Pioneer Theatre Company | Salt Lake City, UT
Friday, August 15, 2025
1:00 PM - 5:00 PM (M)
To schedule an audition appointment please go to:
https://pioneertheatre.org/about-us/auditions/local-auditions-noises-off/.
LORT Non-Rep
$1144 weekly minimum (LORT B)
Equity actors for roles in NOISES OFF (See breakdown).
No roles will be understudied.
Please prepare to use the Sides for the specific role you are interested in. Side may be found here:
https://drive.google.com/drive/folders/1Fu2FUvJRGrnWHSNMcqN-IEO9qHKr5y3f
Simmons Pioneer Memorial Theatre
300 S 1400 E Lower LEVEL
Salt Lake City, UT 84112-0660
Rehearsal Studio.
Artistic Director: Karen Azenberg
Associate Artistic Director: Eric Jackson
Written by Michael Frayn
Directed by Shelley Butler
Expected to attend:
Director: Shelley Butler
Callbacks: August 16th
1st Rehearsal: 11/10/25
Opening: 12/5/25
Closing: 12/20/25
pioneertheatre.org
An Equity Monitor will not be provided. The producer will run all aspects of this audition.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to attend every audition.
Always bring your Equity Membership card to auditions.
Notice: Audition Call Type: Open Call
Please be advised that the elevator usually available for auditions (at the South Entrance of Simmons PMT) is currently being replaced. Those auditioning who require use of an elevator to access auditions should please reach out to Company Manager Dylan McKernan (
Dylan.McKernan@PTC.Utah.edu) with audition time to arrange alternate access.
There’s no business like show business? Often hailed as one of the greatest farces ever written, Noises Off sees onstage antics collide with backstage hijinx — in a zany tribute to “theatre-people” everywhere. Noises Off is a comedy that pulls back the curtain on a theatre company struggling to keep its production from falling apart. Forgotten lines, misplaced props, and romantic entanglements lead to total chaos with doors slamming and sardines flying, in a whirlwind of slapstick hilarity.
BROOKE ASHTON: (Female Identifying, any ethnicity. Mid 20s - mid 30s) British dialect. Inexperienced young actress often caught up in her own thoughts. Constantly losing her contact lenses and consequently her way—but carries on with the play regardless. Unknowingly in a love triangle. She portrays the character “Vicki.”
BELINDA BLAIR: (Female Identifying, any ethnicity, 30s – mid 40s) British dialect. A veteran actress who tends to see the positive and rallies the company into forward motion. Protective of Freddie and prone to gossip though her good cheer generally carries the day. She portrays the character “Flavia Brent.”
FREDERICK FELLOWES: (Male Identifying, any ethnicity, 30s – mid 40s) British dialect. A good hearted but insecure actor prone to overthinking; the actor who always has a question late in the game. Strong aversion to violence with a penchant for nosebleeds. He portrays the characters “Philip Brent” and “Sheikh.”
LLOYD DALLAS: (Male Identifying, any ethnicity, 40s – 50s) British dialect. The director of the play. Charismatic with the presence and charm to run the room but prone to biting sarcasm and often exasperated with his company. In a love triangle with Brooke and Poppy and forever trying to keep that under wraps.
GARRY LEJEUNE: (Male Identifying, any ethnicity, 30s – 40s) British dialect. Confident in speaking for the company but inarticulate and prone to unfinished sentences. Loves passionately and frequently driven into fits of jealous rage. Must be particularly adept at physical comedy. He portrays the character “Roger Tramplemaine.”
TIMOTHY ALLGOOD: (Male Identifying, any ethnicity, mid 20s – 30s) British dialect. Eager to please, over-worked Stage Manager. Constantly tasked with fixing the many production woes.
SELSDON MOWBRAY: (Male Identifying, any ethnicity, 70s) British dialect. Classical actor who is deeply alcoholic and hides his bottles onstage. Hard of hearing but perhaps using that to his advantage. Pleasant demeaner and quite charming as the burglar despite his bumbling state. He portrays the “Burglar.”
DOTTY OTLEY: (Female Identifying, any ethnicity, 50s - 60s) British dialect. Grand Dame of the theater having established herself playing character roles. Often forgets lines, props and entrances but passionate about the play (having literally invested in it). Has a thing for younger men. She portrays the character “Mrs. Clackett.”
POPPY NORTON-TAYLOR: (Female identifying, any ethnicity, 18 - 30s) British dialect. She is the Assistant Stage Manager and understudy to the female roles. Emotional, skittish and over-sensitive. Part of the Lloyd-Poppy-Brooke love triangle.
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