, a NEW 42ND STREET® project, is located at 229 West 42nd Street, between 7th & 8th Avenues.

For more information about The Metromaniacs and all of Red Bull's programs visit redbulltheater.com

Photo Credit: Carol Rosegg

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