BWW Review: KISS THE SKY at Theatre Royal Nelson
An exquisite, transformative contemporary dance show.
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An exquisite, transformative contemporary dance show.
There was just the right amount of scary to keep me on my seat and the use of lighting and sound was on point to deliver this.
Written by Roger Hall it is a classic, cleverly crafted comedic social commentary of 1970's New Zealand middle class.
This high energy, 'sit on the edge of your seat' play is crafted written by Joni Nelson who has cleverly meshed a social commentary into rollicking great entertainment that you will enjoy and will make you think.
Having been part of writer Leki Jackson Burke's 'south side' school experience I can validate that he has expressed the heart of the experiences of young Pasifika people as they negotiate their way through high school.
Director Kaitlin Spedding and Musical Director Ashleen Fain clearly understand the power of music to evoke theatrical catharsis, and powerfully present an emotional thought-provoking universal conflict that draws us into a heartfelt story.
Intelligently and meticulously directed by Zane Fleming, many layers unfold throughout this professional quality two-hour narrative.
Superbly directed by first time directed Robin Lane and supported by a young musical director Sammie Campbell, the forty-four cast members (aged from 6-16) have the audience laughing almost from the opening moments.
Chicago: High School Edition is an exceptional mesmerising show with contagious energy.
The Jungle Book is the second half of a double-feature, along with The Aristocats, presented by Nelson Youth Theatre.
A packed and appreciative house of pre-schoolers and primary school-aged children along with parents and grandparents, enjoyed the opening performance of The Aristocats on Monday, April 15 by 'Team A'.
A beautiful and moving story that connects with history and the people
As soon as you step into the gloomily lit theatre, the 'once upon a time' mystery of the fairy tale woods immediately enchants you.
At the opening performance of 'The Man Whose Mother was a Pirate' on Saturday afternoon it was not just children being richly entertained , but all attending who were young at heart thoroughly enjoyed a slick 50-minute musical play.
A full house on the Wednesday after opening night is always a good sign that the grape vine is sp Pukekohe Performing Arts production of 'Chicago' serves up a glitzy night of high energy entertainment.
I've never felt quite so transported into the realities of a convent or the freshness of a mountain or the sadness of a man who has lost his wife and is too aggrieved to notice his children.
Written by Albert Belz, 'Astroman' captures a kiwi slice of life from the '80's; a heartfelt and energetic piece highlighted with humour, struggle and plenty of 'ah-ha', 'ha-ha' and 'awww' moments in all the right places.
This performance not only circumnavigated around my heart several times but captured it in a willing surrender of raw emotional energy.
It's those feelings and desires to which we can all connect.
Pete Coates masterfully portrays all 20 characters in Giles Burton's adaptation of G K Chesterton's 1908 spy thriller 'The Man who was Thursday'.
How apt being here just after the celebrations of International Women's Day! All feminists need to see this and those who are not, also need to see this.
North Shore Music Theatre's 'The Last 5 Years' is a heartbreaking, emotional roller coaster from the first glorious note to the last.
Neil Simon's 'California Suite,' a 1970's series of stories set in a fictitious Beverly Hills Hotel Room gives us a snapshot of relationships and the human condition within 4 different scenarios.
Leading ladies Megan O'Reilly playing Dorothy Brock and Geena Hutton as Peggy Sawyer are both powerhouses of talent.
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