Everyman Theatre
CONTRACT
LORT Non-Rep $911 weekly minimum (LORT D)
SEEKING
Equity Stage Managers for Everyman Theatre's 2022-23 Season.
Everyman embraces identity conscious casting with an intentional eye on gender non binary, diversity, and ability-conscious casting. We believe in fair pay for all guest artists and will continue our transparent practice of compensating for additional commitments as these events occur. We aspire to become an artistic home that is multicultural in representation and centered on anti-racist and anti-oppression practices. Read more through our Statement of Solidarity at everymantheatre.org.
INSTRUCTIONS
Please send your resume for consideration.
Deadline: Mon, Jun 13, 2022
SUBMIT TO
Amanda Hall, Director of Production
315 West Fayette Street
Baltimore, MD 21201
PERSONNEL
Paige Hernandez, Associate Artistic Director
Noah Himmelstein, Associate Artistic Director
Kyle Prue, Producing Director
OTHER DATES
See production dates in breakdown.
OTHER
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
BREAKDOWN
DINNER AND CAKE, by Tuyet Thi Pham
Director: Paige Hernandez
Dates:
First Rehearsal: 8 / 4 / 2022
Opening: 9 / 9 / 2022
Closing: 10 / 2 / 2022
Synopsis: Mỹlinh has the chance to boost her career and make important connections in her new home in Washington DC – all she has to do is translate a simple dinner meeting between her friends’ parents – American and Vietnamese in-laws. When the two couples clash over the course of the evening, Mỹlinh must navigate and defuse the awkward and complicated cultural, national, and social politics between the two countries that make up her own unique identity.
THE LION IN WINTER, by James Goldman
Director: TBD
Dates:
First Rehearsal: 9 / 15 / 2022
Opening: 10 / 21 / 2022
Closing: 11 / 13 / 2022
Synopsis: A family feud of imperial proportions! Set during Christmas 1183, the play tells the wickedly amusing tale of King Henry II, his imprisoned queen, Eleanor of Aquitaine, and their three entitled, double-dealing sons who vie for the throne. This viciously funny drama is a high-stakes chess game where the pieces constantly change and no one is spared the sword.
KEN LUDWIG’S BASKERVILLE: A SHERLOCK HOLMES MYSTERY, by Ken Ludwig
Director: Laura Kepley
Dates:
First Rehearsal: 11 / 3 / 2022
Opening: 12 / 9 / 2022
Closing: 1 / 1 / 2023
Synopsis: From the award-winning mastermind Ken Ludwig comes a fast-paced comedy about everyone’s favorite detective solving his most notorious case. Sherlock Homes and Dr. Watson must crack the mystery before the family curse dooms its newest heir.
JUMP, by Charly Evon Simpson
Director: TBD
Dates:
First Rehearsal: 12 / 21 / 2022
Opening: 1 / 27 / 2023
Closing: 2 / 19 / 2023
Synopsis: As Fay copes with the death of her mother and loss of her childhood home, she seeks solace by visiting the bridge her mother took her to as a child. There she meets Hopkins, who walks the bridge as a balm for his own grieving. Filled with poetry and emotion, this story is about anguish, humanity, and the process of letting go.
THE SOUND INSIDE, by Adam Rapp
Director: Vincent M. Lancisi
Dates:
First Rehearsal: 2 / 2 / 2023
Opening: 3 / 10 / 2023
Closing: 4 / 2 / 2023
Synopsis: In this intimate drama we meet Yale writing professor Bella Lee Baird and her prodigy misfit student Christopher Dunn. Bella has recently been diagnosed with stage two cancer as the audience slowly learns about her unconventional choices regarding treatment. The two grow closer as Bella helps Christopher with his novel that eerily mirrors is life. Christopher seeks mentorship while Bella seeks something of her own, something she desperately wants.
HARVEY, by Mary Chase
Director: Susanna Gellert
Dates:
First Rehearsal: 3 / 23 / 2023
Opening: 4 / 28 / 2023
Closing: 5 / 21 / 2023
Synopsis: Elwood P. Dowd insists on including his friend Harvey in all of his sister Veta’s social gatherings. Trouble is, Harvey is an imaginary six-and-a-half-foot-tall rabbit. To avoid future embarrassment for her family, Veta decides to have Elwood committed to a sanitarium. At the sanitarium, she explains to the staff that her years of living with Elwood’s hallucination have caused her to see Harvey also, and so the doctors mistakenly commit her instead of her mild-mannered brother. The truth comes out, however; Veta is freed, and the search is on for Elwood, who eventually arrives at the sanitarium of his own volition, looking for Harvey. But it seems that Elwood and his invisible companion have had a strange influence on more than one of the doctors. Only at the end does Veta realize that maybe Harvey isn’t so bad after all.
Equity’s contracts prohibit discrimination. Equity is committed to diversity and encourages all its employers to engage in a policy of equal employment opportunity designed to promote a positive model of inclusion. As such, Equity encourages performers of all ethnicities, gender identities, and ages, as well as performers with disabilities, to submit.
Videos
