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Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
& JULIET (STEPHEN SONDHEIM) |
$1,029,031 | $1,029,031 | $141 $323 |
7,323 | 8,208 | 8 | 89.20% |
|
1776 (AMERICAN AIRLINES) |
$226,467 | $226,467 | $71 $248 |
3,183 | 5,784 | 8 | 55.00% |
|
A BEAUTIFUL NOISE, THE NEIL DIAMOND MUSICAL (BROADHURST) |
$1,011,960 | $1,011,960 | $120 $348 |
8,401 | 9,216 | 8 | 91.20% |
|
A CHRISTMAS CAROL (NEDERLANDER) |
$553,222 | $553,222 | $86 $229 |
6,454 | 9,480 | 8 | 68.10% |
|
A STRANGE LOOP (LYCEUM) |
$516,335 | $516,335 | $97 $297 |
5,304 | 7,296 | 8 | 72.70% |
|
AIN'T NO MO' (BELASCO) |
$120,901 | $120,901 | $21 $297 |
5,660 | 8,152 | 8 | 69.40% |
|
ALADDIN (NEW AMSTERDAM) |
$1,425,883 | $1,425,883 | $109 $228 |
13,080 | 13,816 | 8 | 94.70% |
|
ALMOST FAMOUS (JACOBS) |
$734,567 | $734,567 | $124 $297 |
5,927 | 8,184 | 8 | 72.40% |
|
BEETLEJUICE (MARQUIS) |
$1,123,022 | $1,123,022 | $111 $249 |
10,125 | 12,816 | 8 | 79.00% |
|
BETWEEN RIVERSIDE AND CRAZY (HAYES) |
$117,991 | $117,991 | $42 $197 |
2,797 | 3,474 | 6 | 80.50% |
|
CHICAGO (AMBASSADOR) |
$612,455 | $612,455 | $90 $197 |
6,802 | 8,640 | 8 | 78.70% |
|
DEATH OF A SALESMAN (HUDSON) |
$458,874 | $458,874 | $90 $299 |
5,086 | 7,800 | 8 | 65.20% |
|
FUNNY GIRL (AUGUST WILSON) |
$1,730,036 | $1,730,036 | $179 $599 |
9,654 | 9,752 | 8 | 99.00% |
|
HADESTOWN (WALTER KERR) |
$725,169 | $725,169 | $105 $299 |
6,897 | 7,344 | 8 | 93.90% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
HAMILTON (RICHARD RODGERS) |
$2,083,446 | $2,083,446 | $206 $449 |
10,106 | 10,592 | 8 | 95.40% |
|
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,317,000 | $1,317,000 | $126 $327 |
10,422 | 12,976 | 8 | 80.30% |
|
INTO THE WOODS (ST. JAMES) |
$839,475 | $839,475 | $102 $399 |
8,221 | 12,024 | 8 | 68.40% |
|
KIMBERLY AKIMBO (BOOTH) |
$536,152 | $536,152 | $108 $263 |
4,943 | 6,184 | 8 | 79.90% |
|
KPOP (CIRCLE IN THE SQUARE) |
$126,493 | $126,493 | $32 $230 |
3,946 | 5,496 | 8 | 71.80% |
|
LEOPOLDSTADT (LONGACRE) |
$1,087,164 | $1,087,164 | $155 $347 |
7,007 | 8,600 | 8 | 81.50% |
|
MIKE BIRBIGLIA: THE OLD MAN & THE POOL (VIVIAN BEAUMONT) |
$398,095 | $398,095 | $65 $277 |
6,105 | 7,553 | 7 | 80.80% |
|
MJ THE MUSICAL (NEIL SIMON) |
$1,739,485 | $1,739,485 | $157 $250 |
11,055 | 11,096 | 8 | 99.60% |
|
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,399,728 | $1,399,728 | $136 $449 |
10,262 | 10,400 | 8 | 98.70% |
|
OHIO STATE MURDERS (JAMES EARL JONES) |
$196,541 | $196,541 | $67 $223 |
2,923 | 6,420 | 6 | 45.50% |
|
SIX (LENA HORNE) |
$1,317,954 | $1,317,954 | $163 $249 |
8,063 | 8,248 | 8 | 97.80% |
|
SOME LIKE IT HOT (SHUBERT) |
$622,357 | $622,357 | $94 $257 |
6,587 | 10,136 | 7 | 65.00% |
|
TAKE ME OUT (SCHOENFELD) |
$386,296 | $386,296 | $92 $297 |
4,216 | 8,488 | 8 | 49.70% |
|
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,060,557 | $1,060,557 | $133 $299 |
7,965 | 8,528 | 8 | 93.40% |
|
THE COLLABORATION (FRIEDMAN) |
$208,597 | $208,597 | $64 $279 |
3,254 | 3,822 | 6 | 85.10% |
| SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
|
THE LION KING (MINSKOFF) |
$2,162,999 | $2,162,999 | $168 $199 |
12,881 | 13,568 | 8 | 94.90% |
|
THE MUSIC MAN (WINTER GARDEN) |
$3,030,899 | $3,030,899 | $254 $597 |
11,956 | 12,200 | 8 | 98.00% |
|
THE PHANTOM OF THE OPERA (MAJESTIC) |
$1,966,059 | $1,966,059 | $151 $497 |
12,980 | 12,840 | 8 | 101.10% |
|
THE PIANO LESSON (ETHEL BARRYMORE) |
$900,020 | $900,020 | $128 $297 |
7,024 | 8,344 | 8 | 84.20% |
|
TOPDOG / UNDERDOG (GOLDEN) |
$301,270 | $301,270 | $83 $248 |
3,637 | 6,416 | 8 | 56.70% |
|
WICKED (GERSHWIN) |
$1,824,793 | $1,824,793 | $132 $250 |
13,823 | 14,456 | 8 | 95.60% |
| TOTAL | $33,891,293 | $968,323 | $128.34 $308.23 |
264,069 | 318,349 | 272 | 82.95% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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