Note: Click on a Column Head to Sort/Graph by Column. Complete Statistical Data Not Available for Shows Prior to 1996.
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
A STRANGE LOOP (LYCEUM) |
$720,553 | $720,553 | $107 $313 |
6,755 | 7,296 | 8 | 92.60% |
ALADDIN (NEW AMSTERDAM) |
$841,177 | $841,177 | $100 $200 |
8,392 | 8,635 | 5 | 97.20% |
AMERICAN BUFFALO (CIRCLE IN THE SQUARE) |
$496,203 | $496,203 | $101 $300 |
4,896 | 6,008 | 8 | 81.50% |
BEETLEJUICE (MARQUIS) |
$1,067,929 | $1,067,929 | $116 $249 |
9,174 | 12,816 | 8 | 71.60% |
BIRTHDAY CANDLES (AMERICAN AIRLINES) |
$328,372 | $328,372 | $70 $197 |
4,717 | 5,816 | 8 | 81.10% |
CHICAGO (AMBASSADOR) |
$772,683 | $772,683 | $98 $207 |
7,917 | 8,640 | 8 | 91.60% |
COME FROM AWAY (SCHOENFELD) |
$459,656 | $459,656 | $87 $247 |
5,285 | 8,368 | 8 | 63.20% |
COMPANY (JACOBS) |
$684,510 | $684,510 | $109 $327 |
6,261 | 8,368 | 8 | 74.80% |
DEAR EVAN HANSEN (MUSIC BOX) |
$588,371 | $588,371 | $94 $248 |
6,229 | 7,872 | 8 | 79.10% |
FOR COLORED GIRLS WHO HAVE CONSIDERED SUICIDE / WHEN THE RAINBOW IS ENUF (BOOTH) |
$226,307 | $226,307 | $70 $223 |
3,230 | 6,184 | 8 | 52.20% |
FUNNY GIRL (AUGUST WILSON) |
$1,261,615 | $1,261,615 | $136 $299 |
9,255 | 9,752 | 8 | 94.90% |
GIRL FROM THE NORTH COUNTRY (BELASCO) |
$307,358 | $307,358 | $83 $197 |
3,690 | 6,384 | 8 | 57.80% |
HADESTOWN (WALTER KERR) |
$1,170,870 | $1,170,870 | $159 $399 |
7,374 | 7,344 | 8 | 100.40% |
HAMILTON (RICHARD RODGERS) |
$2,322,989 | $2,322,989 | $223 $449 |
10,433 | 10,592 | 8 | 98.50% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
HANGMEN (GOLDEN) |
$287,451 | $287,451 | $97 $223 |
2,967 | 6,416 | 8 | 46.20% |
HARRY POTTER AND THE CURSED CHILD (LYRIC) |
$1,586,565 | $1,586,565 | $126 $277 |
12,551 | 12,976 | 8 | 96.70% |
HOW I LEARNED TO DRIVE (FRIEDMAN) |
$371,173 | $371,173 | $86 $299 |
4,302 | 5,096 | 8 | 84.40% |
MACBETH (LONGACRE) |
$1,116,578 | $1,116,578 | $161 $473 |
6,930 | 7,357 | 7 | 94.20% |
MJ THE MUSICAL (NEIL SIMON) |
$1,460,190 | $1,460,190 | $140 $250 |
10,408 | 11,096 | 8 | 93.80% |
MOULIN ROUGE! THE MUSICAL (AL HIRSCHFELD) |
$1,310,157 | $1,310,157 | $135 $329 |
9,682 | 10,400 | 8 | 93.10% |
MR. SATURDAY NIGHT (NEDERLANDER) |
$396,540 | $396,540 | $132 $299 |
3,012 | 4,752 | 4 | 63.40% |
MRS. DOUBTFIRE (STEPHEN SONDHEIM) |
$725,700 | $725,700 | $93 $227 |
7,832 | 8,272 | 8 | 94.70% |
PARADISE SQUARE (ETHEL BARRYMORE) |
$261,256 | $261,256 | $54 $248 |
4,800 | 7,856 | 8 | 61.10% |
PLAZA SUITE (HUDSON) |
$1,644,056 | $1,644,056 | $213 $549 |
7,728 | 7,800 | 8 | 99.10% |
POTUS: OR, BEHIND EVERY GREAT DUMBASS ARE SEVEN WOMEN TRYING TO KEEP HIM AL (SHUBERT) |
$445,741 | $445,741 | $74 $248 |
6,010 | 11,608 | 8 | 51.80% |
SIX (BROOKS ATKINSON) |
$1,283,844 | $1,283,844 | $158 $249 |
8,130 | 8,248 | 8 | 98.60% |
TAKE ME OUT (HELEN HAYES) |
$591,559 | $591,559 | $130 $299 |
4,552 | 4,648 | 8 | 97.90% |
THE BOOK OF MORMON (EUGENE O'NEILL) |
$1,053,153 | $1,053,153 | $128 $350 |
8,245 | 8,528 | 8 | 96.70% |
THE LION KING (MINSKOFF) |
$2,000,284 | $2,000,284 | $148 $199 |
13,477 | 13,568 | 8 | 99.30% |
SHOW | Total Gross | Avg. Gross | Avg / Top Ticket | Seats Sold |
Total Seats |
Perf. | Avg. % |
THE MINUTES (STUDIO 54) |
$322,173 | $322,173 | $88 $195 |
3,642 | 5,336 | 8 | 68.30% |
THE MUSIC MAN (WINTER GARDEN) |
$3,287,294 | $3,287,294 | $269 $597 |
12,241 | 12,200 | 8 | 100.30% |
THE PHANTOM OF THE OPERA (MAJESTIC) |
$976,104 | $976,104 | $97 $247 |
10,049 | 12,840 | 8 | 78.30% |
THE SKIN OF OUR TEETH (VIVIAN BEAUMONT) |
$289,682 | $289,682 | $51 $225 |
5,626 | 8,464 | 8 | 66.50% |
TINA - THE TINA TURNER MUSICAL (LUNT-FONTANNE) |
$909,006 | $909,006 | $117 $249 |
7,756 | 11,824 | 8 | 65.60% |
WICKED (GERSHWIN) |
$1,780,207 | $1,780,207 | $130 $260 |
13,662 | 14,456 | 8 | 94.50% |
TOTAL | $33,347,304 | $952,780 | $129.65 $289.87 |
257,210 | 307,816 | 272 | 83.56% |
Note: All data presented for informational purposes only. BroadwayWorld.com makes no guarantees as to the accuracy of the data, or the matter in which it's presented. Source: The Broadway
League..
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