Icelandic Caveman, Joel Saemundsson, Headlines DEFENDING THE CAVEMAN

For a limited engagement, Icelandic Caveman, Joel Saemundsson, will be headlining the role of Rob Becker's smash hit comedy Defending the Caveman, The longest running one man show in Vegas history.

After a succesful sellout season in his native Iceland, the inimitable and hysterical Joel Saemundsson will be performing for four nights ( 22nd- 25th August ) at The D's Showroom at The D Casino Hotel.

Theater trained in the U.K., Joel is one of Iceland's up and coming new actors, having recieved critical acclaim for his unique and original take on Rob Becker's classic and timeless comedy. Rising to fame in Iceland after a supporting role in Iceland's most popular tv-series ever, Trapped, Joel can soon be seen leading his first full-length motion picture, Pity The Lovers.

Along with South African director, Emma Peirson, the team have brought new energy into the ever successful, Defending the Caveman, taking in all of the new challenges of technology and changes in society. As our perception of feminity and masculinity have changed, so has the Caveman

Theater Mogul, the most expansive Production Company in Europe and owner of Defending the Caveman, proudly presents this production, with offices in New York, Berlin, Reykjavik and Zurich, and many Cavemen performing all over the world.

Defending the Caveman is Theater Mogul's key production that have been produced in over 50 countries worldwide. Producing credits include Defending the Caveman, Defending the Cavewoman, Menopause the Musical, Silence! The Musical, Sexy Laundry, Groundhog Day on Broadway and Friends! The Musical in New York City, among many others.

Joel is thrilled to be performing to the Vegas audience:"It's always been a dream of mine to perform in Vegas! Having performed in Europe and around Iceland I cant wait to share this production with a new audience. I am extremely pleased and grateful to get this great opportunity to perform our version of this hysterical classic comedy for U.S. audiences."

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