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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$1,013,517 | $1,013,517 | $135 $323 |
7,507 | 8,208 | 8 | 91.50% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$646,188 | $646,188 | $130 $348 |
4,955 | 9,224 | 8 | 53.70% |
|
ALADDIN (NEW AMSTERDAM) |
$1,207,501 | $1,207,501 | $91 $216 |
13,200 | 13,816 | 8 | 95.50% |
|
AN ENEMY OF THE PEOPLE (CIRCLE IN THE SQUARE) |
$1,109,137 | $1,109,137 | $163 $480 |
6,805 | 6,624 | 8 | 102.70% |
|
BACK TO THE FUTURE: THE MUSICAL (WINTER GARDEN) |
$975,907 | $975,907 | $94 $247 |
10,395 | 11,824 | 8 | 87.90% |
|
CHICAGO (AMBASSADOR) |
$978,473 | $978,473 | $117 $257 |
8,354 | 8,640 | 8 | 96.70% |
|
DAYS OF WINE AND ROSES (STUDIO 54) |
$363,544 | $363,544 | $81 $247 |
4,466 | 7,904 | 8 | 56.50% |
|
DOUBT: A PARABLE (TODD HAIMES) |
$465,133 | $465,133 | $99 $323 |
4,689 | 5,089 | 7 | 92.10% |
|
HADESTOWN (WALTER KERR) |
$1,107,953 | $1,107,953 | $149 $499 |
7,444 | 7,344 | 8 | 101.40% |
|
HAMILTON (RICHARD RODGERS) |
$1,760,337 | $1,760,337 | $165 $399 |
10,638 | 10,592 | 8 | 100.40% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,152,558 | $1,152,558 | $98 $299 |
11,764 | 12,976 | 8 | 90.70% |
|
KIMBERLY AKIMBO (BOOTH) |
$512,200 | $512,200 | $100 $273 |
5,145 | 6,184 | 8 | 83.20% |
|
MERRILY WE ROLL ALONG (HUDSON) |
$1,562,436 | $1,562,436 | $202 $649 |
7,728 | 7,728 | 8 | 100.00% |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,248,330 | $1,248,330 | $126 $329 |
9,877 | 11,096 | 8 | 89.00% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,304,017 | $1,304,017 | $128 $399 |
10,206 | 10,400 | 8 | 98.10% |
|
SIX (LENA HORNE) |
$945,475 | $945,475 | $116 $249 |
8,157 | 8,248 | 8 | 98.90% |
|
SPAMALOT (ST. JAMES) |
$672,326 | $672,326 | $85 $329 |
7,949 | 11,592 | 8 | 68.60% |
|
SWEENEY TODD: THE DEMON BARBER OF FLEET STREET (LUNT-FONTANNE) |
$1,312,390 | $1,312,390 | $131 $499 |
9,997 | 10,486 | 7 | 95.30% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$915,452 | $915,452 | $111 $250 |
8,265 | 8,528 | 8 | 96.90% |
|
THE LION KING (MINSKOFF) |
$1,619,036 | $1,619,036 | $122 $215 |
13,253 | 13,568 | 8 | 97.70% |
|
THE NOTEBOOK (SCHOENFELD) |
$769,387 | $769,387 | $94 $323 |
8,189 | 8,136 | 8 | 100.70% |
|
THE WHO'S TOMMY (NEDERLANDER) |
$345,129 | $345,129 | $147 $299 |
2,350 | 2,350 | 2 | 100.00% |
|
WATER FOR ELEPHANTS (IMPERIAL) |
$723,077 | $723,077 | $80 $278 |
9,004 | 9,723 | 7 | 92.60% |
|
WICKED (GERSHWIN) |
$1,836,268 | $1,836,268 | $126 $275 |
14,578 | 14,936 | 8 | 97.60% |
| TOTAL | $24,545,774 | $1,022,741 | $119.79 $333.50 |
204,915 | 225,216 | 183 | 90.99% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
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