The latest reviews and critic recommendations from Hong Kong.
Something has refreshed the Hong Kong Cultural Centre since early this month when Hong Kong Ballet's season finale, WHEELDON, RATMANSKY, MCINTYRE & THE BEATLES, a showcase of three short pieces by arguably the best contemporary ballet choreographers at this day and age, was presented on the Grand Th
Hong Kong Dance Company invites Beijing Dance Academy to collaborate again, doing two shows at two weekends, BEAUTY BEYOND WORDS: ANCIENT CHINESE DANCE CLASSICS, performed at Shatin Town Hall at last weekend, and the revival of DREAM OF THE PAST at Hong Kong Cultural Centre at the coming weekend.
Hal Prince really loves Brecht.
Retelling the ancient Greek play by Aeschylus, which is the first part of his three Danaid plays (part two THE EGYPTIANS and part three THE DANAIDS do not survive), THE SUPPLIANT WOMEN, this new version by David Greig after the ancient Greek tragedian, is an actual and glorious ritual to make a test
I have to confess that I had two misconceptions of PURSUIT OF HAPPINESS before I entered the theatre to see it, which makes my experience of viewing this two-hour theatre a surprising yet also predictable engagement based on this year's Hong Kong Arts Festival's theme: 'What's real to me'.
Two theatre shows in the Festival, both ran at the Hong Kong Cultural Centre, have their titles branded with the word 'Dream': BOSCH DREAMS and DREAM AND DERANGEMENT.
Theatre of Nations (Russia)'s Shukshin's Stories, presented at the 46th Hong Kong Arts Festival, refines masculinity by exploring eight short stories by Vasily Shukshin.
TALE OF THREE CITIES showcases three short dance pieces by three different Companies in three 'cities' in East Asia: Bulareyaung Dance Company from Taitung in Taiwan, Han Dance Project from Seoul in Korea, and Hong Kong Dance Company from Hong Kong.
A NIGHT ON BROADWAY has strong vocals directly from Broadway, but needs a clear direction for the show itself to show the performers' unique sides.
